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Stockhausen

Avant Garde

Karlheinz Stockhausen

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Endless Waves: The Dawn of Electronic Noise & Ambient Music, Vol. 1

Falling, From the Dreams (Radio Version 1964)

Karlheinz Stockhausen - Klavierstuck X (excerpt)

Karlheinz Stockhausen - Studie I (1953)

STIMMUNG by Karlheinz Stockhausen performed live @ OPENING Festival 2014


STIMMUNG by Karlheinz Stockhausen

contemporary piano music - alexandre zamith (piano)


Milana Zarić, harp and voice
Gorana Ćurgus, harp and voice
Richard Barrett, sound mixing and recording production

recorded live at Belgrade Philharmonic Hall, 22nd April 2015

K. Stockhausen 'Freude' for two harps and voices

Karlheinz Stockhausen
PLUS-MINUS
Ives Ensemble

From the sleeve:
"Perhaps more than any other composer of his generation, Stockhausen realised that serialism had an expressive potential which went far beyond the method of twelve-tone composition devised by Schoenberg. In these three key works from the 1950s and early 1960s he found ways of using the serial principle to govern not just pitch, but every aspect of sound-types and their distribution in time and space, culminating in Plus-Minus, a score which specified not sounds but rather a system of organising sounds." Christopher Fox 

KARLHEINZ STOCKHAUSEN (1928-2007)
PLUS-MINUS

1. Refrain No. 11 (1959) 09:53
2. Kreuzspiel No. 1/7 (1951) 11:43
3. Plus-Minus* No. 14 (1963) 51:02
Total time 72:41

First recording* by Ives Ensemble:
Rik Andriessen - flute (3), Esther Probst - Oboe (2, 3), Hans Petra - bass clarinet (2, 3), Jan Willem van der Ham - bassoon (3), Fons Verspaandonk - horn (3), Jan Bastiani - trombone (3), John Snijders - piano (1, 2, 3), Reinier van Houdt - piano/celesta (1, 3), Arnold Marinissen - percussion (1, 2, 3), Wilbert Grootenboer - percussion (2, 3), Fedor Teunisse - percussion 2), Josje ter Haar - violin (3), Ruben Sanderse - viola (3), Job ter Haar - cello (3), Diederik Meijnckens - double bass (3), Richard Rijnvos - conductor (3).

Recorded in Theater Romein, Leeuwarden (Netherlands) 29th June - 2nd July 2002; Sound engineers: Sem de Jongh &amp; Arjan van Asselt; Editing: Sem de Jongh; Recording supervisors: Richard Rijnvos &amp; Christopher Fox; CD-master by Peter Pfister; Liner notes by Christopher Fox; Graphic concept by fuhrer vienna; Produced by Ives Ensemble &amp; Werner X. Uehlinger.

With kind support the Willy A. and Hedwig Bachofen-Henn Foundation.

http://www.ives-ensemble.nl
http://hathut.com



Karlheinz Stockhausen / 1. Refrain No.11 (1959)

Karlheinz Stockhausen
PLUS-MINUS
Ives Ensemble

From the sleeve:
"Perhaps more than any other composer of his generation, Stockhausen realised that serialism had an expressive potential which went far beyond the method of twelve-tone composition devised by Schoenberg. In these three key works from the 1950s and early 1960s he found ways of using the serial principle to govern not just pitch, but every aspect of sound-types and their distribution in time and space, culminating in Plus-Minus, a score which specified not sounds but rather a system of organising sounds." Christopher Fox 

KARLHEINZ STOCKHAUSEN (1928-2007)
PLUS-MINUS

1. Refrain No. 11 (1959) 09:53
2. Kreuzspiel No. 1/7 (1951) 11:43
3. Plus-Minus* No. 14 (1963) 51:02
Total time 72:41

First recording* by Ives Ensemble:
Rik Andriessen - flute (3), Esther Probst - Oboe (2, 3), Hans Petra - bass clarinet (2, 3), Jan Willem van der Ham - bassoon (3), Fons Verspaandonk - horn (3), Jan Bastiani - trombone (3), John Snijders - piano (1, 2, 3), Reinier van Houdt - piano/celesta (1, 3), Arnold Marinissen - percussion (1, 2, 3), Wilbert Grootenboer - percussion (2, 3), Fedor Teunisse - percussion 2), Josje ter Haar - violin (3), Ruben Sanderse - viola (3), Job ter Haar - cello (3), Diederik Meijnckens - double bass (3), Richard Rijnvos - conductor (3).

Recorded in Theater Romein, Leeuwarden (Netherlands) 29th June - 2nd July 2002; Sound engineers: Sem de Jongh &amp; Arjan van Asselt; Editing: Sem de Jongh; Recording supervisors: Richard Rijnvos &amp; Christopher Fox; CD-master by Peter Pfister; Liner notes by Christopher Fox; Graphic concept by fuhrer vienna; Produced by Ives Ensemble &amp; Werner X. Uehlinger.

