The composition unfolds with an unhurried grace, inviting the listener into a boundless expanse of reflection and wonder. Each note feels deliberate, like a step into infinity, evoking a sense of timeless serenity. The gentle progression draws you inward, allowing the mind to drift freely across uncharted emotional landscapes. It resonates deeply, carrying the essence of limitless potential.

Francesco Adornetto

Very beautiful I love the spaces left between the notes to bring all the sensitivity and the beauty of this work

Such a beautiful piece, the silence carries every note that lands elegantly

the bravity,is the gravity,in your piece....it strikes a hard chord ,but is necessary indeed ...thankkyou

This is quite unique eh! love the lingering notes. very interesting composition.

Congrats! As I said in my repost there is nothing as beautiful and amazingly performed as this piece rhat I heard lately

A few months back, anyone landing on this page was extended an invitation to….“come set for a spell in The Blue Room…..when nobody loves you.”  Well, took a while, but I reckon the word’s getting out amongst the broken hearted - this smoky little back-alley jazzabilly joint been seeing some semi-decent crowds lately.  Might have to add a couple more tables over there in that side area where we been storing the old feltless pool table.   

I dunno, maybe there really are a lot of lonely hearts out there, looking for companionship.  But my bet is that the real draw here is the new act on stage, as the house band is now joined by two long-time Atlanta musicians - Herb Avery and his Hammond organ, and Randy Hunter with his saxophone.   

For this version of the house theme song (aka The Blue Room), not only is my fumbly-finger organ solo replaced with Randy’s stellar saxophone, but I’ve put together a new intro, much more fitting for the new instrumentation.   And btw, brother Herbert not only plays his Hammond on the song, but that’s him you’ll hear playing the background lounge piano as the track opens.

So yeah, come set for a spell (whether you're loved or not), and let Randy & Herb show you their stuff.   

(Original version is here:) https://soundcloud.com/bruceavery/the-blue-room?si=36546f88f147427aba1593bf85a7ec1f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room - version 2 w/sax & B3

back in the everyday life

Composed and performed by „HIN UND WIDER“ (Gunther Benedict – drums, Othmar Eichinger – tenor sax, Axl Hansal – guitar, Christoph Musil – bass, Mario Palaschke – keyboards).

Intro

Quote Tante Meli: https://soundcloud.com/tante-meli
....something very different - i know :D

DIE GLUT means "the glow" (of fire)
my thoughts behind it were the great good mood when we jumped over almost burned down fires when we were kids. jumping was always a sign of being "brave". although it was never really dangerous ;D

whole translation:
I'M JUMPING OVER THE GLOW
JUST BECAUSE I'M ABLE TO -
I HAVE COURAGE

german:

ICH SPRINGE ÜBER DIE GLUT
WEIL ICH ES KANN
ICH HABE MUT

Die Glut (Dance Remix)

Nihilist film noir existential jazz fusion detective dance music for our AI future  days.  Human music.
From the Album: "Curiosities Of Outsider Art" (Sept 2025)

Lyrics:
Another dark night in the promised land
Experiencing the universes empathic crushing hand
There are people today creating symphonies
With well worded prompts
You know me, I'm staying out of sight
At  late night haunts

I'm investigating black markets
Where people sell off all of their free will
They said you were gonna love me
But I could never ever seem to get my fill

The people out here 
They don't believe in nothing
No God of any kind
You said you were gonna love me
But I could not give you the reason why

You learn to live... (The AI prayer of life)

Another stoned day in the promised land
Experience randomness
And technologies charismatic helping hand
Hypothetical lovers through the screen
She said she was gonna love us
But circuits don't know what I mean

A whispered dream
Asato Ma Sadgamaya
(Hindu Prayer: Lead me from the unreal to the real)
Like a primal scream

Alter your creative spirit
(change the configuration)

Alter your consciousness
(change the configuration)

Alter your soul
(change the configuration)

Alter humanity
(change the configuration)

I'm like a primal scream
How docile we've become
I love how docile we've become...

Asato Ma Sadgamaya

We lost our 16 year old beagle Buddy Guy today.  Remixed and releasing as a tribute to our Buddy

Nipped In The Bud - a tribute to our Buddy Guy

with this piece I've reached my upload limit on sc. time to take a break for now and to focus on my page with english lyrics.

it's something quite experimental for the time being. background: I've never been a fan of dark wave. after anne clarke's 1st album, which I listened to over and over again at its time, I was done with fast bass arpeggios and apocalyptic monotony. but nevertheless, we all see what’s going on all over the place. this resulted some weeks ago in the following lyrics without music in my head. 

when I looked for a melody with my guitar, all I came up with was ...uhm. coincidentally, I had borrowed an old juno 60 the other day to accompany a brilliant new work by terry that gary and I were working on. it didn't help to get a melody but the basis for an interesting playback with edited beats and stuff, that I uploaded to suno 4.5+.  

the machine spat out a first performance plus a prompt, which I then worked on again and again. machine language:

„the piece is a dark ambient track with a slow tempo and a minor key, the instrumentation features a sustained, low-pitched synth pad creating a drone-like atmosphere, accompanied by a high-pitched, ethereal synth melody that occasionally introduces dissonant intervals, a prominent, sustained vocalization, resembling a wail or lament, is present throughout the piece, adding to the melancholic mood, the vocalization is heavily processed with reverb and delay, creating a sense of vastness and echo, there are no percussive elements, the overall production is sparse, emphasizing the sustained sounds and the emotional impact of the vocal, the piece has a free-form structure, without clear verse-chorus divisions, relying on the continuous evolution of the sonic textures”

the resulting outcomes were in line with my template, but something consistently went wrong at some point: a completely mispronounced word, an unfortunate harmony, or something else that was extremely annoying. thus, the machine consumed the rest of my monthly credit, until the very last version with a credit balance of 0. end of the game. but that last version was the one!

