#mütambient

Electronic traX 2024 (house x techno) part ✌

procure

enms + enmx + enxevp series [cassette]

ιllιlı.ıllı ıllııl @gab_ii lııl  lııli lıιllιlı.

hosted by: qwqwqwqwa invites g a b _ i

1 hr extract from The Early Bird Show w Maria Somerville + SSIEGE aired on NTS Radio

https://www.nts.live/shows/early-bird-show-maria-somerville/episodes/early-bird-show-maria-somerville-9th-october-2023

The Early Bird Show w/ SSIEGE - 𝙉𝙏𝙎 Radio - Oct '23

https://soundcloud.com/disckadi for https://soundcloud.com/amdience

https://www.retreatradio.net/lost-in-transition

Lost In Transition #13 w/ Discka (10/04/24)

@olegbuyanov

The concept of space and distance plays an important role in terms of composition and organization of sounds, events in music. Within this mix, OL tried to show how music producers interact with this concept in different ways. As a result of mixing, layering and colliding selected tracks with different techniques and approaches, new, previously non-existent spaces emerge at the intersections.

Tracklist:
1. Mark Fell & Rian Treanor - Last exit to Chickenley (Download Edit) 
 2. Random_Inc - Random_Inc Searching For Sony Mao (Somewhere In Jerusalem)
 3. Ultra-Red - Cruise Control (original)
 4. Indetex - ragg
 5. Untitled - Untitled 
 6. Ivan Yerofeyev - Re 0
 7. Color Plus - I Swear I Do Anything 
 8. NUG - Bong Boat - Row
 9. LXV - Conduit
 10. Motor - Eyeland (Janet) (Amb-Rmx)
 11. сlipping. With Christopher Fleeger - Work Work
 12. OL - Untitled 
 13. Flaty - STRAW 0x
 14. Rafał Kołacki - Untitled
 15. Powell + LCO - 26 Lives - 04 13, 12
 16. Ultra-Red - An Epidemic Of Silence (4'33 )
 17. SEF - Untitled 6
 18. Igor Dyachenko - Reference Frame
 19. Orchestroll - Vite-Saignée
 20. hazbaragaz - Свистели раки
 21. nudo - satariel (ESTROTECT)
 22. Serwed - Untitled
 23. Deepchord Presents Echospace - Untitled 12
 24. TV Pow - TC 05

vol.1_OL

Initial Element exclusive Premiere.

Artist: Obseth
Title: Unknown Division
Label: Kusiya Records
Catalogue: KUR37
Format: Digital 
Genre: Electronic
Style: #Techno
Release date: June 7th, 2024

Support the label, buy it here:
kusiyarecords.bandcamp.com

Follow #Kusiyarecords here:
@kusiya-records
www.instagram.com/kusiya.records/

Follow #Obseth here:
@Obseth
on.soundcloud.com/iq6eUHpmKAMqEwQo6

PREMIERE: Obseth - Unknown Division [KUR37]

Label: Brutal Forms
Artist: BlindC​̧​hild
Title: Kalk
Format: Digital 
Cover art by: Alessio di Mezza
Release date : June 17th

Available on the bandcamp profile : brutalforms.bandcamp.com/music

Social Media :
Facebook : www.facebook.com/brutalforms
Instagram : www.instagram.com/brutal_forms/
Soundcloud : @brutalforms

BlindC​̧​hild - Kalk EP [Brutal Forms]

Moody cacophonies, sonic dispatches from Japan, crystalline breakbeats that are more environment than rhythm: Jake Muir’s 𝒆𝒏𝒎𝒊𝒙𝒆𝒅, described by Muir as a “(re)mixtape,” is a mind-bending deep dive into the enmossed archive. Besides reflecting the history of the label, Muir’s mix is a production in its own right. A Los Angeles native based in Berlin, Muir is a DJ and field recordist who “sees mixes as a vehicle to explore narratives outside of the album format.” 

In 𝑩𝒂𝒕𝒉𝒉𝒐𝒖𝒔𝒆 𝑩𝒍𝒖𝒆𝒔 (2023), where Muir sampled various sources to explore gay cruising culture and sensuality, his more expansive, conceptual approach to the form is illuminated. Mixes are not just a linear succession of tracks with transitions—they’re excavations that also result in the creation of new audio artifacts. Inspired by the psychedelic impulses of illbient, Muir uses DJ and sound engineering techniques to melt down genre distinctions and create alien atmospheres.

