‘𝐄̼𝐭̼𝐞̼𝐫̼𝐧̼𝐢̼𝐭̼𝐲̼ ̼𝐛̼𝐲̼ ̼𝐭̼𝐡̼𝐞̼ ̼𝐒̼𝐭̼𝐚̼𝐫̼𝐬̼’ released June 30th.
"8 spellbinding tracks that work the seam between early ‘00s microsound, folk and ethereal ambient." - @theory-therapy
Artwork by Kata Szász.

Direl [from 'Eternity by the Stars', on Theory Therapy]

@connaharaway
@theory-therapy

Pre-order: theorytherapy.bandcamp.com/album/lusidiq

Glasgow-based producer and INDEX:Records co-owner Conna Haraway unveils his debut solo release on Theory Therapy – 8 tracks of luminous electronics and restless textures too amorphous to be neatly categorised into a particular genre. Over 40+ minutes, the co:clear founder fuses dubbed-out illbient abstractions, voluminous low end and aquatic gurgles into unconventional analgesic soundscapes. The overall result is something immersive, visceral, and psychedelic – a fully-fledged sound that sits somewhere between delirium and bliss.

Lusidiq features 3 remixes by Seoul duo Salamanda, Philadelphia-based DJ and producer Opheliaxz, and Adam Dove, best known as sound artist Nexcyia.

Lusidiq

pi pi pi premiere: Conna Haraway - All (At Sea) [Theory Therapy]

èvia (@ev-ia) sways into an intimate place filled by solemn memories. A selection comprised solely by piano compositions. 

'does rain have a sound of its own 
or is it 
only upon collision 
that sound occurs

has anybody heard 
the pure sound of rain falling?  

if we could put our ear right up to it, 

what would it sound like...'

--------
Artwork by Isidora Amenábar.

FR091 ‎èvia (Berlin, Germany)

100% of revenue continuously donated to PCRF.
free palestine forever


this is wait
this is i did not know they made smoke like ocean
this is aluminum dusk and sulphur clouds
this is sabah el kheir
morning of luck
morning of cinder
this is steam and ruin and flash-lit bodies
this is counting your lost
this is losing count
this is man greets dawn with head tilted back
this is man greets dawn with shrapnel
this is i cannot count fast enough
sam7ini

this is daughter
this is i am half yours
half light thrust, midwifed from some candle
this is some parallel life where my
father’s father took a left,
grabbed a fistful of soil and instead of leaving,
stayed

this is diaspora
this is always through the television screen
this is always the wrong question
this is five other coastlines
this is gutless
this is don’t change the channel
the least you can do is watch
this is diaspora
this is carry your name in bangkok
carry your name in brooklyn
this is wrecking ball of compass

this is wait
this is i did not know they made sky so famished
this is metal,
reincarnation of metal,
of children limp grey dust beneath
buckled buildings
this is sky of knives
this is body is not body but silhouette ribcage
and shallow graves
this is history

this is i did not know this earth had jaw
enough to hold all the things your children 
have dropped
this is village
this is village eats ash for a week
this is Allah
this is boys terrace bones for luck
this is girls press flowers for luck
this is what luck is it to survive one bullet
for another
this is black water and phosphorus fish
this is lost electricity
this is hands muddy from sifting through rubble
this is hands muddy for anything breathing
this is seven types of illness
this is rage is bread if it keeps you alive

this is Allah ou akbar
pray with both hands
this is hands and cathedral bones,
dirt in eyelash
this is teeth and teeth and teeth for months

this is daughter
this is carry your name in throat
carry your name in beirut
this is not gun
this is not missile
this is make the world say your name aloud
over Gaza and over Gaza and over Gaza
until they hear your music
because this is survived

this is you are loved
light spans for you over land and sea
and you are in the mouth of tripoli shoreline 
and boston nightclub and paris street corner
this is voice too soft sam7eena
this is sam7eena

this is daughter
lamplight reciting of Fatiha
this is wait and atlas
and keep waiting as some thread stretches 
gossamer thin across ocean
this is compass finding east
voice learning to rise
this is half yours
this is daughter
and we will carry your name everywhere


credits
written and read by hala n. alyan
music by so wet's water kingdom
mixed & mastered by so wet's water kingdom

over and over / gaza

over and over / gaza (feat. hala alyan)

An array of commonplace metal objects - chains, pans, a bicycle, a chair - recorded by Ross Alexander at home in Berlin during the pandemic comprise the source material of 11 𝑮𝒂𝒕𝒆𝒔. Functioning as a temporal and mnemonic exploration into the nature and conception of “home”, the album evokes Alexander’s earliest memories and broader hauntological perspectives of post-industrial England:

“Growing up in South Yorkshire in the 1980s and 90s was an existence haunted with the ghosts of a heavy manufacturing industry which once thrived in the region. On both a visceral and sensorial level it might be considered equally as impossible to escape the nostalgic stories of mines and steelworks as it was to escape the smell of molten metal in the air drifting from the Don Valley.”

