Taken from the Farbrausch production 'FR 25'

Wayfinder - FR-025

Sunshine Trails:
Step out and breathe deep with "Sunshine Trails," the ultimate instrumental escape to the coast. This track masterfully blends **smooth electronic currents** with a soulful, expressive **electric guitar solo**, creating an ambiance that is both deeply relaxing and refreshingly vast.

This music is the feeling of the sea itself: imagine walking along the shoreline, the humid, cool, salty air hitting your face, and the sun breaking through the clouds. The track's expansive soundscape washes away stress, offering clarity and a sense of open-ended possibility. Perfect for coastal drives, deep focus, or simply when you need a powerful, restorative dose of ocean air and chill vibes.

Sunshine Trails

Sleep Happy Puppy Dog – Arcade versions by ArcadeFant / Heikki Antero Niemela, Heikki Niemelä
A warm and playful bedtime tune with a soft retro arcade vibe. Sleep Happy Puppy Dog – Arcade blends gentle electronic tones with a friendly melody that helps children relax while keeping a touch of fun. Perfect for bedtime moments, calm play, or peaceful kids’ scenes.

Sleep Happy Puppy Dog - Arcade Instrumental

"Monochromatic Neon Lights", is my tribute to two of my favorite composers who layered the ground for my landscape in the world of music. Vangelis, Jarre, both kings who's always inspired me since an early age. The city life late at night when everyone are asleep added a melancholy emotion to this song, somehow reflects the amazing music Jóhann Jóhannsson wrote. This is my contribution to "Sound of SceneSat Vol.4"

Monochromatic Neon Lights

Finally! My first album 'Fragments' is here! It's a real bouillabaisse of mixed genre and style.

http://hanseemusic.com/album/fragments

Safari Bombers

Single from the upcoming sound track to a new retro point and click game, The Last Goddess:  https://www.thelastgoddess.net

Both versions available for purchase at Bandcamp:  https://eoxstudios.bandcamp.com/album/tamaras-theme-the-last-goddess-ost

Youtube:https://youtu.be/vOWyFHGwhVo

The Last Goddess OST

Tamara's Theme (Radio Edit)

Tamara's Theme

VIDEO: https://youtu.be/oROtZvkkvvc

This is a remix or remake of the old and slightly famous demo song made for the Roland SC-55 range of GM modules. Adrian Scott initially wrote the song in 1989 as a demo for the W-30 Music Workstation, sampling the guitar with playing noises. He also needed a melody and his friend and vocalist, Penny Dryer did a vocal part. However, since the W-30 had limited sampling memory, he could only record the "doo" sound plus a line at the end of the song.

Roland's team back then was thrilled and wanted the song and the doo sample. And thus the famous «Voice Oohs» was born, which have been a fixed sound in every GM compliant module, synth and soundset ever since. You can hear Adrian talk about all these and more in this video from Roland: https://youtu.be/gWRy81QuOEU

The song was made as a homage to a great demo that had a huge impact on every kid who listened to the Sound Canvas series back in the early 90s. The premise is: "What if Leya grew up and had a daughter?".

Leya's Daughter

Just a short little song I made on request from The 8-it Guy to demonstrate the Yamaha Reface DX (together with the Roland CR-1000 drum machine). Watch the episode here: https://youtu.be/I3RAfRFBMGM

Download links to the stem mixes, MIDIfile and drum samples here: https://bit.ly/2qsVeCv

Retro Grooves Vol. 4

Yamaha Reface DX and Roland CR-1000 Song

Yamaha Reface DX And Roland CR-1000 Song

VIDEO: https://youtu.be/eWTRlYgFtSI
ORIGINAL: https://youtu.be/dAIw2DX_BpA

So, Turbo Knight asked me some time back: «would you be interested on doing a remix for our sweatwave album?» and I figured, sure, why not?

This is my approach to the upbeat and peppy original from YORU and Turbo Knight. Since it was already up there and I felt I couldn't really add anything to it, I looked in the other direction and felt it could pave new grounds as an 80s power ballad. I needed new vocals that would fit the new tempo and style better, so I turned to my trusty friend in the 80s, Mr. Espen Kraft himself. And here you go, a massive FM synth oriented ballad, perhaps worthy of Celine Dion and Whitney Houston if I may say so.

King And Queen Remix
Original: YORU 夜 & Turbo Knight -
Remix: Anders Enger Jensen
Vocals: Espen Kraft

TEMPO: 120 BPM (half tempo, ballad)
KEY: F major, modulating to G major.

Spoken:
Time, to shake those dreams away.
Those pretty dreams away.

Verse 1:
Time to wake up and be free again my child.
Time to shake those pretty dreams away.
I just wanna get a little wild.
So I’m asking nicely, would you stay?

Bridge:
Come on I gotta lot to give.
Come on I gotta lot to say.
Come with me if you would live like the King and Queen!

Verse 2:
Come along into my castle
I’ll open up the gate, no hassle.
I just want you right here by my throne.

We can dance in the courtyard.
Laugh and sing with the court bard.
I just don’t wanna do it all alone.

Bridge:
Come on I gotta lot to give.
Come on I gotta lot to say.
Come with me if you would live like the King and Queen!

Verse 3: (modulation)
Time to wake up and be free again my child.
Time to shake those pretty dreams away.
I just wanna get a little wild.
So I’m asking nicely, would you stay?

Bridge:
Come on I gotta lot to give.
Come on I gotta lot to say.
Come with me if you would live like the King and Queen!

Spoken:
Time, to shake those dreams away.
Those pretty dreams away.
Time to get a little wild,
that’s why I’m asking you to stay.

YORU 夜 & TurboKnight - King & Queen Remix (feat. Espen Kraft)

YORU 夜 & Turbo Knight - King & Queen Remix (feat. Espen Kraft)

My DAW has been off for almost 2 years due to a life transition.This is the first track done on my new studio setup.

Past Tense

Amiga 500 executable music. Filesize: 18kb
Released @ Syntax Demoparty 2020.
Get the exe here: https://www.pouet.net/prod.php?which=87491

AmigaKlang

AmigaKlang - Calcpreculation (Virgill&Assassin)

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.