From the enmossed community, Muir pulls from artists like bad lsd trips, Angelo Harmsworth, Nick Klein, Tetsuya Nakayama, and Patrick Gallagher to coalesce a super-compendium of the global sonic underground, all viewed through his own unique lens. Muir takes major liberties with processing and effects automation to carve new worlds from the soil of these preexisting works. Some of the tracks and material on 𝒆𝒏𝒎𝒊𝒙𝒆𝒅 are heavily edited, emphasizing specific harmonics or bass frequencies, and some portions contain three or four layers, putting artists in direct conversation with each other. 

This heady approach—using the tools of both mixtape and remix—results in a super textual and dense palimpsest of the enmossed catalog. “Because mixes are more open- source,” Muir says, “it’s easier to express some ideas since there is more material to pull from.”

- Rob Goyanes

---

Berlin based sound artist, DJ and field recordist Jake Muir was infatuated with sound from an early age, surrounded by California's buzzing, whirring sonic landscape and his father's collection of beachfront rock LPs. So it wasn't surprising when, as he developed his ear, Muir was drawn to work that dexterously manipulated these elements, particularly musique concrète, field recording and experimental turntablism. He approaches his practice as a listener first, carefully choosing, layering and processing sounds that help him deconstruct and contextualize his lived experiences and influences. Using investigative software methodologies, DJ techniques and the engineering skills he acquired while studying, Muir makes deeply personal sonic art that fluidly traverses genre membranes, encouraging reflection and sometimes prompting psychedelic states.

---

Artwork source photo by Jake Muir
Design by Glyn Maier
All proceeds to Cadus (Berlin, DE): https://www.cadus.org

enmixed

Jake Muir - enmixed [Side B Excerpt] (ENMX-xb)

“On 𝑹𝒆𝒕𝒖𝒓𝒏 𝒕𝒐 𝑴𝒂𝒅𝒂𝒅𝒆𝒏𝒊, Expugnantis brings to Enmossed a compendium of nine dubs of minimal, crystalline excellence. Reflecting on “foggy” memories of a long car ride from the uKhahlamba-Drakensberg portion of the Great Escarpment, the album texturalizes Expugnantis’s grainy sentimental remembrance. The aquatic production is filtered through cloudy synth pads and plucky percussion. Here the expanse sits in the gestures of the minimal, not hampering the listener with dense maximalism or dramatics, but evoking focus through precise and considered repetition.

While the rooting of the compositions is hypersomnic and sentimental, they are filtered through the geographical contexts of recording and operating in the isolatory confines within Columbia, South Carolina. The murk of the percussion is the architectural foundation for the recordings, the pivoting agent between what Expugnantis thinks of as the immersive aquatic field and the game of going within and out. Emotive but not cliche, driving but not oppressive; Expugnantis takes us to Madadeni or somewhere akin.”

- Nick Klein, June 2024

---

Marcus Mtshali is a producer and DJ based out of Columbia, South Carolina.

Recorded by Marcus Mtshali
Audio and design finalized by Glyn Maier
Interview by Rob Goyanes

Return to Madadeni

Expugnantis - Configure (ENMS-04)

globalgoon 2024-09-01

Six years after their last album, 'Kites', the UK-based group makes their long-awaited return with a five-track EP, 'Five Points', which was recorded over a period of two months and will be available via SMO Recordings. 

Featured: https://klubikon.com/2024/09/26/premiere-submotion-orchestra-side-two 

'Five Points' EP will be available after the 25th of October https://submotionorchestra.ffm.to/fivepoints.OPR 

KLUBIKON 
https://klubikon.com 
https://www.facebook.com/klubikon 
https://www.instagram.com/klubikon 
https://www.tiktok.com/@klubikon 
https://www.youtube.com/klubikon 
https://soundcloud.com/klubikon

Five Points

Featured

PREMIERE: Submotion Orchestra - Side Two

You’ve been waiting for it, and so have we, RYC’s next frequency-jammer comes in the form of a heavyweight split 4-tracker, courtesy of two true techno pioneering figures: Mike Parker and Steve Bicknell. The continued influence of these two artists on both our early raving days and now as a team working on providing you the most exciting, boundary-pushing tech wares is second to none. As you’ll experience from the four jams constitutive of this unparalleled mindtrip of an EP, ‘In The Years Ahead’ is the living evidence the steadfastness of Parker and Bicknell's vision remains absolutely untouched. 

Zeroed in on taking ravers on an entrancing ride across pulsating corridors of whirring machine funk, sizzling acid and shape-shifting waves of sound, both sides of this EP share the best lot of both producers’ uniquely innovative approach to rhythm and production. Parker’s opening cut, ’Solar Limb’ is a textbook example of his complex, and heavily layered sound-design. An unflinching swing keeping time, brutal kicks punching holes in your head like giant steel hammers, the track may evolve slowly, repeating its post-industrial mantra over and over again, its flame doesn’t flicker one iota. Switching onto red-level dance floor menace, ‘Badlands’ pulls out the heavy artillery: an overkill bombardment of puncturing 909 drums, vortical winds blowing in the back like some solar storm of sorts, and this ebb-and-flow of FX-drenched synth ripples branded on your cortex like odd signs of cult belonging.

Bicknell’s takeover starts with the rugged and wild ‘Chaotic World’, whose title is definitely not usurped. Enter a blazing maelstrom of frantic synth assault knocked askew, intense bass tectonic movements and smashing arpeggios on the path of war. The track develops a massive momentum, swelling from primordial raw matter into weirdly arranged modular constructions, like that of Kubrick’s monolith emerging with ominous presence. ‘In The Years Ahead’ serves up a much distinctively elegant, glossy type of textural experience, synths playing pong in a hall of mirrors, interlacing and distorting as the percussive line unfolds its linear train-like groove. It dashes across landscapes of hypermodern glass and concrete with unrelenting horsepower, from techno’s early sanctuary right up onto tomorrow's temple of unmapped potentialities. 

*This much special release, so dear to our heart, comes clad in a beautiful piece of design by Atact, and will be pressed to 180g audiophile quality vinyl for an enhanced listening experience.

A1 written & produced by Mike Parker
A2 written & produced by Mike Parker
B1 written & produced by Steve Bicknell
B2 written & produced by Steve Bicknell
Distributed by Clone Distribution Rotterdam
Artwork & design by Atact.uk
Cat. no. RYCL022 – All Rights Reserved
℗ & © Reclaim Your City 2024
www.reclaimyourcity.bandcamp.com

RYCL022 - Mike Parker - Solar Limb

Mix made with 95 % exclusively prev unreleased original materials - edits, outtakes, versions, takes + oneoffs from recording sessions over the past few years.

Made with stems from recent projects and collaborators, including: raw nug tape recordings + snippets Jordan playing flute in a waterfall cave (the one i used in 'Night') + drum edits, live recordings from decks mixing sessions, Róisín's harp and vocal takes from upcoming project, track with more eaze, remix for Felipe’s well frozen piano album, Etienne de Lavaulx zither improv mixed from youtube, demos, outtakes and voice memo type field recordings, unreleased track with Joel, unreleased edit of guitar part from JQ,+ outtake from Planet Inc sessions

Trax Versions

"The aquatic is a concentric point of reflection within the latest release for Enmossed, procured as the split pairing of compositions by Finnish artists Kati Roover and J Koho. Both artists cull medial studies, collaborative processes, field recording, and geographically informed identitarian positionings in the audio works cultivated for cassette. Kati Roover’s aphotic meditations span across one side of the cassette, chiefly mirroring reflections on her Izhorian heritage, hydrofeminism thinking, and whale song captures. For the other side of the cassette, J Koho takes frameworks from Sound Studies paradigms to apply within his processed field recording efforts. Here, both artists service the latest edition of Enmossed’s ENMS catalog with mediated field recordings and sculpted isolatory liquidity formalism. Somewhere inside, the listener can be positioned enveloped in the dewy, aqueous sonorous realm of these two Finnish composers."

- Nick Klein

Kati Roover is a Helsinki-based, multidisciplinary artist. Her practice spans across the mediums of moving image, sound, photography, text and installations, draws upon and addresses a broad range of topics that are connected - from human, place and elemental interactions, mythopoetics, animisms and hydrofeminism, to the natural sciences and ecology.

J. Koho works extensively with sound and acts in many different roles in the field of sound art. Koho’s listening based artistic practice combines the methods, techniques and theories of acoustic, concrete, electronic, electroacoustic music and improvisation and simultaneously looks for meaningful and more sustainable ways to keep on working in this often technology-oriented and resource-intensive field. 

design template by RJM Vanderheyden
audio finalized by Glyn Maier for PLEN Audio
interview by Rob Goyanes

Split

J. Koho - Sijainteja [Excerpt] (ENMS-05)

"𝘪𝘯 𝘦𝘴𝘴𝘦𝘯𝘤𝘦 is an affirmation of communion. An invitation to contemplate that we are threaded by the same material traces, imprinting us —first through our senses, then through the distillation of experience into memory and its gifts: perspective, continuity, belonging. An analog photograph contains traces of the light that touched who or what was pictured. A body of water is the link between anything that was ever in it, no matter whether it leaves or stays. Words, tarot cards, and any other signs are portals to all the previous and future times they emerge. The walls of a room in a gallery or a house are coated with what happened inside it. A harp string disrupts the elements with the same vibration that travels and interacts with our bones. 𝘪𝘯 𝘦𝘴𝘴𝘦𝘯𝘤𝘦 is an invocation of the tangible as encounter, of the shared object as a site that refracts punctual experience into a new kind of collective knowledge. A portrait and a prayer that suture the wound between body and instrument, between voice and name."

- Marta Núñez Pouzols

A1 Marta Núñez Pouzols and Glyn Maier - Space Regained
A2 tremella and RJ Gitter - asifaflower (reflections)
A3 Secret Boyfriend - Total Eclipse (edit)
A4 Lotta Petronella - Somewhere
A5 Tether - Harnesses
A6 Unguent - Entozoon-glossalalia
A7 White Gourd - Last Breaths of the Ovenbird
A8 Virusse - smokedance

B1 Danielle Vogel - the sacred same
B2 Chaperone - Hypoglycemia For Tivoli Radio
B3 Ana Cristina - Así Se Levantan y Danzan con la Lluvia
B4 Jessika Fancy - let’s go live where wild figs grow
B5 Iruka María Toro - Golden Light Flower
B6 Lily Herman - I have come to you with your names
B7 Yanara Friedland - from planetary rupture
B8 Cornelius F. Van Stafrin III - Resonant Essence Senses
B9 Kelli Frances Corrado feat. M.Sauder on bass - Cry Wild
B10 Liz Migliorelli - The Singing Fir Tree

Individual tracks and booklet included in album download. 

curation, photo, and poem by Chanelle Allesandre
drawing by Gelsey Amelia
design and layout by Joe Bastardo
mixed by Glyn Maier
mastered by Nathan Taylor

in essence

in essence [Side B Excerpt] (ENXEVP04)

s8v1   [brooklyn]

Tha2 [world scam mix]

qu 1

here is a download gift / sneak tease for the fans, to show the kind of quality I'm extracting from my old cassettes using mega high quality cassette decks.
Because I've added vari-speed, I get to choose what speed I encode them at, I've done a few different versions of all my fave ones and it's usually just what I think sounds good at the time or just different to what I'm used to.
This one is from a That's cassette labelled copy III , i used a lot of the VX90 tapes in that period of my life.
It is the 12th track on side a.
Even though I used to write COPY *.number, they were actually the original masters.
Think was one of the first tracks that had a small section with intentional microtuning, [harmonic series sec]
Encoded with Nakamichi CR7e cassette deck.

+added, it cuts out at the end coz the tape ran out :)
I remember sometimes recording tracks to cassettes, I'd be looking at the cassette nearing the end and try and finish the track before the tape ran out :)
bit different from todays recording methods .

earely cassettes

a12. ab3 .215061.

Available on the 27th edition of XLR8R+, a collection of transfixing dub, IDM, and downtempo from one of the year's most enigmatic crews.

Get the package: http://bit.ly/XLR8Rplus_Edition027

@exael

Download

XLR8R+027: Exael - L - Theanine

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors