enxpl series [collaboration with PSYCHIC LIBERATION]

,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

The meditation is ongoing.
From a back hall, 
the murmuring of daily chaos,
Chaos of the finest kind. 
Collective audio hysteria.
Beats and ominous vocals.
It is a reflection of internal battles,
dopefiend fever meditation
An occasional glimpse of sunlight 
filters through the Catacombs. 
Heavy and hypnotic raves thrown in 
the depths of the decaying city.
Rasped voices, melting low tones.
Tapes cut ups and vicious distorted dreams
inside a burning drum. 
Savage noise creates a series of  blurred textures.
There is no end to this territory.
The acid never ends. 

,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

Sanct -[12]- feel so good

ENMOSSED X PSYCHIC LIBERATION

Ambient/Beat/Nature

"'Nova Llum' unfolds and morphs through 9 tracks of contemporary Ambient bliss... Shimmering fractals of ASMR, combined with Illbient laced electronics & drums - all combine for the perfect modern Balearic flotation tank"

Original Cassette released via @goodmorningtapes

Bandcamp

Centro Gris (from 'Nova Llum' LP)

"Written and produced by Lautaro Carbajal and Nicolas Ballesteros in deep Raval, Barcelona 2020, this is absolutely all you could want...Following in the tradition of the open circuit 80s Spanish industrial scene this is a continuation feedbacking ms-20s, ominous vocals, tape cut ups and vicious distorted beats. All of it is there, all of it is urgent, it is a reflection of daily chaos, internal battles and the sonic equivalent to the decaying society we inhabit day to day. Seven song lp, limited to 300."
-
Artist: La Union Metalurgica ( @el_dolorosa & @slugbugsounds )
Track: : "Marchas De Circunstancia"
Label: @l-i-e-s
Format: Vinyl LP Exclusive + Digital
Release date: October, 2021
Pre-order: https://liesrecords.com/  | https://liesrecords.bandcamp.com/music

Premiere: La Union Metalurgica - Marchas De Circunstancia [LIES-175]

During the world of corona pandemic, spent a refrain life while embracing the anxiety, live and video and sound track production with foreign artists in the field recordings and online in the narrow space of the studio or home garden. And the sound intuitively produced by the live performance at the ancient water source ruins performed by a limited number of people. Delicate sound material using the old music box found from old grandmother furniture. This time, with the concept of the origin of water and the return to the forest, we will release it as the fifth album.

Fractal Drops (Return To The Forest)

"Catacomb" from City & i.o's album, "Chaos is God Neighbour." 

Listen to the full album here: http://ampl.ink/cign

"Catacomb"
Written by Dis Fig
Vocals and accordion by Dis Fig
Performed and recorded by City, i.o, & Dis Fig

Dis Fig:
Instagram: https://www.instagram.com/dis_fig/
SoundCloud: https://soundcloud.com/dis_fig
Website: https://dis-fig.com/

i.o:
Instagram: https://www.instagram.com/arch_i.o/
Twitter: https://twitter.com/_i_o_i_i
SoundCloud: https://soundcloud.com/0rods
Bandcamp: https://ioiomusic.bandcamp.com

City:
Instagram: https://www.instagram.com/willballantyne
Twitter: https://twitter.com/citymusic33
SoundCloud: https://soundcloud.com/citymusic33
Bandcamp: https://citymusic33.bandcamp.com

Éditions Appærent
Instagram: https://www.instagram.com/editionsapp...
Twitter: https://twitter.com/editionsapp
SoundCloud: https://soundcloud.com/editionsappaerent
Bandcamp: https://editionsappaerent.bandcamp.com

Chaos Is God Neighbour

Chaos is God Neighbour

City & i.o - Catacomb (feat. Dis Fig)

INDEFINITE PITCH  |  PREMIERE 234

Oreste - And I'm Scared I Can't Tell You
V/A - Do What You Wouldn't [MPR001 | Multi-Pass Records]

