The latest Unsound Podcast is from Robert Aiki Aubrey Lowe, composer of the score for the horror film 'Candyman', which he will perform live at Unsound Kraków 2021 on October 15th. (Tickets here: tinyurl.com/54pvzymz)
We asked Robert to create a mix that explores some of his favourite film scores The results include a spectrum of classics and obscure or forgotten gems, spanning experimental, contemporary classical, electronic music and beyond.
Robert says: 'With this mix I wanted to focus on several all time favourites of mine in terms of film music and all over film sound. Also I wanted to give the listener a window into my own process for scoring film. The way in which each of these examples navigates the cinematic space, they address a myriad of moods and genres. Whether tense, ecstatic, melancholy, reverent, absurd, contemplative or whimsical, each selection provides an intention and a pathway into the landscape of the world it finds itself tethered to. It is this connectedness that makes for an overall complete work and cements the idea. I hope you enjoy.'

Tracklist:
Paul Giovanni – 'Gently Johnny' from The Wicker Man
Ennio Morricone – 'Veni Sancte Spiritus' from Il Sorriso del Grande Tentatore
Gil Melle – 'Wildfire' from Andromeda Strain
Popol Vuh – 'Hüter Der Schwelle' from Cœur De Verre
Klaus Schulze – 'Dream Theme' from Next Of Kin
Nikki St George – 'Homeric Theme' from The Tomorrow People
Terry Riley – 'In The Summer' from Lifespan
Peter Zinovieff – 'Electronic Realisations' from The Offence
Mica Levi – 'Interlude 1' from Delete Beach
Kryzsztof Penderecki – 'De Natura Sonoris' from the Shining
Geinoh Yamashirogumi – 'Shohmyoh' from Akira
Emilie Levienaise-Farrouch – 'You Sick B' from Censor
Gerald Busby – 'Opening' from 3 Women
Coil – 'Box Them'" from Unreleased Hellraiser score
Bruce Langhorne – Theme from Idaho Transfer
Hildur Guðnadóttir – 'The Door' from Chernobyl
Bernard Parmegiani – Theme from The Strange Case of Dr. Jekyll & Miss Osborne
Sam Waymon – 'Intro' from Ganja and Hess
John Carpenter – 'Main Title' from Halloween III
Apichatpong Weerasethakul – 'Reverberations (Syndromes and a Century/FAITH)' from Selected Soundworks from the Cinema of…
Robert Aiki Aubrey Lowe – 'Leaves a Stain' from Candyman
Philip Glass – 'Organic' from Koyaanisqatsi

Unsound Podcast 72: Robert Aiki Aubrey Lowe

https://www.nts.live/shows/kranky/episodes/kranky-20th-october-2021

Kranky w/ Andrew Pekler 201021

Hierba electromagnética [Electromagnetic Weed] was produced in collaboration with colleague artist Erik Tlaseca for the performance with the same title presented at Matamoros404 in the city of Oaxaca on December 2021. It is the soundtrack for a film made by Erik, that depicts the natural landscape in the outskirts of the community named San Pedro Jocotipac in Oaxaca. The location were Erik's "second skin" was woven by a crew of handicraftsmen. In this performance where sound, light, image and body movement collapse and affect each other, the costume becomes a central motif that also functions as a musical device.

Hierba electromagnética

Join Mistareez as he runs through two hours of experimental electronica. Laidback downtempo and new age selections from start to finish.

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Mistareez - July 2022

Author of Theory of the Solitary Sailor. Gilles Grelet sails across the channel to talk with translators Amy Ireland and Robin Mackay about his ‘antiphilosophical biography’ , with topics ranging from melancholy, silence, and formulaic writing to happiness, how to exorcise a boat’s deadname, writing and twitter, and why sailors never say ‘r****t’.

With the voices of Lendl Barcelos and Angus Carlyle.

