enon

Peanuts on the run

さよなら君よ

Song by Diet Tea Other Cola
Image from the anime Kaiji

Egg Punk Sleep Paralysis - Diet Tea Other Cola

You sit there
Looking like a fool
You think you can save people
Hell no!
Get out!
Get up!

Work for me!
Work for me!
Come to me!
Come to me!

Lurking Around Your Brain
Lurking Around Your Brain
You Lost to Me
Mind Predator!
Mind Predator!

I'm always lurking around
Your brain
I'm alway lurking around your brain

I was the one
Who tricked you
I was the one
You lost to

Lurking Around Your Brain
Lurking Around Your Brain
You Lost to Me
Mind Predator!
Mind Predator!

I'm stronger than you
I'm more powerful than you
You cannot escape my power
You cannot escape my power

The pain is here
The pain is here to stay
Watch me bleed
Bleed down your face

Lurking Around Your Brain
Lurking Around Your Brain
You Lost to Me
Mind Predator!
Mind Predator!

Mind Predator

Burn It Down is a flame through the wreckage of trust. The song ignites with pounding drums and serrated guitar riffs, driving straight into the heart of betrayal. The vocals tear open the wound instead of hiding it, spitting every word like molten metal. It’s the moment when sorrow snaps, when anger becomes a weapon, when you refuse to stay broken.

This isn’t about healing gently.
This is about burning the lie to ashes and walking forward through the smoke.

Burn It Down

🕯️ Lilith – Songs To Die For, Part IV 🕯️

The fourth chapter in Lilith’s haunting anthology, Songs To Die For, Part IV, burns brighter and darker than ever before — a requiem of fury, faith, and fatal beauty. Here, Lilith weaves her vampiric voice through the shadows of modern metal, industrial pulse, and gothic melancholy, resurrecting songs across genres and reshaping them into her own cathedral of sound.

From the thrash inferno of “Disciples of the Watch” (Testament) and the sinister seduction of “The Disease” (Living Dead Girl) to the industrial venom of “Love Like Lies” (Aesthetic Perfection) and the Germanic hunt of “Jagdzeit” (Megaherz), every track bleeds with elegance and rage. Her take on “Venomous” (Raised Fist) and “Repeat Until Death” (Bombus) channels pure defiance — while the reimagined “Torn” (Natalie Imbruglia) closes the record as a ghostly ballad of loss and rebirth.

Amid these covers lies “Mirror of Flies”, a crossover from Psychokult, tying Lilith’s universe deeper into the Hellmountain mythos — a reflection of chaos, beauty, and eternal hunger.

🩸 Part IV stands as a monument to transformation: where metal, pop, and industrial worlds collide — and where Lilith reigns supreme, draped in roses of red and violet, crowned in deathless gold.

Those Who Don't Blink

Enon

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