Produced by Gwendal Suau aka Oreste
Mastered by Arthur Van Wassenhove 
Photography by Patricia Alvez
Graphic Design by Raphaël Sarlot

Released by Multi-Pass Records from France
Format: 12” Vinyl, Digital
Release Date: December 17 2021

Oreste

@oreste-music
https://www.instagram.com/gwendaloreste

Multi-Pass Records

@multi-pass-records
https://multipassrecords.bandcamp.com
https://www.instagram.com/multipass_records

Indefinite Pitch | Yantai

@indefinite-pitch
https://www.indefinitepitch.com
https://bandcamp.com/indefinite_pitch
https://www.facebook.com/indefinitepitch.premieres
https://www.instagram.com/indefinitepitch.premieres
https://twitter.com/IndefinitePitch
https://www.youtube.com/channel/UCEj6KO2QxQMEtiEqGjx91zA
https://vk.com/indefinitepitch
https://www.discogs.com/user/Indefinite.Pitch

Do What You Wouldn't

And I'm Scared I Can't Tell You

Buy & Support

PREMIERE: Oreste - And I'm Scared I Can't Tell You [Multi-Pass]

A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album 𝑊𝑎𝑡𝑒𝑟𝑖𝑛𝑔 𝑡ℎ𝑒 𝑆𝑡𝑒𝑒𝑙 𝐹𝑙𝑜𝑤𝑒𝑟𝑠. Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.

Watering the Steel Flowers

Joe Fujinoki - Artificial Vein (ENXPL11)

READ > https://inverted-audio.com/premiere-fear-e-surreal

French imprint Zone line up a tribute to the late Andrew Weatherall courtesy of Glaswegian producer @fear-e. Make no mistake, this is a no-nonsense club tool of the finest kind.

Don’t Let The Grubby Little Opportunists Get You Down EP

Fear-E - Surreal [Zone]

"Watering The Steel Flowers" on enmossed x Psychic Liberation

@enmossed
@psychicliberation

Seems To Be Good

Playing music at the ocean, an infinite mirror curls upward towards you. Picturesque and perverse, cracked enamel castings sit in lazy but unsettled sands. Something is just right, having once stirred beneath the surface it now hovers misting at eye level. You can put your hand through it; pushing humidity around like a furry catkins flake in a tepid wind.

BAD LSD TRIPS is a collaboration between artists Domingo Castillo and doris dana. Working through the process of developing sounds during the pandemic, the duo amassed large swaths of recordings on a weekly basis from 2020 and 2021 in Miami, Florida. The debut recording of "bad LSD trips" for the ENXPL series is documentation of improvising and honing a sonic vocabulary that is rooted in the tradition of early industrial, dark ambient and tape music. The backdrop of the recorded effort is a geographical conundrum of a city worn threadbare by candied advertising, tourism, and aesthetics. BAD LSD TRIPS inverts the spectacle of their locale with psychedelic meditations searching for, and occasionally digging inside of, a place of ease.

BAD LSD TRIPS is a collaboration between artists Domingo Castillo and doris dana. Working through the process of developing sounds during the pandemic, the duo amassed large swaths of recordings on a weekly basis from 2020 and 2021 in Miami, Florida.


Limited 125 copies
Copper foil print on recycled paper
Recycled cassette shells and cases 
credits
releases March 29, 2022

Recorded by Domingo Castillo and doris dana
LAZY HIDEAWAY contains elements of Zabelle Panosian - Groung
Audio finalized by Glyn Maier
Source material for design from 'Smiley Face Om'
Design by RJM Vanderheyden

BAD LSD TRIPS

HARD COPY PURCHA$E

ENXPL12 - BAD LSD TRIPS - A1. CONSCIOUSNESS BURNOUT

Playing music at the ocean, an infinite mirror curls upward towards you. Picturesque and perverse, cracked enamel castings sit in lazy but unsettled sands. Something is just right, having once stirred beneath the surface it now hovers misting at eye level. You can put your hand through it; pushing humidity around like a furry catkins flake in a tepid wind.

