Creep - Radiohead

Join Me In Death (Razorblade Romance)

Nirvana - Drain You

Nuka Prix — Here Today Gone Tomorrow (www.lightaudio.ru).mp3

No Applause No Thanks

Sounds like we got pretty close to the truth, Father
And then your ego kicked in, Father
And then you wind up being paranoid, Father
Your natural gifts will open your eyes
Blazing into galaxies
Transfiguring auras

Father
Your natural gifts will open your eyes
Blazing into
Father
Father, set for the sun
Father
Father, set for the sun
You must not get over drunk
With ecstasy or knowledge
Much work yet remains to be done
For you and the world
A cloud of devastating war will drop rain
Of fire and death
Father
I'm at my best bomb shelter
Christ resurrects
His crucified body
At velocity of light
300,000 kilometres per second
Father
Father, I set my controls for the sun
Father
Father, I set my controls for the sun
Your natural gift will open your eyes


PROMETHEUS

Everything breaks.
Light becomes shadow, life becomes death, angels become beasts.
The fragile beauty of truth splinters under its own weight, and in every fragment a new world is born—sharp, merciless, gleaming.

Kingdom of Glass is a descent into that shattering.
Where faith turns to hunger, where desire corrodes into madness, where silence itself begins to scream. It is the reflection that cuts when you dare to look too long, the mirror that does not return your face but something older, stranger, hungrier.

Here, there are no heroes—only ruins. No salvation—only the seduction of falling deeper. Yet in the fractures, in the brokenness, there lies a beauty too dangerous to ignore. A beauty that whispers: break, and be remade.

Kingdom of Glass

🎶 Musician Talks Politics and Doesn’t Stay in His Lane

There’s an old cliché in the music industry: “Stick to your lane. Don’t mix art with politics. Just entertain.”
But what happens when the lane itself is blocked — by corruption, censorship, and the theft of ideas too big to ignore?

The Storm Will Remember Us is not just an album. It is a testimony, a document of resistance. Each track is both a song and a witness statement — from the attempt to bury new physics equations, to the absurdity of sitting on unmeasurable intellectual wealth while being denied a basic loan, to the lived experience of whistleblowing in a system that punishes truth-tellers.

I’ve been told more than once that musicians should “stay out of politics.” That art should be harmless, apolitical, decorative. But the truth is simple: music has always been political. From Billie Holiday singing “Strange Fruit” to Bob Dylan plugging in his guitar, to Gil Scott-Heron reminding us that the revolution will not be televised — songs have always been frontline weapons in the battle over reality.

This album joins that tradition. It weaves protest, blues, dada collage, folk testimony, and storm-driven myth into a single narrative: one person’s fight against censorship, corporate theft, and the absurdity of an economic system incapable of recognizing emergent wealth.

You’ll hear anthems, ballads, lullabies, and storm songs. You’ll hear anger and exhaustion, satire and sincerity, fury and fragility. It is not meant to be polite. It is not meant to stay in one lane.

Because when institutions silence science, when corporations erase whistleblowers, when banks measure worth in decimals while ignoring the fire of discovery, there is no lane left. There is only the open road — and the storm that remembers.

So here it is. My songs, my testimony, my politics, my math, my truth.
Play it loud. Share it freely. And if someone tells you to stay in your lane — ask them whose lane it is, and who’s afraid of what happens when the music changes direction.

— Matthew Chenoweth Wright
The Storm Will Remember Us

The Autobiography of Tyler Anderson Gale

My How to Do Songs Do Not Make Sense

How to Sleep While Wide Awake

dread-in-me😱.mp3

Back Against the Wall is an outlaw-country record built on grit, scars, and resilience. It’s the story of holding on when the world tries to break you — of finding freedom in dirt roads, family, memory, and truth, even when the weight of survival presses hard.

The album opens with “Dirt Roads and Dogs”, a free-spirited escape into the country soul, before diving into the raw defiance of “Frankly, I Don’t Give a Damn.” Tracks like “Sunday Porchlight” and “The Sky Remembers” provide heart and reflection, anchoring the record in stories of grace and memory. “We Were Soldiers Too” serves as its haunting tribute, honoring sacrifice and courage with reverence.

The title track “Back Against the Wall” and “The Last Free Thinker” drive the album’s rebellious core, confronting modern struggles and the cost of survival with unflinching honesty. To balance the fire, “Pickin’ Trouble” delivers rowdy bluegrass energy, while “Let ’Em Be Kids” strips back the noise to remind us what’s worth protecting.

Together, these songs form a litany of truth: that even in chaos and collapse, there’s defiance, there’s love, and there’s still something worth standing for. Back Against the Wall is not just an album — it’s an outlaw hymnbook for hard times.

We Might Be Robots

Let ’Em Be Kids

Medium.com/@enuminous --- ALL OUR NEW PHYSICS
Reimann Hypothesis, Unity, EFMW, Millennium Prize --- All these have fallen beneath my mighty intellect. Aphex Twin, you are now unmasked. Contact me, Sir, as I am in gratitude?

invisible caterpillar records:

Roster---

eNuminous & Archimedes
Matthew Chenoweth Wright
Millie Sievert and The Radioactive Five
Glörp
Faust Jones and The Chronologically Impaired
Gene Clean
D.J. DeRezident
Untitled Hindi Band

Millie Sievert and The Radioactive Five is a spin-off band from eNuminous & Archimedes, formed when we accidentally-on-purpose kidnapped Millie from her London of 1912 when she attended our ill-fated time concert at the Hippodrome on February 30 of that year. She adapted to modern times and postmodern music, and quickly stole our drummer and bassist for sessions. Her fourth album is due out soon.

eNuminous & Archimedes just released their 37th studio album, The Age of Machine Beauty.

Faust Jones' band will shortly release their first album.

Glorp is due to submit (ahem) master tapes, but we cannot seem to get them to return our calls. We really liked them, and it would get a shame to have to rip up this here contract.

All of these figments, characters, literary endeavors, writings, songs, lyrics, music and the entire existence of "eNuminous & Archimedes" and "Millie Sievert and The Radioactive Five", "Faust Jones and The Chronologically Impaired" and the various characters and bandmates that do not exist in any legal sense, are all created by and Copyright 2024 Matthew Chenoweth Wright, all rights reserved. Certain collaborations also contain copyrighted lyrics, writings and vocal work by Keely Dorran, Robert Lawson, Jennifer Helene Walker, Kenya Mitchell and a number of uncredited people, all Copyright 2024 by those entities, used with permission. All business regarding this music catalog is to be conducted via our agent, at enuminous@gmail.com and inquiries for licensing and custom work are welcome from responsible parties.

Thank you,

Matthew Chenoweth Wright
CEO, invisible caterpillar records
on behalf of his Masters, the Old Ones.

https://medium.com/@enuminous/millie-sievert-the-radioactive-five-the-intersection-of-time-travel-music-and-experimental-art-195155717bbc

The Autobiography of Tyler Anderson Gale

invisible caterpillar records

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