Three Evocations (2021)- M3g

Additional mix by
Engelr Hashim - Evocation III (Engelr Hashim mix)
Grischa Lichtenberger - 3(Grischa Lichtenberger 3 ēvōˈkāSH(ə)ns mix)

https://dingndents.bandcamp.com/album/three-evocations

Three Evocations - Evocation I / II / III / Engelr Hashim mix / 3 ēvōˈkāSH(ə)ns

@vendredear

From dating apps to removing histories, through long-distance relationships, phone sex, overheating cores, low batteries & miscommunications > join vendredear for an hour-long love story told from their iPhone's perspective.

TRACKLIST 
"Tracklist :
Arcade Fire with Owen Pallett — Milk & Honey #1 
oxhy — Everybody's Type OST 2019
Koloah — Android Love
thirdworldlabour — Assembly Lines
LEECH — TOUCH
SKY H1 — I Think I Am
ANIMA — TRAVERSING THE ETERNAL PLAINS_ CHAPTER FOUR : LOST MYSELF (intro) 
migu — Scivery
Acedia — For You (feat. Queendyster) 
xanah — Break My Legs
Cimarrón — Galope
Aamourocean — Ennui
SHX — Mirror
thirdworldlabour — MANY FATHERS
bod [ ¶÷] (no longing home edit) — PARAMORE X WALKING IN THE SNOW 
tumy — Weeping Angel
Colin Stetson — Spindrift
IVVVO — Good, Bad, Baby, Horny
ssaliva — Believer(CDQ)
Tanhauser Gate — T-Pharrione Spore
Loraine James — Running Like That (Feat Eden Samara)
Xyn Cabal — Nowei
Antwood — ICU
VIOLENCE — I Wanna Be Your Dog
silént phil — Cementerio Tamagochi (silént phil Remix)
SÁCCEA — Vigilia
mapalma — Fallen (mapalma Risen Remix)
GG Lobster — 香港 Sweet Harbour (Zean 群龍無‘手’ Remix)
Drumloop — When Its Cold I'd Like to Die (Moby) 
Benjamin Morando — Deep inside
Aggromance — X13X
Vanessa Amara — There’s no end (at least none to make meet)"

Vendredear ⏤ Has My IPhone Ever Been In Love ?

Anunde

https://formforum.bandcamp.com/album/rim

BRYYA is a genre of music created by artist @Kat-Nzingha, exploring the restructuring of formless sonic materials into metamorphic affect.

All music by Kat Nzingha
Art by Dylan Van Roost

BRYYA - Slita

“For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D). The record, out now on 29 Speedway, summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

Misty Ghost

vio lino - verita

Crystal Breath (Nick Jersey + Symdrone)

FROM CLAM018 | LIFEPOD5 - The Bravest Selfie Ever

https://clam-pressure.bandcamp.com/album/the-bravest-selfie-ever

@adrianocava

LIFEPOD5 - VERTA CORTEX BLESSED DANCE

Metalheart w/ Realcore - 20/06/2024

bogus level!

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect.

---

Felisha Ledesma is a multi-disciplinary artist currently based in Berlin, GER. In Portland, OR, Ledesma co-founded and directed numerous organizations focused on experimental sound and community engagement such as S1 (an artist-run space) and the Synth Library (a lending library for electronic music equipment). Most recently Felisha co-founded Fors (fors.fm), creating "novel instruments that are elegant to use and adventurous in sound" in collaboration with Ess Mattisson and is studying sonic arts at Universität der Künste, Berlin. 

releases January 29, 2021

mastering :: Ess Mattisson

cover artwork :: Felisha Ledesma

design ++ layout :: Robin JM Vanderheyden

all proceeds to Equitable Giving Circle :: www.equitablegivingcircle.org

Sweet Hour

Felisha Ledesma - 7:00 AM [Excerpt] (ENXPL04)

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

Felisha Ledesma - 7:00 AM [Excerpt] (ENXPL04)

enmossed