𝑏𝑎𝑑 𝐿𝑆𝐷 𝑡𝑟𝑖𝑝𝑠 is a collaboration between artists Domingo Castillo and doris dana. Working through the process of developing sounds during the pandemic, the duo amassed large swaths of recordings on a weekly basis from 2020 and 2021 in Miami, Florida. The debut recording of 𝑏𝑎𝑑 𝐿𝑆𝐷 𝑡𝑟𝑖𝑝𝑠 for the ENXPL series is documentation of improvising and honing a sonic vocabulary that is rooted in the tradition of early industrial, dark ambient and tape music. The backdrop of the recorded effort is a geographical conundrum of a city worn threadbare by candied advertising, tourism, and aesthetics. 𝑏𝑎𝑑 𝐿𝑆𝐷 𝑡𝑟𝑖𝑝𝑠 inverts the spectacle of their locale with psychedelic meditations searching for, and occasionally digging inside of, a place of ease.

Recorded by Domingo Castillo and doris dana
𝐿𝐴𝑍𝑌 𝐻𝐼𝐷𝐸𝐴𝑊𝐴𝑌 contains elements of Zabelle Panosian - Groung
Audio finalized by Glyn Maier
Source material for design from 𝑆𝑚𝑖𝑙𝑒𝑦 𝐹𝑎𝑐𝑒 𝑂𝑚
Design by RJM Vanderheyden

bad lsd trips

bad lsd trips - Lavadora Levitando (ENXPL12)

Forest Kelley's debut album, 𝑆𝑖𝑙𝑡, is the culmination of a decade-long sonic realization of a singular vision: nematoda, annelida, and other abyssal worms inhabiting the aphotic depths, sensing each other without light. Living and cavorting amongst a carpet of compressed dust and organic matter, as unaware of our existence as we are of theirs. To create this 'soundscape ecology', Kelley began developing custom software in 2018. It allows for sounds to function as organisms: to be born, express themselves, change through friction with their world, and then dissipate, transcend, or die. 𝑆𝑖𝑙𝑡 represents a snapshot of this world; the raw material for this particular instance includes guitar-based recordings dating from 2004 in collaboration with Jacob Uretsky. Through Kelley's exacting and intuitive selection of the results, we are presented with an ever-evolving selection of sounds. On their surface perhaps intersecting with ambient dub techno tropes, but 𝑆𝑖𝑙𝑡 draws the listener ever deeper into the zone with its organically shifting textures and events.

---

Forest Kelley is an artist, electronic musician, and experimental composer based in Lexington, Kentucky. In 2018, he contributed music to the score for the Academy Award-nominated and Criterion Collection-selected documentary 'Hale County This Morning, This Evening ' along with composers Alex Somers and Scott Alario.

composed, recorded, and mastered by Forest Kelley in 2021.
source guitar by Jacob Uretsky.
audio finalized for cassette tape by Glyn Maier.
design by RJM Vanderheyden.

Silt

Forest Kelley - Silt, No. 001 [Excerpt] (ENXPL13)

Forest Kelley's debut album, Silt, is the culmination of a decade-long sonic realization of a singular vision: nematoda, annelida, and other abyssal worms inhabiting the aphotic depths, sensing each other without light. Living and cavorting amongst a carpet of compressed dust and organic matter, as unaware of our existence as we are of theirs. To create this 'soundscape ecology', Kelley began developing custom software in 2018. It allows for sounds to function as organisms: to be born, express themselves, change through friction with their world, and then dissipate, transcend, or die. Silt represents a snapshot of this world; the raw material for this particular instance includes guitar-based recordings dating from 2004 in collaboration with Jacob Uretsky. Through Kelley's exacting and intuitive selection of the results, we are presented with an ever-evolving selection of sounds. On their surface perhaps intersecting with ambient dub techno tropes, but Silt draws the listener ever deeper into the zone with its organically shifting textures and events.