The improvised metallic scrapes, bangs, and bowings recorded by Alexander were further abstracted in live performances using granular sampling techniques, creating a new and extrinsic world to which subconscious thoughts can flee, sonically and contextually. The results are both dreamy and unpredictable, fusing the immediacy of acoustic percussion with the billowing resonances imbued by granular synthesis.

“On tracing back through distant memories of my formative years for sound-objects which represented to me the essential idea of ‘being from’ as opposed to ‘being a visitor’ I related to a pervasive association with the sounds of metal and metallic objects, mostly in respect to how certain structural properties relate to haptic and resonant nature and the manifestation of those properties as sonic results. I feel this is the result of growing up in a place where heavy industry, or at least the remnant of which, was central to society, community and everyday life.”

---

Ross Alexander is an artist, producer and curator based in Berlin working in the context of expansive trans-disciplinary practice and non-individualist ideals. His broad ranging body of work as an artist has encompassed music, performance, sound art, visual arts, installation, radio art, digital media, augmented reality, intervention, social practice and education. Ross has presented and performed at such institutions as ICA London, Transmediale Festival, Nyege Nyege Festival, Documenta Kassel and Martin-Gropius Bau Berlin.

As a curator and organizer his experimental and diverse practice has seen him work with Transmediale festival, Maerzmusik, Glastonbury Festival, Cashmere Radio, Nyege Nyege Festival Uganda and extensively with his own Salon Oblique production collective.

rossalexanderpayne.com
instagram.com/o0rossalexander0o
rossalexanderworks.bandcamp.com
mixcloud.com/rossalexandermix

11 Gates

Ross Alexander - Piece 2 (ENMD-04)

The South London-based producer stops by for a fresh guest mix. 
https://www.nts.live/shows/guests/episodes/aircode-6th-november-2023

AIRCODE 061123

a b - u complex ()

1311 bloc

Arriving on Twin System soon, label co-founder Nosewise features on upcoming tape 'Lurched Purple (ii)'. Continuing on from the first installment of the series 'Tendrils Lurched Purple In The Slush', this next chapter showcases an earthier, organic side to the label's output; just like 'Plasticity', which sludge-laden feel and dubbed-out sound design captures the feeling of this latest project. 

Nosewise's errantry in the void will be available amongst Dubplanet X, tobha, Officium, Sabla and Elijah Minnelli's contributions on Dec. 11, on a beautiful limited-edition frosty cassette.

https://twinsystem.bandcamp.com/album/lurched-purple-ii

@flytippa
@twinsystem

℘ཞɛɱıɛཞɛ ≈ Nosewise - Plasticity [Twin System]

STRUMA+IODINE PREMIERE 
THESOSUNG - "Residues of the past" 

To support the artist, buy it here
https://paulebhart.bandcamp.com/album/thesosung-ii

Artist: THESOSUNG
Title: THESOSUNG II
Label: THESOSUNG 
Catalogue: THE02
Format: CD
Release date: January 18th, 2024

Recorded, Processed and Mixed by Paul Ebhart between 2021 - 2023 at Joanelligasse, Petraschgasse & during a residency at  Westbahnstudios          

Mastered by - Wouter Brandenburg 

Sophia Stemshorn (Violin) - 1
Christopher Schulz (Git.) - 6
Luis Hackbeil Krüger (Git.) - 5
Hans Nikolaus Schmidt (G.Piano & Trumpet) - 4
Chiara Bartl Salvi (Vox) - 4

Artist Links:
https://soundcloud.com/ebhardy
https://www.instagram.com/ebhardy/

S+I PREMIERE: THESOSUNG - "Residues of The Past" [THE02]

Consideration of spastic winding strings and their adverse effects.

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors

Ross Alexander - Piece 2 (ENMD-04)

enmossed

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