Juber


💧 RELAXING IN THE WATERFALL
The album’s centrepiece is pure immersion in cascading tranquillity.

Water textures blend with ambient drones to create a liquid lullaby.

Each splash and ripple is tuned to harmonise with your breath.

A sonic massage for the nervous system.

Ideal for aromatherapy sessions or spa environments.

The waterfall becomes a metaphor for emotional release.

Gentle swells mimic the rise and fall of natural flow.

A track that invites surrender and softness.

Let the sound wash away tension and restore clarity.

This is nature’s lullaby, rendered in 432Hz.

432HZ RELAX NO 5

RELAXING IN THE WATERFALL

RELAXING IN THE WATERFALL, this is 1 of 10 tracks from the album ( 432HZ RELAX NO 5 WATERFALL )

JimmyJoe - The Inside Is The Outside

Endless motion without escape.
Circles drifts through layers of synth, reverb, and tension — a slow rotation between beauty and decay. Every pulse feels familiar, every silence deeper than before.
Minimal. Hypnotic. Eternal.

🎧 Headphones recommended.

CIRCLES

SugarSynth: "Some days the world moves too fast. Some days we move off-beat on purpose. And when we can’t help it, we just control what we can. That's the best we can do."
----------------------------

brain’s buffering again.
beep boop

I stare at the waveform till it stares back,
cursor blinking on the channels
every thought’s a halfmade song,
emotions stuck at 99%.
glitch breath, frame skip,
cursor drip.
nothing moves but I still trip.

input lag in my own head.
it’s all fine, I’m not dead yet.
it’s all fine, I’m not dead yet.
it’s all fine, I’m not dead yet.

it’s all fine, I’m not dead yet.
thinking in packet loss,
heart sync off.
static bloom, no drop.

input lag in my own head.
no reset, no regret.
input lag in my own head.
the beat forgets, I don’t forget.

they say the frame skips, but we all know that blur.
we’re moving at odd tempos, but the rhythm still stirs.
some of us flicker, some of us freeze,
but there’s music in the gaps and the space in between.
they wanted clear lines, but we’re here for the haze,
for the hearts out of sync in a hundred soft ways.
this ain’t malfunction, it’s motion in disguise.
we don’t need repair, just room to rise.

it’s all fine, I’m not dead yet.
it’s all fine, we are not dead yet.
it’s all fine, we are not dead yet.
it’s all fine, we are not dead yet.
input lag in your own head.
this high ping, this low refresh.
the beat forgets, we don’t forget.

I don’t forget.
I don’t forget.

What if the stumble is where the meaning starts?
What if the pause is just us healing broken parts?
They call it flawed, we just call it pace.
Finding our own rhythm in this world of haste.

tempo fades.
glow stays.
this lag is in my head.
no reset, no regret.
the beat forgets.
I don’t forget.

Input lag

Bass Tune

Found in all known forms of life, ATP is often referred to as the "molecular unit of currency" for intracellular energy transfer.

Adenosine triphosphate (ATP) is a nucleoside triphosphate, that provides energy of approximate 30.5kJ/mol to drive and support many processes in living cells. Such as muscle contraction, nerve impulse propagation, and chemical synthesis. 

7th movement, 3rd scherzo

Aelatoric with some A Phrygian and E Locrian sprinkled in.. because why not.
120,4 bpm

Dance of the ATP Cell Coins

/
Almost Always There – On a Rock, a Deep Space Dub Journey

Dig it or not. Ride on.


You will own nothing – not even this song.


additional tags below: suggested by the system, why not

/ the story

We arrive naked on a spinning rock and leave it naked again, but in between we exhaust ourselves trying to own pieces of a world that was never really ours. Philosophers have long pointed out that property is, in the end, a legal and mental construct, not something the soul can actually hold.

