vaccum hits

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Lazy Sunday

Lazy Sunday (Statik Selektah Remix) [feat. Melanie Charles]

A track i made for Louie....! enjoy this one and enjoy it on a sunny day ! =) 


With Love (Dear Louie)

https://eodtracks.bandcamp.com/
https://eodtracks.bandcamp.com/
https://eodtracks.bandcamp.com/
https://eodtracks.bandcamp.com/
https://eodtracks.bandcamp.com/
https://eodtracks.bandcamp.com/
https://eodtracks.bandcamp.com/

BAGIBABGO

1.  Ba Dada  -  Jazzual Suspects (4:37)
2.  This Beat  -  Jazzual Suspects (4:51)
3.  Funkin Koobad   -  Jazzual Suspects (4:24)
4.  Jazzual Suspects  -  Jazzual Suspects (2:44)
5.  Sweet Lost Night   -  Nujazz (4:21)
6.  Green Tea   -  Everydayearthkid (3:47)
7.  Feel Somet   -  Everydayearthkid (2:06)
8.  Summer Love  -  Everydayearthkid (5:25)
9.  Ass Kickin Bass  -  Gramatik (2:14)
10.  Afternoon Soul   -  Gramatik (4:16)
11.  Nightime  -  Beat Demons (3:14)
12.  Jazz Selecta  -  Beat Demons (5:12)
13.  Desperado  -  Beat Demons (3:32)

Acid Jazz Mix (Jazzual Suspects, Gramatik, Everydayearthkid, Nujazz, Beat Demons)

Easy

Justin Pinkerton: "Aak'ab" out September 25th!

Preorder: www.elparaisorecords.com

California native Justin Pinkerton, a.k.a. Golden Void drummer and the man behind El Paraiso's own Futuropaco project, delivers a full-length album of playful synthesizer music. In contrast to a lot of the other projects Justin has been involved in over the years, Aak'Ab radiates slowness and tranquility. There's a rare sense of calm in these pieces. It would, however, be a mistake to categorize it as ambient or new age – the intricate pattern-work and the raga-like structure of these pieces avoid the usual new age pitfalls, and reveals stronger musical ties to the tradition of American classical minimalism and the electronic side of German kosmische from the 1970s.

Stylistically Aak'Ab harkens back to ideas that first materialized in Terry Riley's compositions in the 1960's and early 1970's. It's about patterns that gradually evolve and transform themselves – much like an organic process unfolding before your ears. The six pieces ebb and flow, and slowly creates a sense of peace and buoyancy in the listener. However, Justin avoids any kind of unnecessary sonic sweetening, instead letting the synthesizers buzz and hum in all their purity.

File next to: Terry Riley, Kaitlyn Aurelia Smith, Cluster

Justin Pinkerton: "Ix Chel"

Something different from Causa Sui.

While Causa Sui have always had one foot in heavy psychedelic rock, they've had the other one deep in a wide variety of esoteric styles. On this new double LP set, that other dimension of the band is being explored full-scale.

”Szabodelico” paints with a colourful palette, both compositionally and sonically - digging deep into an assortment of cultures, eras and sounds with a true crate-digger mindset. Throughout their 15 year life-span Causa Sui has always been about seeking out new directions, exploring the past and the present in a way that's unique at each step of their subtle progression - forging new paths into an existing map. ”Szabodelico” feels like discovering a small room under the stairs of your own house: familiar, yet new and exciting.

Their latest vision is an elegantly zoned-out version of itself: a turn inward. Anti-bombastic, yet rich with ecstatic harmonics and dynamics. The band stringed together a long series of sessions in 2019 and early 2020 in their studio in Odense, often prioritizing playful first takes and good vibes rather than clinical perfection.
Sparsely dubbed and mixed with a natural, full bodied flavour by Jonas Munk during the summer of 2020, each track has its own aesthetic. There's no simple equation to sum up the 13 individual parts of the album, but as a whole it creates an entity that's as complete as each of its parts. From the windblown opener ”Echoes of Light”, to the closing slow-motion epic ”Merging Waters” you'll find yourself asking where did the time go? The answer of course is: Szabodelico.

13 Merging Waters

11 Rosso Di Sera Bel Tempo Si Spera

10 Premonitions

https://elparaisorecords.com/releases/martin-rude-jakob-sk-tt-duo-dichotomy-control

Martin Rude (Sun River) & Jakob Skøtt (Causa Sui drummer) team up for their 2nd album in 2020, following their acclaimed debut The Discipline of Assent. All basic tracks were cooked up from a new session on July 7th in Causa Sui’s Jonas Munk’s studio. This time around, the duo took it’s time to modulate a few ideas into several takes, but maintaining an “onwards and upwards” attitude, often relying on an original impulse or idea snagged out of the ether.

The result is a meeting of groovy electric jazz, open guitar tunings and buzzing electronics. As one reviewer remarked about their previous outing: “like one of those films where the protagonists fall through walls into completely different sets”, which is fueled by the fact that Martin alternates between double bass & guitars. The session was thoroughly produced by Jakob Skøtt, adding layers of percussion, electronics, samples, edits & effects. A duo rarely sounded this band-like before, yet the telekinetic raw vibes of the basic layers shines through. It’s a deeply layered sound, where opposites are erased:
Organic, yet synthesized.
Chaotic, yet organized.
Dissonant, yet melodic.
Jagged, yet groovy.
Experimental, yet enjoyable.