Booking: booking@tim-engelhardt.com

Tim Engelhardt has established himself as one of the most dynamic forces in modern electronic music. With a series of successful releases, including “So Good,” “Mind Over Matter,” “Falling,” and “Phantasy,” or his rework of Fred Again’s track “Lydia”, his productions reached new heights as he became one of the year’s most charted electronic music producers. With over 40 million streams to his name, Tim’s music continues to resonate with a global audience, reinforcing his position as a pivotal figure in the electronic scene.
In 2024, Tim Engelhardt continued to push creative boundaries with a series of high-profile releases on Scenarios, Siamese, Rose Avenue, and Spectrum. Each label provided the ideal platform for his evolving sound. These releases have not only captivated listeners but also garnered praise from key figures in the electronic music industry. 
Tim’s live performances have been equally impressive, with a packed schedule of gigs spanning the globe—from intimate club settings to big stages. His deep, emotive sets have consistently captivated fans, earning him accolades for his ability to craft immersive journeys through sound.
Beyond his solo success, Tim’s work with the Scenarios label has flourished this year. Scenarios, being a collective venture driven by his collaboration with Maga, Emanuel Satie, and Sean Doron, became one of the fastest-growing labels in the scene since its inception in 2022 and is shaping the future of electronic music with its forward-thinking releases and collaborative projects. 
Tim’s biography is rich with human interest, detailing his journey from a self-taught musician to a globally recognized artist. His story is not just about music; it's a testament to his unyielding dedication to his craft and his relentless pursuit of innovation in the ever-evolving world of electronic music.

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Giorgio Moroder - the father of Disco

Casablanca Records

Genres and Styles:
Disco, Electronic, Hi-NRG, Synthesizer, Pop, Rock, Dance, EDM

Moroder is frequently credited with pioneering synth disco and electronic dance music.

Soundtracks: 
Metropolis, Scarface, Midnight Express, Cat People, Electric Dreams, American Gigolo, Flashdance, The NeverEnding Story, Top Gun, Over The Top, Grand Theft Auto III (Flashback FM), Grand Theft Auto: Liberty City Stories (Flashback FM), Racer

Giorgio collaborated with Daft Punk in 2013
(My name is Giovanni Giorgio, but everybody calls me Giorgio - "Giorgio by Moroder"),
he is officially the oldest DJ in the world and currently working on his new album called "Déjà Vu" featuring Britney Spears, Sia, Charli XCX, Kylie Minogue, Mikky Ekko, Foxes, Matthew Koma, Kelis and Marlene.
Stay tuned.

#74isthenew24
#Righthererightnow
#Dejavu
#Diamonds
#Dontletgo

Official Soundcloud of Thievery Corporation

<a href='http://gigs.gigatools.com/u/minilogue' target='_new'>minilogue's Upcoming Gigs </a>Saturday 08 February, 2014 <a href='http://www.trouwamsterdam.nl' target='_new'>Trouw, Amsterdam, Netherlands</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Blomma

Everything comes in its own time: a wordly wisdom that Marcus Henriksson and Sebastian Mullaert aka Minilogue take for granted. Since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide. And that not only because in each of their artistic expressions you can feel their effortless passion for what they do - whether live or magnetized on a medium. Also because they do not stick to any stylistic niche to mark their territory. House, techno, ambient, trance, and lately jazz are equal parts in their creations.

The most effective bunched proof for their musical universalism was marked in 2008 with the release of their debut album „Animals““ on Cocoon. Since then a string of Ep’s on labels like Mule, Wagon Repair, Traum Schallplatten, and their own imprint Minilogue continued their story in sound in which everything is made out of the present moment. Also the jazz infused album „Bring Out The Imps“ that they recorded under the alias IMPS with two jazz musicians and a heartfelt collaboration album with the Japanese producer Kuniyuki entered their discography.

And between all their work they constantly performed their intense improvised live shows all around the globe. Privatly they formed themself a life far beyond the big city lights, out in the Swedish woods in the north of Malmö. Here they live a life where the inner gets the outer and where their way of creating is far away from Zeitgeist zones in which musical trends pass by like seasons. In the past five years they met every now and then when it felt like hooking up in the studio, jammed on their equipment without a clear goal in mind and recorded each unique moment that was guided by the experience of the single day of life that marked their souls when they came together. In past months they went through the archives of their creative comments on our time, that been born in moments where time was not on the agenda. In that time just music called the tune and as a result of this pure form of conversation between two souls their second album „Blomma“ emerged.

The title of the album isn’t just a name. The Swedish word „blomma“ represents two meanings in one: to bloom and the flower. The flower and the blooming are deeply tied to each other - as for Minilogue the process of making music and the temporary result of the process is one too, the album title matches perfectly with their aim of beeing aimless. Out of this attitude towards making music again a heterogeneous longplayer arose that does not work like a regulary formatted club music album. It comes in two parts that both have two faces within themself which are constantly shifting: dance oriented rhythm parts and airy layered ambient atmospheres – always intensely tuneful, musical, and shapely.

All eight tracks underpin the wisdom that says that in the moment of deep creativity you disappear. Because no ego can be heard and all grooves, melodies, field-recordings, samples, and chords work like a single colour of a musical painting that is full of versatile electric elements und unnatural sounds. Sounds that only evolve if those who create them are far away from knowing that they create. A state of mind that Minilogue bound on a double album that is just there to let the music speak. That is why again you can’t see their faces on the cover. Instead pictures of the nature that surrounds them in their everyday life stimulate the fancy of the listener while his ears get lost in a gentle amalgamation of rhythm and sound that conveys the impression that it just flew through the bodies of both while their extremities instantly used each instrument around – from the computer to the synth, from percussions to piano.

Nothing you can hear on the album is edited or post produced – it all sounds exactly like it was when the atoms of these two individuals danced together. The result is a record with no real beginning or end. An album that tells unconscious an epic story about the path it took to make it. With each atmospheric turn it blooms like an unreal sound fairytale which leaves much space for the listeners individual imagination. You can dance to it, you can ease, you can loose your feeling towards time and space. Whatever happens – in one moment suddenly Minilogue are very close, even if they are not present.

In a world of ever recycled trends, Tiefschwarz (deep black) is that most classic of shades. Its timeless style is testament to its staying power, and with a DJ and production career spanning over 14 years, this German deep house duo have proven just how apt a moniker can be. Born and bred in Stuttgart, brothers Ali and Basti Schwarz’s passion for techno and deep house flourished their initial experience as DJs in the early 90’s at the now legendary clubs that Ali ran in their home town, ON –U and Red Dog. This led to the formation of Tiefschwarz in 1997, from which they found rapid success with their debut single ‘Music’ (on Francois K’s Wave Music label) and album Ral 9005. By 2001, this had been licensed to the London label Classic Recordings from where they springboarded to international recognition. They decided to make the move to Berlin, at the time fast becoming the epicentre of a true electronic music renaissance, from where they pursued a hectic touring schedule and remixing the likes of Cassius, The Rapture, Missy Elliott, Kelis and their personal heroes Masters At Work. They then scored a double whammy with their all-conquering crossover hit remix of Spektrum’s ‘Kinda New’ and the single ‘Isst’ off their 2005 long-player, ‘Eat Books’. This was also the year that electrohouse dominated the charts and minimal the clubs, but Tiefschwarz have never allowed themselves to be tied down to a certain sound, staying true to their love of melody as demonstrated on their contribution to the Fabric mix series that year.
A series of high profile mixes in 2006, including Depeche Mode, Madonna, Roxy Music, Booka Shade, Phonique, Plastikman, dOP, and many others saw them continue perfecting their distinctive sound. Yet this was also the year in which Ali and Basti gravitated back to Berlin to found their own label, Souvenir. Basti explains “We like the idea of seeing music as a souvenir, an impression you take from somewhere. Something intimate that you remember”. They haven’t let this slow down their impressive production workload though, with a ten year anniversary compilation and a 2010 follow up album ‘Chocolate’ made in collaboration with Santé, and featuring Cassy, Seth Troxler, Dave Aju amongst others. At a perfect time to take stock of their career, the brothers are proudly contributing the ninth installment in the Watergate mix series, and have chosen a number of tracks that simultaneously pay homage to the tracks that shaped the beginnings of their career whilst also remaining very much forward looking. After years of constant touring, however, their Souvenir label has allowed them to lay down more permanent roots back in Berlin. It’s a place to foster talent, both young and old, not only in a sense of releasing records but also as a platform to share mutual experiences within a common network, a close core of artists work together including Ruede Hagelstein, Maher Daniel, the brothers Santé and Re.You, Ali &amp; Basti at the helm. With plenty more artists on the roster as well as a digital only subsidiary, Souvenir Plus, and a debut LP from Hagelstein on the horizon, there is promise of plenty yet to come for the Schwarz brothers’ imprint.

More info: www.nilsfrahm.com

Management: 
felix(at)agentur-grimm(dot)com


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