Music:
Robin Williamson (with Mat Maneri, Ale Möller, Barre Phillips), ‘Sir Patrick Spens’, from The Iron Stone (ECM, 2006).
Kassel Jaeger, ‘Exposure Scales: Tide’, from Toxic Cosmopolitanism (Editions Mego, 2014).
Debussy, La Mer (III. Dialogue du vent et de la mer).
Leo Ferré, ‘La Mélancholie’ (1964)

Extracts from the short film Un bonne manière de commencer, c’est de se donner un myth (Dojo Cinema, 2006).

Theory of the Solitary Sailor is published by Urbanomic and is available as a book or e-book from our website:

https://www.urbanomic.com/book/grelet-solitary-sailor/

Traversing Melancholy

Interview: www.lowendtheorists.com/theory-therapy-mixes/43-perila

Aren't We Here To Experience Something We Haven't.

Theory Therapy 43 is by the Russian-born artist Alexandra Zakharenko aka Perila. For me, there’s nobody capable of conveying the ephemeral beauty of the everyday quite like Sasha. Her music and mixes are a language beyond words. 

We’re so pleased to finally welcome her on to the Theory Therapy series with this very special mix entitled “Aren't We Here To Experience Something We Haven't”.

@perila

Theory Therapy 43: Perila

The first half of Ben Bondy and Pontiac Streator's set live from the False Peak Showcase at Dripping 2023

@benbondy
@pontiacstreator

Ben Bondy & Pontiac Streator at Dripping 2023 (Edit)

Fuck With Me

... an uninterrupted 5:43:30 transcription (in stereo) of a particularly nice patch built on the "voight-kampff machine" (pictured) on 06/20/12, recorded whilst i was out having lunch in davis square (i.e. unobserved, unmoderated, untouched, unheard, etc) ...

DOWNLOAD IS ENABLED (628.98mb 256kbps mp3, should burn as an MP3CD just fine) ENJOY.

kfw @ mms

120620

Readings from the collection Audint—Unsound:Undead (published by Urbanomic, https://www.urbanomic.com/book/unsoundundead/) as featured in PlaguePod Day 26.

0:00 Lisa Blanning, ‘Ghost In The Machine: Hikikomori And Digital Dualism’ (music: DVA [Hi:Emotions], NOTU_URONLINEU, on Hyperdub)

9:53 Steve Goodman, ‘Dossier 37: Unidentified Vibrational Objects on the Plane Of Unbelief’

25:00 Lendl Barcelos, ‘2014: The Visual Microphone’

32:35 Shelley Trower, ‘Peripheral Vibrations’

38:22 Erik Davis, ‘Resonance’

49:20 Charlie Blake, ‘Sonic Spectralities: Sketches for a Prolegomena to Any Future Xenosonics’ (Music: Haswell and Hecker, ‘Blackest Ever Black’ on Warner Classics)

55:50 Eleni Ikoniadou and Carolin Schnurrer. ‘The Lament’

1:11:22 Nicola Masciandaro, ‘Purgatory’ (music: Bach, Wölfgang Rübsam, Prelude and Fugue in C Minor/Wo Soll Ich Fliehen hin, on Naxos)

1:23:37 Agnès Gayraud, ‘Glossolalia/Xenoglossia’ (closing music: Christophe, ‘Voix sans issue’, on Disques Motors).

Check out our other Audint podcast, ‘Unsound Methods’ too.

Plaguepod Bonus Audint Readings

Part 4: Conversation with Dawn Paley

Enrique Arriaga es un artista sonoro que explora la música electrónica experimental para el desarrollo de sistemas personales de trabajo que parten su interés por los procesos colaborativos y multidisciplinarios, la improvisación con hardware, los patrones de repetición/disrupción y la alteración de los estados de percepción. Considera a la escucha como un medio para alcanzar una mayor conciencia de la existencia.

Su trabajo se ha expuesto en diversos museos, foros y festivales en México, Europa y Estados Unidos. Se ha presentado en Cabaret Voltaire, Zurich; Spazio Aereo, Venecia; Errand Sound, Berlín; Centre for New Music, San Francisco; entre otros. Ha incursionado en la curaduría y la gestión cultural, la educación artística, la radio, la composición y el diseño sonoro.

Hierba electromagnética

Enrique Arriaga

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