Forest Kelley is an artist, electronic musician, and experimental composer based in Lexington, Kentucky. In 2018, he contributed music to the score for the Academy Award-nominated and Criterion Collection-selected documentary 'Hale County This Morning, This Evening ' along with composers Alex Somers and Scott Alario.


Limited 125 copies
Holographic silver foil print on metallic paper
Recycled cassette shells and cases 
credits
releases March 29, 2022

Composed, recorded, and mastered by Forest Kelley in 2021.
Source guitar by Jacob Uretsky.
Audio finalized for cassette tape by Glyn Maier.
Design by RJM Vanderheyden.

SILT

"SILT" CASSETTE

ENXPL13 - FOREST KELLEY- SIDE B EXCERPT FROM "SILT"

Watch the music video here: https://www.youtube.com/watch?v=kJEos2XfIiE

listen/buy the full album,  𝑾𝒊𝒔𝒉 𝒀𝒐𝒖 𝑾𝒆𝒓𝒆 𝑵𝒊𝒄𝒆𝒓 [ENXPL19]:
https://enmossed.bandcamp.com/album/wish-you-were-nicer
https://psychicliberation.bandcamp.com/album/enxpl19-wish-you-were-nicer

Video by Adriana João
Sound by usof
Audio finalized by Glyn Maier

https://adrianajoao.com
https://linktr.ee/usofusofusofusof
https://enmossed.org
https://nickklein.work

Wish You Were Nice

watch

Brat [ENXPL19]

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, and is interested in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series. Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed.
Glass elevators, an unknown hotel lobby piano recital, office toilet rants, window side night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as “Sound Fiction”, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue. She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled ‘Sound Fiction,’ she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event ‘Sorrow Club Seoul’ since 2019.

ACCEPT ALL COOKIES

PURCHA$E

ENXPL22 - JIYOUNG WI - A3. SWIPE LEFT

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing in Japan, China, Taiwan, Germany, England, the US, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

STACKED

ENXPL21 - MAKOTO OSHIRO - A1. TALK TALK TALK

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing across Asia, Europe, North America, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 and 𝑵𝒆𝒘 𝑷𝒉𝒂𝒔𝒆 recorded at UdK Berlin Sound Studies and Sonic Arts Studio in 2022.
𝑾𝒂𝒏𝒅𝒆𝒓 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑽𝒐𝒊𝒅 recorded at Morphine Raum (Berlin) in 2023.
𝑺𝒕𝒂𝒄𝒌𝒆𝒅 recorded at Permian (Tokyo) in 2020.

–--

Makoto Oshiro is a Berlin-Tokyo based performer and artist. His primary medium is sound, but he also combines other elements including light, electricity and movement of objects. In live performances, he uses self-made tools and instruments that are based on electronic devices, every day materials, and junk. His installation work handles sound as a physical and auditory phenomenon, and focuses on characteristics such as vibration and interference.

He is also a member of the live installation / performance group The Great △(夏の大△) with Takahiro Kawaguchi and Satoshi Yashiro, and runs the label Basic Function. 

---

Audio finalized by Glyn Maier
Design by Dominique S

Stacked

Makoto Oshiro - Wander Through The Void (ENXPL21)

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, with an interest in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series.

Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed. Glass elevators, an unknown hotel lobby piano recital, office toilet rants, windowside night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

---

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue.

She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event 𝘚𝘰𝘳𝘳𝘰𝘸 𝘊𝘭𝘶𝘣 𝘚𝘦𝘰𝘶𝘭 since 2019. 