©music and lyrics by Hans-Michael Albers, instrumental cover & vocal performance by suno 4.5+

If I could see
The way you see
If I could hear
The way you hear
If I could think
The way you think
If I could feel
The way you feel

Would I love
Like you love
Would I hate
Like you hate
Would I laugh
Like you laugh
Would I cry
Like you cry

Would I sleep
Like you sleep
Would I dream
Like you dream
Would I hope
Like you hope 
Would I believe
Like you believe

I am, you are
He, she, it is
We, you, they are
Blind for life
Mine or yours
Everything split in two
Lonely and small
All alone
Are what we are
I, you, he, she, it, we, you, they, all, all, all, all
Blind

If I had come
Like you came
I would go
Like you go
I would live
Like you live
I would die
Like you die
I would fade away
Like you fade away
Gone, gone

(Chorus)

shame

Wenn

Arrangement and guitars (Yamaha SG) by Neno J., october 2025.

Smile (Charlie Chaplin cover)

Time for a Change-up to a recent New Classical Piano Improvisation that captures the light and refraction of the tones that come in and out of focus as the music flows.

May you enJOY.

© Gary Courtland-Miles  2025
℗  Gary Courtland-Miles  2025

Living Jewels *

Repeating Pattern

Pezhman Mosleh – Whispers for Peace and Love
You can listen “Limitless”: 

"Limitless" is dedicated to Krzystof Kieslowski and attracted so many attentions from many countries including France and Poland, and the site of Kieslowski Art and Polish music information center in Poland broadcasted it and it is believed that the music of Mosleh is close to Priesner’s.
(It is suggested to listen to this piece in dim light like the end of sunset.)

According to 1inmusic.com: 
Pezhman Mosleh 
The cinematographic melancholy of Chopin has inspired many, not least your humble host. So it was a definite pleasure to hear it in the original pieces by international Iranian composer Pezman Mosley. Mosley is a Professor of cinema philosophy and aesthetic and a scholar in music history who has humanity and philosophical concerns. He is a pioneer in Iranian neo romanticism, his compositions also reminiscent of the works of another composer, Beethoven, in this beautiful and heartfelt piano piece, Snow. 
Nina Bahri has performed this piece by piano.

Pezhman Mosleh – Whispers for Peace and Love
This sound and many such beautiful ones are gathered in a beautiful and peaceful compilation entitled “Whispers for Peace and Love”, the fruit of the recent years he has spent in silence and solitude, studying and searching. The pieces in this album are portrayed and approach film music. Although many of the songs are instrumentals, there is also the occasional singing which is rendered by the very voice of the musician.
The album includes 8 pieces; “Snow”, “Limitless”, “Good remembrance”, “Loneliness at night”, “life”, “Martyr”, “Nameless”, “Dance of wind”.

Pezhman Mosleh – notable Mandela song
He is the first Iranian artist who has composed and sang a song for Mandela which was dedicated to the South African President and activist when he was alive. This notable song was conveyed to Mr. Mandela and Nelson Mandela Foundation who both expressed their appreciation of the work of an author who means to touch the heart of the world. The heartfelt composition is orchestrated in a way and also includes extracts of Mandela’s speech giving the full thing an anthemic strength with a mixture of authentism and emotion. The song has seen broadcast in South Africa on their South African Broadcasting Corporation (SABC), in the UK via the beautiful and humanity program of Wandsworth radio and on Amazing radio.

Pezhman Mosleh – Other works
Mosley was also mentioned in New York, NY (Top40 Charts) and Record Setter (World Records). These noted that: “the youngest soloist-vocalist of the world, Ava Sadeghipour is student of the International Iranian Musician, Professor Pezhman Mosleh who is a stylist music teacher and his method is teaching to the children of 2/5-6 years old and he is the only teacher who has a new method for teaching to 2 years old children, so these children are able to play and sing simultaneously in different concert halls at the age of 4 before so many audience.”
The artist’s relaxing musical works, including the album featured “Whispers for peace and love”, have attracted attention of artists, philosophy professors, psychologists, critics, Iran and abroad press and media such as USA, South Africa, Canada, Nigeria, Russia, Australia, UK, Italy, Switzerland, Sweden, Poland, Netherlands, Denmark, Japan, China, Turkey, Vietnam, India and further.
This lyric and sound embed encpasulate the spirit of the Mandela song and the aspirations of : “Mandela, My eternal man… The scent of your breath, The scent of freedom”
1inmusic.com/pezhman-mosleh

Limitless. Composer Pezhman Mosleh

Neoromantic Music

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vent d'ouest

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