🎶 Musician Talks Politics and Doesn’t Stay in His Lane

There’s an old cliché in the music industry: “Stick to your lane. Don’t mix art with politics. Just entertain.”
But what happens when the lane itself is blocked — by corruption, censorship, and the theft of ideas too big to ignore?

The Storm Will Remember Us is not just an album. It is a testimony, a document of resistance. Each track is both a song and a witness statement — from the attempt to bury new physics equations, to the absurdity of sitting on unmeasurable intellectual wealth while being denied a basic loan, to the lived experience of whistleblowing in a system that punishes truth-tellers.

I’ve been told more than once that musicians should “stay out of politics.” That art should be harmless, apolitical, decorative. But the truth is simple: music has always been political. From Billie Holiday singing “Strange Fruit” to Bob Dylan plugging in his guitar, to Gil Scott-Heron reminding us that the revolution will not be televised — songs have always been frontline weapons in the battle over reality.

This album joins that tradition. It weaves protest, blues, dada collage, folk testimony, and storm-driven myth into a single narrative: one person’s fight against censorship, corporate theft, and the absurdity of an economic system incapable of recognizing emergent wealth.

You’ll hear anthems, ballads, lullabies, and storm songs. You’ll hear anger and exhaustion, satire and sincerity, fury and fragility. It is not meant to be polite. It is not meant to stay in one lane.

Because when institutions silence science, when corporations erase whistleblowers, when banks measure worth in decimals while ignoring the fire of discovery, there is no lane left. There is only the open road — and the storm that remembers.

So here it is. My songs, my testimony, my politics, my math, my truth.
Play it loud. Share it freely. And if someone tells you to stay in your lane — ask them whose lane it is, and who’s afraid of what happens when the music changes direction.

— Matthew Chenoweth Wright
The Storm Will Remember Us

The Autobiography of Tyler Anderson Gale

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invisible caterpillar records:

Roster---

eNuminous & Archimedes
Matthew Chenoweth Wright
Millie Sievert and The Radioactive Five
Glörp
Faust Jones and The Chronologically Impaired
Gene Clean
D.J. DeRezident
Untitled Hindi Band

Millie Sievert and The Radioactive Five is a spin-off band from eNuminous & Archimedes, formed when we accidentally-on-purpose kidnapped Millie from her London of 1912 when she attended our ill-fated time concert at the Hippodrome on February 30 of that year. She adapted to modern times and postmodern music, and quickly stole our drummer and bassist for sessions. Her fourth album is due out soon.

eNuminous & Archimedes just released their 37th studio album, The Age of Machine Beauty.

Faust Jones' band will shortly release their first album.

Glorp is due to submit (ahem) master tapes, but we cannot seem to get them to return our calls. We really liked them, and it would get a shame to have to rip up this here contract.

All of these figments, characters, literary endeavors, writings, songs, lyrics, music and the entire existence of "eNuminous & Archimedes" and "Millie Sievert and The Radioactive Five", "Faust Jones and The Chronologically Impaired" and the various characters and bandmates that do not exist in any legal sense, are all created by and Copyright 2024 Matthew Chenoweth Wright, all rights reserved. Certain collaborations also contain copyrighted lyrics, writings and vocal work by Keely Dorran, Robert Lawson, Jennifer Helene Walker, Kenya Mitchell and a number of uncredited people, all Copyright 2024 by those entities, used with permission. All business regarding this music catalog is to be conducted via our agent, at enuminous@gmail.com and inquiries for licensing and custom work are welcome from responsible parties.

Thank you,

Matthew Chenoweth Wright
CEO, invisible caterpillar records
on behalf of his Masters, the Old Ones.

https://medium.com/@enuminous/millie-sievert-the-radioactive-five-the-intersection-of-time-travel-music-and-experimental-art-195155717bbc