---

Voices by Windy Kim, Carl G., Schang09
Piano by Sungeun Lee
Audio finalized by Glyn Maier
Design by Dominique S

Accept All Cookies

Jiyoung Wi - Walking Tumor (ENXPL22)

Kevätjuhla

Kuteen valoon II - Strobon salaisuus

Available on July 9 in digital and limited-edition cassette at:
bambooshows.bandcamp.com/

6 months after releasing the first episode of its compilation tapes, Lyon-based label Bamboo Shows is about to deliver the second chapter of the series, featuring 14 artists on a 90-minute cassette to promote audio sophrology, 90’s reminiscences, psychedelic atmospheres and tribal breaks.

Once again, head-honcho @erevandj aimed to present a distinct yet complementary vibe on each side, leaving the exotic and ecstatic atmosphere of the BST001 for a more introspective and darker curation.

Including poetic and melancholic productions from Italian Lamusa II, Swedish Golden Ivy, English Wåveshåper (one of the many projects of Greg Hunter), Russian Misha Sultan, Spanish Entten, German Airchina and local talent Vague Imaginaires, the A-Side highlights dreamy new age, delicate neo-folk and ethereal kosmische-kraut, considerably inspired by the 70s-80s wave.

Yet, this gentle path drawn by the A-Side will slowly lead the listener to some more percussive, tribal and dubby materials as the B-Side shows a twisted and wild tension, aroused by gloomy works from Lyon gems Jonquera & HLM38, Venezuelan Bear Bones, Lay Low, German Vector Trancer, Serbian Andria, British Angel Hunt & Lou Venturini, and will perfectly come to an esoteric end with the closing track by Komodo Kolektif.

Concurrently with this limited release of 150 cassettes, the label is reissuing 50 copies of the BST001, Featuring renowned RAMZi, Niklas Wandt, Star Searchers' Spencer Clark, DJ Ungel & DJ Rasputin and local heroes Eiger Drums Propaganda, Christian Coiffure, Jacques Satre or Lastrack.

& also a limited edition-series of black or white T-shirts with artwork from Dima Rabik to celebrate or collaboration with the Russian Artist on this second release.

Available on July 9 in digital and limited-edition cassette at:
bambooshows.bandcamp.com/

TRACKLIST:
A1. Lamusa II – D'Aria (@lamusalamusa)
A2. Vague Imaginaires – Louis' Boat (@youpidoumusic)
A3. Golden Ivy – Till Jorden (@golden-ivy)
A4. Entten – Fonts Ufanes (@entten)
A5. Airchina – Mothermold (@airchina)
A6. Misha Sultan – 2562 (@mishasultan)
A7. Wåveshåper – Expansion Phase II (@dubsahara)
B1. HLM38 – Une Suze avec Anna (@hlm38)
B2. Bear Bones, Lay Low – Oruguero (@bearboneslaylow)
B3. Angel Hunt & Lou Venturini – Dessert Vents (@greenbelt999)
B4. Jonquera – Président Baker
B5. Vector Trancer – Uranus Crypt Haunt (@vectortrancer)
B6. Andria – Shandumir (@androan97)
B7. Komodo Kolektif – The Reptile (@komodokolektif)

CREDITS:
Mastering: Guillaume Lespinasse
Artwork: Dima Rabik
Design: Loïs Markarian
A&R: Erevan DJ

LINKS:
Bandcamp: bambooshows.bandcamp.com/
SoundCloud: www.soundcloud.com/bambooshows/
Facebook: www.facebook.com/bambooshows/
Web: www.bambooshows.com
Discogs: www.discogs.com/fr/label/1732183-Bamboo-Shows
YouTube: bit.ly/bambooshows-yt
Mixcloud: www.mixcloud.com/bambooshows/
Instagram: www.instagram.com/erevan_bamboo/
Contact: bambooastruth@bambooshows.com

Bamboo Shows Tapes 002

Fonts Ufanes

Download & Buy Tape

A4. Entten - Fonts Ufanes (BST002)

I patched this up with my baby daughter strapped to my breast, sleeping. When I recorded the Rhodes parts, she sat next to me and banged the keys. My wife supplied the the countermelody in the middle. Its a family song.

Song of the Sea

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors