Take It All Away is an expression of of the world's greed and corruption, where people take more than they give. This is a song that forms part of the ultimate album World Gone Wild.

World Gone Wild

Take It All Away

Keep It 808

Beat Down By Love

Cover of I Need My Girl by The National .

I Need My Girl

Looney Tunes
Duration: 16'
For More Information: https://robertpaterson.com/looney-tunes
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1428
Perusal Score: https://issuu.com/robertpaterson/docs/looney_tunes_-_fs_bound_perusal

Instrumentation: flute (doubling piccolo), alto saxophone (doubling baritone sax), violin, cello, electric guitar, electric bass guitar (not acoustic contrabass), percussion (drumset, bongos, xylophone, amplified Udu drum and misc. small instruments) and piano (doubling synthesizer). All players doubling misc. small percussion instruments, bird whistles and sound effects.

PROGRAM NOTES (SHORT VERSION FOR PROGRAMS)
(Long version: http://robertpaterson.com/looney-tunes)
In Looney Tunes, each movement uses a specific well-known cartoon character as a musical influence and point of departure. The first movement, Taz, is inspired by the Tasmanian Devil character and plays upon all of Taz’s traits with loud, dissonant outbursts, gyrating transitions, quiet, reflective sections and a few references to his attraction to music. The second movement, Foghorn Leghorn, is inspired by this character’s loud, vocal disposition. The ‘Foghorn’ part of his name makes me think of real foghorns, and a foghorn-like interval begins this low-sounding, baritone sax-heavy movement. The third movement, Tweety Bird, provides contrast with a somewhat high tessitura and includes prominent parts for piccolo, violin, xylophone and alto sax. Although the entire movement only abstractly references the animated Tweety, I try to make all of the high instruments sound bird-like from beginning to end. Two of my favorite cartoon characters of all time are the Road Runner and Wile E. Coyote, so it seemed appropriate to end the work with a fastRoad Runner movement. I have always been fascinated by the seemingly infinite array of ACME inventions the Coyote uses to try and capture the Road Runner, and the last movement reflects this and incorporates a number of exotic, gizmo-like sounds and instruments.

Guerilla New Music

Looney Tunes - II. Foghorn Leghorn

Le Violon la Basse et la Maritza

CENTER four 4NTZ

K9//GUENOUILLE - Les mé)andres

I decided I needed to write a song about Elvis. The title I've given the song is: "Even Elvis Got the Blues".   It definitely helps to enjoy the song if you are an Elvis fan. Elvis was as human as anyone, he just had a fantastic singing voice and very talented to boot. He had great acting skills, but wasn't given great movies to act in. But being a sensitive human being, Elvis would have his moments, I would probably say he felt sad, blue.

1. Even Elvis Got The Blues

Kubrick

Free Cover of the Radiohead classic



www.enuminousandarchimedes.com for info on our 18 albums, including "February 30 1912: eNuminous & Archimedes LIVE! at The Hippodrome, London" available now for streaming only on iTunes, YouTube and Amazon, plus everywhere else.

PLAY OUR 18 ALBUMS VERY LOUD

Eyelid/Fetish

Citi Zen One

It's Not Music For Sane Persons

Collaboration With The Circuit

Swamp Bell Aardvarking

Extraordinary Rendition

Mythical Permissions

Deep Red Bass

Unprecedented Chutzpah

Sounds Calliope Makes
Standing In The Rain

Angular Momentum In
Shadow The Bird's Rotating Universe

Negative Space

Waves Of Eternity Lapping At The Shore (That's What I Call Spoopy)

Bargain Basement Impressionism

Musical Hoax Of The Century

Writ & Corpuscle (Five Lives Of God)

O Captain!

February 30 1912: eNuminous & Archimedes LIVE! at The Hippodrome, London




Paranoid Android (Cover of Radiohead)

Medium.com/@enuminous --- ALL OUR NEW PHYSICS
Reimann Hypothesis, Unity, EFMW, Millennium Prize --- All these have fallen beneath my mighty intellect. Aphex Twin, you are now unmasked. Contact me, Sir, as I am in gratitude?

invisible caterpillar records:

Roster---

eNuminous & Archimedes
Matthew Chenoweth Wright
Millie Sievert and The Radioactive Five
Glörp
Faust Jones and The Chronologically Impaired
Gene Clean
D.J. DeRezident
Untitled Hindi Band

Millie Sievert and The Radioactive Five is a spin-off band from eNuminous & Archimedes, formed when we accidentally-on-purpose kidnapped Millie from her London of 1912 when she attended our ill-fated time concert at the Hippodrome on February 30 of that year. She adapted to modern times and postmodern music, and quickly stole our drummer and bassist for sessions. Her fourth album is due out soon.

eNuminous & Archimedes just released their 37th studio album, The Age of Machine Beauty.

Faust Jones' band will shortly release their first album.

Glorp is due to submit (ahem) master tapes, but we cannot seem to get them to return our calls. We really liked them, and it would get a shame to have to rip up this here contract.

All of these figments, characters, literary endeavors, writings, songs, lyrics, music and the entire existence of "eNuminous & Archimedes" and "Millie Sievert and The Radioactive Five", "Faust Jones and The Chronologically Impaired" and the various characters and bandmates that do not exist in any legal sense, are all created by and Copyright 2024 Matthew Chenoweth Wright, all rights reserved. Certain collaborations also contain copyrighted lyrics, writings and vocal work by Keely Dorran, Robert Lawson, Jennifer Helene Walker, Kenya Mitchell and a number of uncredited people, all Copyright 2024 by those entities, used with permission. All business regarding this music catalog is to be conducted via our agent, at enuminous@gmail.com and inquiries for licensing and custom work are welcome from responsible parties.

Thank you,

Matthew Chenoweth Wright
CEO, invisible caterpillar records
on behalf of his Masters, the Old Ones.

https://medium.com/@enuminous/millie-sievert-the-radioactive-five-the-intersection-of-time-travel-music-and-experimental-art-195155717bbc