Sophie 22025-08-03 23:23.wav

🎮 Shaman-Boy tells the tale of summoning the forgotten powers of the Game Boy. In a pixelated trance at 174 BPM, the shaman faces destiny... Will he win the game?

💬 Let your mind drift and your heart resonate, tell me how it makes you feel.
🙏 Safe journey, traveler.

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🎮 Shaman-Boy raconte l’invocation des pouvoirs oubliés de la Game Boy. Dans une transe pixelisée à 174 BPM, le shaman affronte le destin… Gagnera-t-il la partie ?

💬 Laisse ton esprit dériver et ton cœur vibrer, dis-moi ce que tu ressens en écoutant.
🙏 Bonne traversée, voyageur.

Shaman-Boy

Old-style electro improvisation in Bitwig, soloing with synths. Atmospheric and uplifting electronic music improvisation.

https://darksideofsynth.gumroad.com/l/electrco-jam-bitwig

Electro Jam in Bitwig - Synth Jam 155

"Oak Island Nights"

Trapped on vacation in Oak Island too long
The city shuts down at night, it’s all in the song
In a house on a beach, with waves under moonlight
My fam loves the sun, but I live for the night

With sharks in salt water and gators in fresh
Monsters in water salivating for flesh
Maybe it’s true that they only eat a few
But it seems like a lot when it’s you

Oak Island nights, no neon signs
Just a hush and a splash and a tangle of lines
Cast it out far, let the moonlight bite
We’re alive in the dark on Oak Island nights

The cooler’s empty and the bait shop’s shut
You can smell the shrimp boats when the tide gets cut
Ice cream melts faster than you can possibly eat
In a line that runs halfway down East Beach Street

Lighthouse watching with a beer in my hand
Some guy’s got a metal detector and a plan
They say Blackbeard left treasure here in the sand
But all I’ve found is dead crabs and a broke rubber band

Oak Island nights, no neon signs
Just a hush and a splash and a tangle of lines
Cast it out far, let the moonlight bite
'Til a shark steals the bait and your life in one bite

Oak Island Nights

This

december

Desert Technology

You are alone on the cliff and look over the dark city. You know what happens next, but what can you do?

A wall of Arps and modulated Pad Sequences, all done with native Bitwig devices.

Solitude

A moment's weight

A dark pulsing beat, dreamy pads + sparkling arps and a gnarly baseline. I love those ingredients.

All sounds build from scratch with native #Bitwig devices.

Dead Or Alive

erosion of the will [pt. 1]

Scie de nez

This is my entry for the "KVR One Synth Challenge #198" which in fact is the celebratory 200th one. All sounds must be produced with a single synthsizer in this challenge. On this occasion the synth could be chosen freely and I decided to use Spire by Reveal Sound.

DAW: Bitwig 5.3.13
Synth: Spire by Reveal Sound
BPM: 128

Instruments:
* Spire: 15 instance

Used Bitwig Devices:
* EQ+, Filter, Compressor+, Peak Limiter, Dynamics, Gate, Saturator, Resonator Bank, Tool, Multiband Fx-2, Spectrum, Oscilloscope

Used third party plugins:
* PREDD, OTT, Valhalla Supermassive, Youlean Loudness Meter

Talkative

This is my first attempt in the hi bpm area. All sounds are created from scratch with bitwig native devices.

TecTime

Growth Rings

Back2Skool

Mateo's Meadow

 tends towards postpunk but is a bit murkier and doomier than that, guitar, bass, and echoey vocals by me , drums, synths and pads in bitwig studio with some plugins adding to effects

into Yr arms 2025-09-07 1254

I like to make stuff. Sometimes it's just in the DAW (bitwig) sometimes it's my phone recordings of me playing guitar through my Jazz Chorus amp. I have more tracks over on youtube under the same name

Music for the last drive you’ll ever take, in a car that never returns.

Hi there ! I'm a french amateur musician. I use all kind of hardware synths and samplers to try to express my love of electronic music. Hope you'll enjoy !

I am composing dark electronic music in a variety of styles as my hobby. I feel my specialty is melancholic/dreamy electronics. 
End of 2019 I became more active after I started using #Bitwig Studio. So almost all the tracks you'll find here are from this era. Let me know what you think and constructive criticism is very welcome too.

I like electronic music of all kinds (started with Depeche Mode in the 80s,  EBM in the 90s and FuturePop in the 00s, but also like Melodic Techno, Psytrance, Harsh Industrial, ...etc.).

I've started making music in the 80s on the Amiga 2000 with various trackers and used Jeskola Buzz on Windows for a brief period during the 90s.

The gear I am using now:
A PC running OpenSuse Tumbleweed
2 27" WQHD screens
1st gen Focusrite Scarlett 18i20 Audio interface + 2nd gen Focusrite OctoPre
Novation Launchpad X
Arturia Keystep 37
Korg Nano Kontrol
My own  Octacon controller (https://github.com/ensonic/octacon)

I use Bitwig Studio with mainly the stock devices and Sononym for my sample library.

Stefan

— 𝔞 𝔠 𝔠 𝔢 𝔩 𝔢 𝔯 𝔞 𝔱 𝔦 𝔫 𝔤 𝔦 𝔫 𝔱 𝔬 𝔱 𝔥 𝔢 𝔦 𝔫 𝔣 𝔦 𝔫 𝔦 𝔱 𝔢 𝔳 𝔬 𝔦 𝔡 —
— 𝔱 𝔦 𝔪 𝔢 𝔴 𝔦 𝔩 𝔩 𝔟 𝔲 𝔯 𝔯 𝔶 𝔶 𝔬 𝔲 —

//// 𝐸 𝑋 𝑃 𝐸 𝑅 𝐼 𝑀 𝐸 𝑁 𝑇 𝐴 𝐿 𝐵 𝐴 𝑆 𝑆 ////

Indie music maker, available for sound design & music for media.

I grew up with music & technology, and I love them both.
I love many genres but rock and electronic music have a special place in my heart.

Why the name Dark Side of Synth? Because it’s cool and it sums up my fascination with the dark side and with synthesizers. Dark side not just as negative but also as obscure, unknown, unexplored...

Don’t worry, you won’t be finding only darksynth, heavy, scary and sad tunes and tones here but quite a wide range and lots of happy, upbeat things too. Again, it is just a name – not a mission statement set in stone forever.

Just someone that likes making music in my spare time

I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

New tracks tagged #bitwig