Such an awesome track my friend! I love it!🫶🤎🙏

absolut überzeigende Arbeit, Stefan! macht Spaß!

Would perfectly work with a scene in the Blade Runner franchise.

Would also work with a Command and Conquer game!

A track for contemplation and relaxation inspired by classical music.

Reflection And Coda

This track is all about recognizing and seizing opportunities in life. It should inspire you to be courageous and try new things. The message is clear: every opportunity can be the start of something great. Listen in, get motivated and never miss an opportunity again!

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Colors LoFi Tapes
Kalimba
Verve
Taped Vibes
Vibrant
CRE8 Wave Engine
Apollo
Substruction
Navia Harp

130 bpm

Picture by Alexandra Koch on Pixabay

opportunity

Video; https://youtu.be/JaiTBakK-og

Made in #Ableton (January 2025)

Genres;
#Dance
#EDM
#Electronic

Above Dreams

Synth track with a couple of experimental sounds.

Got great inspiration from this nice tutorial: https://www.youtube.com/watch?v=fSi3aFNHr3k that @Polarity posted.

Shadowland

Letra: Rafael Moraira
Música, orquestación y producción: Rafael Serrano

English
11th century. Ishbiliya. The Seville of taifas, the "flat city", also poetically called Alquivira (The Great).
Legend has it that the Poet King Almotamid or Almutamid, trying to spin some verses on the banks of the Rio Grande (Guad-al-Quivir) could not find the foot of one of them:
"The breeze turns the river into a chainmail coat..."
When, faced with his poetic blockage, a female voice behind him, hidden in the vegetation of the river, concluded:
"There is no better chainmail than the one frozen by the river."
It was the slave Itimad, called Romaiquiya, who would become his beloved Queen in an idyllic taifa. Until the invasion of the Almoravids banished him forever to Ahmad, near Morocco, where, faithful and in love, Itimad followed her until her last days.
You can visit her splendid Mausoleum there. And perhaps you will hear those verses that today are... nothing.
Like almost everything that was that Great City.

Español
Siglo XI. Ishbiliya. La Sevilla de taifas, la "ciudad llana", también llamada poéticamente Alquivira (La Grande).
Cuenta le leyenda que el Rey Poeta Almotamid o Almutamid, tratando de hilar unos versos a orillas del Río Grande (Guad-al-Quivir) no encontraba el pie a uno de ellos:
“La brisa convierte al río en una cota de malla…” 
Cuando, ante su bloqueo poetico, una voz femenina a sus espaldas, oculta en la vegetación del río, concluyó:
“Mejor cota no se halla como la congele el río.”
Era la esclava Itimad, llamada la Romaiquiya, que llegaría a ser su amada Reina en una taifa idílica. Hasta que la invasión de los almorávides lo desterró para siempre a Ahmad, cerca de Marruecos, a donde, fiel y enamorada, la siguió hasta sus últimos días Itimad.
Podéis visitar allí su espléndido Mausoleo. Y quizás oigáis esos versos que hoy son... nada.
Como casi todo lo que fue aquella Gran Ciudad.


LETRA:

Ay, Alquivira!.
El viento hacía del agua,
ay, Alquivira,
rizos de nácar.
Almotamid divagaba:
"Yo te quisiera hilvanar 
 en una cota de malla,
 y el río no se deja hilar".
Ay, Alquivira!.
Si el relente te helara...
Ay, Alquivira!.
Ay, mi Alquivira!.
Oyó una voz a su espalda:
"Cómo lo quieres helar
 si la calor de Sevilla 
 son los ojos de Itimad?".

Ay, Alquivira!.
Qué nos queda ya?.
Ni casi río ni rey
ni el sol de Romaiquiya...

Ay, Alquivira!
El tiempo hace del agua,
ay, Alquivira,
rizos de nada.
Almotamid cada mayo
de las prisiones de Ahmad
va a Alquivira de la mano
del fantasma de Itimad.
Oye una voz la Giralda:
"Cómo te quieres helar
 si la calor de Sevilla 
 son los ojos de Itimad?".

¡Ay! Alquivira

Goodnight.WAV

White Rats jam

YouTube link: https://youtu.be/ltiVVNRibu8 

A rainy night has its charm. The sound of droplets hitting the window can be extremely relaxing, and the flickering street lights in the puddles add mystery and magic. In such an atmosphere, it is easier to immerse yourself in thoughts or a book, or simply enjoy the moment. Sometimes you can find more beauty in the rain than on a sunny day.  ❤️  Una noche lluviosa tiene su encanto. El sonido de las gotas golpeando la ventana puede ser extremadamente relajante, y las luces parpadeantes de la calle en los charcos agregan misterio y magia. En un ambiente así, es más fácil sumergirse en pensamientos o en un libro, o simplemente disfrutar del momento. A veces se puede encontrar más belleza en la lluvia que en un día soleado.  ❤️ eszczowa noc ma swój urok. Dźwięk kropel uderzających o okno może być niezwykle relaksujący, a migoczące światła uliczne w kałużach dodają tajemniczości i magii. W takiej atmosferze łatwiej się zanurzyć w myślach czy książce, bądź po prostu cieszyć się chwilą. Czasem w deszczu można znaleźć więcej piękna niż w słoneczny dzień. 

Rainy Night

Poordub

Issa Party founder, @pleasetrax presents a decade of tracks built on a Chicago footwork foundation, weaving cold, icy textures with borrowed sounds from Indonesia, China, and the UK. Across these works, the project expands into club styles adjacent to Chicago’s history, while reflecting on personal identity as a reaction to the global rise in populism.

releases December 12, 2025

Please: 2015-2025

Thank you for 10 years of support. Onto new things…

All tracks written, mixed, and mastered by Chris Santoso

Featuring: Unjibbed, DJ Twan, Big Gidz, DJ Manny, DJ Chad, DANNN, Saint Icky, Chuck Trash, Khalfani, Hawk, Ash Wednesday, Devin Hudson, Steve Noah, J. Cordova, Jace Inman, Scim, Composuresquad, Sammy P, Traxman, DJ.MC, rayreck. Heavee, Jana Rush, Boylan, CG, THE GTW, and Engine.

Support Chicago music, support Chicago music culture and history.

Midwest All Day.

In loving memory of: Andrew Santoso, Charlie Sussman, and Daniel Brookman.


Pred-order

Spite

Vortex

I am composing dark electronic music in a variety of styles as my hobby. I feel my specialty is melancholic/dreamy electronics. 
End of 2019 I became more active after I started using #Bitwig Studio. So almost all the tracks you'll find here are from this era. The music is all done by myself - no AI used (not even for mixing & mastering). Let me know what you think and constructive criticism is very welcome too.

I like electronic music of all kinds (started with Depeche Mode in the 80s,  EBM in the 90s and FuturePop in the 00s, but also like Melodic Techno, Psytrance, Harsh Industrial, ...etc.).

I've started making music in the 80s on the Amiga 2000 with various trackers and used Jeskola Buzz on Windows for a brief period during the 90s.

The gear I am using now:
A PC running OpenSuse Tumbleweed
2 27" WQHD screens
1st gen Focusrite Scarlett 18i20 Audio interface + 2nd gen Focusrite OctoPre
Novation Launchpad X
Arturia Keystep 37
Korg Nano Kontrol
My own  Octacon controller (https://github.com/ensonic/octacon)

I use Bitwig Studio with mainly the stock devices and Sononym for my sample library.

Stefan

Shadowland

ᴇɴsᴏɴɪᴄ

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Miguel Chinchorro

Miguel Chinchorro

Miguel Chinchorro

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