With kind support the Willy A. and Hedwig Bachofen-Henn Foundation.

http://www.ives-ensemble.nl
http://hathut.com


Karlheinz Stockhausen / 2. Kreuzspiel No.1/7 (1951)

Karlheinz Stockhausen
PLUS-MINUS
Ives Ensemble

From the sleeve:
"Perhaps more than any other composer of his generation, Stockhausen realised that serialism had an expressive potential which went far beyond the method of twelve-tone composition devised by Schoenberg. In these three key works from the 1950s and early 1960s he found ways of using the serial principle to govern not just pitch, but every aspect of sound-types and their distribution in time and space, culminating in Plus-Minus, a score which specified not sounds but rather a system of organising sounds." Christopher Fox 

KARLHEIN STOCKHAUSEN (1928-2007)
PLUS-MINUS

1. Refrain No. 11 (1959) 09:53
2. Kreuzspiel No. 1/7 (1951) 11:43
3. Plus-Minus* No. 14 (1963) 51:02
Total time 72:41

First recording* by Ives Ensemble:
Rik Andriessen - flute (3), Esther Probst - Oboe (2, 3), Hans Petra - bass clarinet (2, 3), Jan Willem van der Ham - bassoon (3), Fons Verspaandonk - horn (3), Jan Bastiani - trombone (3), John Snijders - piano (1, 2, 3), Reinier van Houdt - piano/celesta (1, 3), Arnold Marinissen - percussion (1, 2, 3), Wilbert Grootenboer - percussion (2, 3), Fedor Teunisse - percussion 2), Josje ter Haar - violin (3), Ruben Sanderse - viola (3), Job ter Haar - cello (3), Diederik Meijnckens - double bass (3), Richard Rijnvos - conductor (3).

Recorded in Theater Romein, Leeuwarden (Netherlands) 29th June - 2nd July 2002; Sound engineers: Sem de Jongh &amp; Arjan van Asselt; Editing: Sem de Jongh; Recording supervisors: Richard Rijnvos &amp; Christopher Fox; CD-master by Peter Pfister; Liner notes by Christopher Fox; Graphic concept by fuhrer vienna; Produced by Ives Ensemble &amp; Werner X. Uehlinger.

With kind support the Willy A. and Hedwig Bachofen-Henn Foundation.
http://www.ives-ensemble.nl
http://hathut.com

Karlheinz Stockhausen / 3. Plus-Minus No.14 (1963)

Remix of

http://www.karlheinzstockhausen.org/hymnen_german.htm

>>Hymnen (elektronische und konkrete Musik) ist eine Komposition von Karlheinz Stockhausen, die von 1966 bis 1967 realisiert und 1969 nochmals modifiziert wurde. In Stockhausen-Werkverzeichnis trägt sie die Nummer 22. Das Werk ist von einem weltmusikalischen Charakter geprägt, indem ca. 40 Nationalhymnen als Klangobjekte Verwendung finden, die als Grundlage für elektronische Modulation und Transformation dienen und somit zu einer Einheit verknüpft werden.<<

https://de.wikipedia.org/wiki/Hymnen_%28Stockhausen%29

Karlheinz Stockhausen - Hymnen (DWS (k)aether Remix)

Eyvind Kang 
The Narrow Garden
Ipecac; 2012
Free Download courtesy of Ipecac Records


Eyvind Kang - 'Pure Nothing' - The Narrow Garden

The closing track from Eyvind Kang's latest album with Ipecac Recordings "The Narrow Garden". 

Eyvind Kang "Invisus Natalis"

Lucrecia Dalt - Atmospheres Touch

Learn more: https://smarturl.it/rvngnl47

Taken from Anticlines.

©2018 RVNG Intl. / igetrvng.com

Anticlines (RVNGNL47 - 320 MP3)

Atmospheres Touch

Lucrecia Dalt - Atmospheres Touch

Karl-Heinz Stockhausen - Hymnen (1966/67)

Музыкальный проект Анатолия Белова и Георгия Бабанского.
Musical project of Anatoly Belov and George Babanski.

Людська Подоба_ Prestupit Sakralnoe

Eyvind Kang
Song: Grass - III
Album: Grass
Label: Tzadik Records
web: www.tzadik.com

Spanish Review

Eyvind Kang - Grass - III

KARLHEINZ STOCKHAUSEN (1928-2007) 
KONTAKTE (1958-1960)
for piano, percussion & tape 35 minutes

L’INSTANT DONNÉ 
Caroline Cren, piano 
Maxime Echardour, percussion

MOTUS
Vincent Laubeuf, sound projection
Olivier Lamarche, sound engineering



Stockhausen | Kontakte | live at La Marbrerie (Montreuil) June 2012

NEC’s Percussion Ensemble performs Elliott Carter's Tintinnabulation for percussion sextet conducted by Frank Epstein, Chair of Brass and Percussion during a celebration of Carter's centennial in 2008.
http://necmusic.edu/nec-mourns-death-elliott-carter

Elliott Carter: Tintinnabulation

for 6 players, TamTam and Live-Electronics

Karlheinz Stockhausen - Mikrophonie 1 (1964) - Tutti157 Auschnitt

Karlheinz Stockhausen: Mikrophonie 1 (1964) - SchlürfendQuietschend-WischendBrummendPosaunend

a 1951 piece composed by Karlheinz Stockhausen.
http://en.wikipedia.org/wiki/Karlheinz_Stockhausen
tracked in spring 2010.
All Rights Reserved by... Not Sure.

Conductor: David Medine
David Medine, conductor , oboe , clarinet , piano , percussion
Instruments: Meghann Welsh (Oboe), Dustin Donahue, Brian Archinal, Bonnie Whiting-Smith (Percussions), Kate Lukacs (Piano), and Ariana Lamon-Anderson (Bass Clarinet) 
Sound Engineer: Joey Ma (Recording, Mixing, Mastering)

Karlheinz Stockhausen - Kreuzspiel

Chamber ensemble for contemporary music based in Cologne, GER.

Karlheinz Stockhausen - Mikrophonie 1 (1964) - Tutti157 Auschnitt

hand werk