typeonegative - i dont wanna be me

System Of A Down - Lonely Day Cover

конец солнечных дней - песня простака

No Applause No Thanks

An anthem about hanging out at the one place that always feels like home – the corner store. Slurpees, cheap gum, stolen fries, and fluorescent lights. Youth culture in its purest, dumbest form.

Seven Eleven Nights

Wars are never won

Born Slippy (Underworld Cover)

🎶 Musician Talks Politics and Doesn’t Stay in His Lane

There’s an old cliché in the music industry: “Stick to your lane. Don’t mix art with politics. Just entertain.”
But what happens when the lane itself is blocked — by corruption, censorship, and the theft of ideas too big to ignore?

The Storm Will Remember Us is not just an album. It is a testimony, a document of resistance. Each track is both a song and a witness statement — from the attempt to bury new physics equations, to the absurdity of sitting on unmeasurable intellectual wealth while being denied a basic loan, to the lived experience of whistleblowing in a system that punishes truth-tellers.

I’ve been told more than once that musicians should “stay out of politics.” That art should be harmless, apolitical, decorative. But the truth is simple: music has always been political. From Billie Holiday singing “Strange Fruit” to Bob Dylan plugging in his guitar, to Gil Scott-Heron reminding us that the revolution will not be televised — songs have always been frontline weapons in the battle over reality.

This album joins that tradition. It weaves protest, blues, dada collage, folk testimony, and storm-driven myth into a single narrative: one person’s fight against censorship, corporate theft, and the absurdity of an economic system incapable of recognizing emergent wealth.

You’ll hear anthems, ballads, lullabies, and storm songs. You’ll hear anger and exhaustion, satire and sincerity, fury and fragility. It is not meant to be polite. It is not meant to stay in one lane.

Because when institutions silence science, when corporations erase whistleblowers, when banks measure worth in decimals while ignoring the fire of discovery, there is no lane left. There is only the open road — and the storm that remembers.

So here it is. My songs, my testimony, my politics, my math, my truth.
Play it loud. Share it freely. And if someone tells you to stay in your lane — ask them whose lane it is, and who’s afraid of what happens when the music changes direction.

— Matthew Chenoweth Wright
The Storm Will Remember Us

The Autobiography of Tyler Anderson Gale

bill (I’d f$&@ me)

Lord of Spirits

Such a lonely day 
And it's mine 
The most loneliest day of my life 

Such a lonely day 
Should be banned 
It's a day that I can't stand 

The most loneliest day of my life 
The most loneliest day of my life 

Such a lonely day 
Shouldn't exist 
It's a day that Ill never miss 
Such a lonely day 
And it's mine 
The most loneliest day of my life 

And if you go, I wanna go with you 
And if you die, I wanna die with you 

Take your hand and walk away 

The most loneliest day of my life 
The most loneliest day of my life 
The most loneliest day of my life 

Such a lonely day 
And it's mine 
It's a day that I'm glad I survived

Lonely Day

Medium.com/@enuminous --- ALL OUR NEW PHYSICS
Reimann Hypothesis, Unity, EFMW, Millennium Prize --- All these have fallen beneath my mighty intellect. Aphex Twin, you are now unmasked. Contact me, Sir, as I am in gratitude?

invisible caterpillar records:

Roster---

eNuminous & Archimedes
Matthew Chenoweth Wright
Millie Sievert and The Radioactive Five
Glörp
Faust Jones and The Chronologically Impaired
Gene Clean
D.J. DeRezident
Untitled Hindi Band

Millie Sievert and The Radioactive Five is a spin-off band from eNuminous & Archimedes, formed when we accidentally-on-purpose kidnapped Millie from her London of 1912 when she attended our ill-fated time concert at the Hippodrome on February 30 of that year. She adapted to modern times and postmodern music, and quickly stole our drummer and bassist for sessions. Her fourth album is due out soon.

eNuminous & Archimedes just released their 37th studio album, The Age of Machine Beauty.

Faust Jones' band will shortly release their first album.

Glorp is due to submit (ahem) master tapes, but we cannot seem to get them to return our calls. We really liked them, and it would get a shame to have to rip up this here contract.

All of these figments, characters, literary endeavors, writings, songs, lyrics, music and the entire existence of "eNuminous & Archimedes" and "Millie Sievert and The Radioactive Five", "Faust Jones and The Chronologically Impaired" and the various characters and bandmates that do not exist in any legal sense, are all created by and Copyright 2024 Matthew Chenoweth Wright, all rights reserved. Certain collaborations also contain copyrighted lyrics, writings and vocal work by Keely Dorran, Robert Lawson, Jennifer Helene Walker, Kenya Mitchell and a number of uncredited people, all Copyright 2024 by those entities, used with permission. All business regarding this music catalog is to be conducted via our agent, at enuminous@gmail.com and inquiries for licensing and custom work are welcome from responsible parties.

Thank you,

Matthew Chenoweth Wright
CEO, invisible caterpillar records
on behalf of his Masters, the Old Ones.

https://medium.com/@enuminous/millie-sievert-the-radioactive-five-the-intersection-of-time-travel-music-and-experimental-art-195155717bbc