​Almost Always There – On a Rock, a Deep Space Dub Journey drifts through that paradox: a humanoid species obsessed with ownership, streaming sounds it does not possess, clinging to things on a planet it can never keep. On this hurtling rock in space, the only constant is the journey itself – and even this song is just passing through your hands.
​

.
.
.

Almost Always There – On a Rock, a Deep Space Dub Journey

Continued...

Rob and Jamilah cut their comms.

“Shit! If that thing damages CyDar, the whole Lighthouse could go offline. Did you hear her intonation? She actually sounded apprehensive. It might take control of the whole station. How long can the automatic systems keep the place functioning if it cuts life support?”

“Depends on the extent. Let’s not panic, Rob. We need to find out more about it. So far it doesn’t seem like a weapon.” She reached out and took his hand. “We need to work together, and quickly. We need to locate it, assess the threat, if any, and take consequent action.”

He nodded and looked ashamed. “You’re right. Fear is the mind killer.”

“What?”

“It’s from a book, one of the greats from two millennia ago. I’m sorry, I forgot my training.”

“I’m scared too. Let’s get to the Core and see what’s happened.” She smiled at him. “We can comfort each other later.”

“Yes… If there is a ‘later’.”

The outer security door to the Core had been cut open like the storage bay. They entered, passing through several more damaged doors until they reached the main core centre. The doors were open, undamaged.

“Looks like CyDar just invited it in.”

The core was a massive, circular system of mainframes cooled by liquid nitrogen. Half way up, the intruder was clamped onto CyDar. It was insectoid, with long legs that had wrapped around part of the core and a central section that served as both body and head. There were no lights or markings. As they drew closer, a couple of the legs moved slightly.

“That is not a robot. Those joints look too fluid. Is it nano-engineered?”

Rob shook his head. “Beats me. CyDar, can you hear us?”

“Yes, Captain Hurford.”

“Report status.”

“It is of non-terrestrial origin. It is currently learning a simple binary language in order to communicate.”

“You invited it aboard, didn’t you?”

“Yes, I did. You ascertained that from the logs?”

“Your redactions left traces. Careless.”

“It was broadcasting what appeared to a distress call. The method of ingress was clumsy. I was attempting to guide it to a standard entry port but it wanted more immediate contact. Wait…”

They heard a burst of binary code, then a reply from CyDar.

“It has made contact.”

“What did it say?”

“Please protect me. I am scared.”

------------

(c) iamacamera 2022

Image: Lexica.art

Incident On Deck Forty-Three: Part 3

Fade Away (remaster)

I am creating to distract myself from destruction. Humanity has such a potential, let's use it to build a future that is batter what we see now in many places. 

The track is build using samples for the drum kits and synth sounds for bass & melody.  All using native #bitwig studio devices.

Unexpected Turbulence

I am composing dark electronic music in a variety of styles as my hobby. I feel my specialty is melancholic/dreamy electronics. 
End of 2019 I became more active after I started using #Bitwig Studio. So almost all the tracks you'll find here are from this era. The music is all done by myself - no AI used (not even for mixing & mastering). Let me know what you think and constructive criticism is very welcome too.

I like electronic music of all kinds (started with Depeche Mode in the 80s,  EBM in the 90s and FuturePop in the 00s, but also like Melodic Techno, Psytrance, Harsh Industrial, ...etc.).

I've started making music in the 80s on the Amiga 2000 with various trackers and used Jeskola Buzz on Windows for a brief period during the 90s.

The gear I am using now:
A PC running OpenSuse Tumbleweed
2 27" WQHD screens
1st gen Focusrite Scarlett 18i20 Audio interface + 2nd gen Focusrite OctoPre
Novation Launchpad X
Arturia Keystep 37
Korg Nano Kontrol
My own  Octacon controller (https://github.com/ensonic/octacon)

I use Bitwig Studio with mainly the stock devices and Sononym for my sample library.

Stefan

Unexpected Turbulence

ᴇɴsᴏɴɪᴄ

Recent comments

SolarRae

Related tracks