Vida. alternativa

Hyper Heart Club's self-named EP. Also the first one. Enjoy.

Lesbian

Colder

Caleidoscopic Eyes

SPREAD THE LOVE

Demos recorded in August, 2015.
Songs written by Leo Cmarko & Petr Yirsaak
Mixed by Jakub Trš @Kutashit

Glue

Nothing But Thieves  - Trip Switch

Breathe In Breathe Out

Представляю Вам свою совместную работу с очень талантливой чешской исполнительницей, автором песен и неординарной личностью Vilma Sichi.

Её музыка наполнена загадочностью и каким-то непередаваемым волшебством.

Всем приятного прослушивания, и будте искренне друг с другом, ведь порой мы ищем счастье где-то далеко, не понимая, что оно может находиться совсем рядом с нами..

Vilma Sichi - Saturday (feat. Ivan Sakharov)

a song about life and death and money and donuts

Walk On By

How We Gonna Get There Now?

A simple cover of my fave song by my fave band. :)

Vojtěch Suchan - Freak Scene(Dinosaur jr. Cover)

Love, you`re always just the same 
you`re the afternoon 
steady afternoon 

I will always be the same 
you think me insane 
I`m losing my bubble 

I`m floating on my own 
I`m floating round the globe 
my nose in the unknown 
I`m stoned between the poles 
I know no other feeling 
being on the ceiling 
feeling quite alone 
I`m feeling quite alone 

Don`t you worry child 
you know that you can hide 
in my bubble 
my bubble 
every time 
that you worry child 
you know that you can run 
you can run 
but you can`t hide 

Oh and love will always be the same 
Can you feel it coming? 
Golden Brown 

That`s why we will always be the same 
Can you feel it? 
Can you feel it? 

Can you feel it coming? 
Golden Brown 
... 
Can you feel it 

I`m floating on my own 
I`m floating round the globe 
my nose in the unknown 
I`m stoned between the poles 
just a being on the ceiling 
looking for a meaning 
singing like I`m ok 
sinking like my hope 

Don`t you worry child 
you know that you can hide 
in my bubble 
my bubble 
every time 
that you worry child 
you know that you can run 
you can run 
but you can`t hide 

Don`t you worry child 
you know that you can cry 
you can cry 
you can cry your heart out.
credits
released March 5, 2017 
Composed by Humdrum Lighthouse 
Mix by Vítek Paulík

Bubbles

The Monks' "Hamburg Recordings 1967" is available on 12" vinyl and CD here: 
The Monks – a strange, rare group with a story that sounds like a drunk friend’s generous hyperbole. A group of American G.I.s stationed in Germany on the precipice of Western cultural revolution starts playing music loosely connected to the rock n’ roll craze, contrastingly incorporating a critical and often offensive avant-garde edge. Nothing was off limits — screeching vocals, dark aesthetics, staccato-strummed banjo, sardonic lyricism, critiques of the Vietnam War and full monk costuming down to the tonsure. When viewed on the whole, it seems like an art school student’s senior thesis on what the craze means and its future possibilities. Due in large part to original Polydor vinyl collectability and years in the word-of-mouth hype machine, their legend and cult status has steadily blossomed since their last shows in 1967.

Fast forward to 2017, the crew at Third Man, already huge fans, are presented with an honest-to-God treasure trove of original Monks photos, newspaper clippings, business cards, letterhead, contracts, postcards and, yes, analog tapes, containing trailblazing, wild compositions completely unheard by public ears.

“I’m Watching You” would have been recorded on February 28th, 1967 at the same sessions that would produce the Monks’ final single “Love Can Tame the Wild” b/w “He Went Down to the Sea.” The remaining four songs were recorded after hours in the Top Ten Club later that year, just prior to the break-up of the band.

These songs have been unreleased for 50 years and are quite possibly the last music left to be heard by this legendary band.

Hamburg Recordings 1967

THE MONKS Hamburg Recordings 1967

The Monks - I'm Watching You

Todd Albright is a Country Blues, finger-style 12-string guitar player and singer living in Detroit, Michigan. An evening’s sonic evocations of pre-WWII Blues covers an extensive selection of material recorded in the 1920’s and 30’s. Playing the 12 string guitar, Todd brings to life an era composed of Blind Lemon Jefferson, Sylvester Weaver, Blind Willie McTell and Leadbelly, among others. Todd’s history playing the Blues reaches over 25 years, though he does not remember a time that a guitar wasn’t in his hands.

He first heard the Country Blues at the age of twelve, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters. Todd has performed across the U.S, both as a solo musician and alongside his former country blues string band band, The Staving Chain. Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia.

Detroit Twelve String Blues & Rags

TODD ALBRIGHT Detroit Twelve String Blues & Rags

Todd Albright - Savannah Mama

@francobollo
www.facebook.com/francobollouk
twitter.com/francobolloland

Written and performed by Francobollo.
Recorded at Iguana Studios.
Produced by Charlie Andrew.
Engineered by Brett Cox.
Published by Big Tree Publishing.

Released 16/05/2017 on Square Leg Records.

Worried Times

iTunes pre-order: http://smarturl.it/cagetropical
Bandcamp pre-order: https://frankierose.bandcamp.com/album/cage-tropical

After spending years as a major presence in Brooklyn’s thriving music scene, Frankie Rose relocated to her familial home of Los Angeles for 18 months with the intention of establishing yet another moment in her storied indie rock métier. Gradually, she found herself short on sleep, funds and optimism. "I moved to LA, drama ensued and I ended up on a catering truck. I was like, how can this be my life after being a touring musician and living off of music. I had really lost my way and I thought I was totally done."

Through sleepless nights of listening to broadcaster Art Bell’s paranormal-themed archives, Frankie’s thoughts had turned to "who am I, I’m not cut out for this business, it’s not for me." She continues, "I was literally in my room in L.A., not knowing how I was going to get out. But out of it all, I just decided to keep making music, because it is what I love and what I do – regardless of the outcome."

Towards the end of her time spent in Los Angeles, Frankie reached out to Jorge Elbrecht (Tamaryn, Gang Gang Dance, Violens) and began sketching what became the basic outline of what felt like a new album. Then, rather fortuitously, Frankie ended up back in Brooklyn with the realization that "in the end, I’m on my own. I have to do these things on my own."

The months that ensued meant basically working with no budget and finding ways to record in-between days. This time enabled Frankie to experiment musically with a variety of people that ultimately changed the way she worked. "I got a lot of input from people like Dave Harrington (Darkside), who was helpful reconstructing the songs, adding dynamics and changing up the rhythms."

The result of this existential odyssey is Cage Tropical, Frankie’s 4th album. It is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. "My references aren’t just music," says Frankie, "I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there."

Beginning with the shimmery, cinematic and percussive sparkling of the album’s opening track "Love in Rockets," the song’s refrain of "a wheel, a wheel of wasting my life: a wheel, a wheel of wasting my time" immediately alludes to those darker circumstances that led to the creative origins of Cage Tropical."It’s all essentially based on what happened to me in Los Angeles and then a return to Brooklyn," says Frankie. "Misery turned into something good. The whole record to me is a redemption record and it is the most positive one I’ve made"

 "I feel like I am finally free from worrying about an outcome. I don’t care. I already lost everything. I already had the worst-case scenario. When that happens, you do become free. In the end, it’s about me rescuing myself via having this record."

Cage Tropical

Buy LP/CD

Frankie Rose - Red Museum

From their second album "Multi-task", out September 22nd, 2017 via Trouble In Mind Records (www.troubleinmindrecs.com)

Omni "Equestrian" (Trouble In Mind Records)

Ronrico

Home

Central by John Frusciante

Tvořím tedy jsem.
Jmenuju se Ent a melodie jsou mý stromy.
Rostou pomalu ale do rozlehlých korun
Produkuju, hraju a skládám.
A tohle je něco jako můj hudební deník.
--------------
I create - I exist.
My nick is Ent and theese sounds are my trees. 
They grow slow, but steady.
I produce and write songs and play.

Vida. alternativa

Ent Vont