Taken from the Farbrausch production 'FR 25'

Wayfinder - FR-025

Indie Folk / Indie-pop music with strumming guitars and ukulele, with subtle synths and percussion. Easy / Jovial / Happy / Folksy / Uncomplicated. (Stem files available.)

Those Days

Ce titre est une réédition quand Désinence était à l'époque 120C. 

Un coin du temps (réédition)

sårncron opy5

"Monochromatic Neon Lights", is my tribute to two of my favorite composers who layered the ground for my landscape in the world of music. Vangelis, Jarre, both kings who's always inspired me since an early age. The city life late at night when everyone are asleep added a melancholy emotion to this song, somehow reflects the amazing music Jóhann Jóhannsson wrote. This is my contribution to "Sound of SceneSat Vol.4"

Monochromatic Neon Lights

Finally! My first album 'Fragments' is here! It's a real bouillabaisse of mixed genre and style.

http://hanseemusic.com/album/fragments

Safari Bombers

Lyrics: Gina Evjen, Kristine Frøberg
Music: Anders Enger Jensen, Kristine Frøberg

Video: https://youtu.be/PgPQCYvReGg
Buy on BandCamp: https://eoxstudios.bandcamp.com/track/you-on-the-dance-floor-2

Verse 1
Amazing Jenny reads another glossy magazine,
Stuck in the world of smokey eyes.
The perfect rouge, the smashing nails; 
they are the Beauty Queens.
Oh, Jenny wants that life so bad!

Bridge
To amazing Jenny, measuring your life with fiction fakes!
Leave your fantasies behind and find your real life in new ways!

Chorus
You look amazing when you do that thing with your bad day hair! 
Amazing, amazing! You don’t seem to care!
That kind of amazing thing when you close your eyes and believe in your hips on the dance floor
Why ask for more?
You! You, on the dance floor!

Verse 2
Amazing Jenny likes and comments on her daily feed.
Another selfie from her phone.
The hunt for likes and perfect poses on the sunny greed.
Oh, Jenny wants that life so bad!

Bridge
To amazing Jenny, measuring your life with fiction fakes!
Leave your fantasies behind and find your real life in new ways!

Chorus
You look amazing when you do that thing with your bad day hair! 
Amazing, amazing! You don’t seem to care!
That kind of amazing thing when you close your eyes and believe in your hips on the dance floor
Why ask for more?
You! You, on the dance floor!

Counterpoint
Bad hair.
Bad day.
Don’t care.
Don’t dare.
Amazing ways.
Amazing days.
Oh, Jenny bad hair days!
Oh, Jenny better days!

Chorus (2x)
You look amazing when you do that thing with your bad day hair! 
Amazing, amazing! You don’t seem to care!
That kind of amazing thing when you close your eyes and believe in your hips on the dance floor
Why ask for more?
You! You, on the dance floor!

You, on the dance floor

You On The Dance Floor

Just a short little song I made on request from The 8-it Guy to demonstrate the Yamaha Reface DX (together with the Roland CR-1000 drum machine). Watch the episode here: https://youtu.be/I3RAfRFBMGM

Download links to the stem mixes, MIDIfile and drum samples here: https://bit.ly/2qsVeCv

Retro Grooves Vol. 4

Yamaha Reface DX and Roland CR-1000 Song

Yamaha Reface DX And Roland CR-1000 Song

Just a little happy synth pop song, bordering to synthwave.
Dedicated to a special someone. ;) <3

Video: https://youtu.be/l-na-ovOWhc

Running with You

Running With You

VIDEO: https://youtu.be/eWTRlYgFtSI
ORIGINAL: https://youtu.be/dAIw2DX_BpA

So, Turbo Knight asked me some time back: «would you be interested on doing a remix for our sweatwave album?» and I figured, sure, why not?

This is my approach to the upbeat and peppy original from YORU and Turbo Knight. Since it was already up there and I felt I couldn't really add anything to it, I looked in the other direction and felt it could pave new grounds as an 80s power ballad. I needed new vocals that would fit the new tempo and style better, so I turned to my trusty friend in the 80s, Mr. Espen Kraft himself. And here you go, a massive FM synth oriented ballad, perhaps worthy of Celine Dion and Whitney Houston if I may say so.

King And Queen Remix
Original: YORU 夜 & Turbo Knight -
Remix: Anders Enger Jensen
Vocals: Espen Kraft

TEMPO: 120 BPM (half tempo, ballad)
KEY: F major, modulating to G major.

Spoken:
Time, to shake those dreams away.
Those pretty dreams away.

Verse 1:
Time to wake up and be free again my child.
Time to shake those pretty dreams away.
I just wanna get a little wild.
So I’m asking nicely, would you stay?

Bridge:
Come on I gotta lot to give.
Come on I gotta lot to say.
Come with me if you would live like the King and Queen!

Verse 2:
Come along into my castle
I’ll open up the gate, no hassle.
I just want you right here by my throne.

We can dance in the courtyard.
Laugh and sing with the court bard.
I just don’t wanna do it all alone.

Bridge:
Come on I gotta lot to give.
Come on I gotta lot to say.
Come with me if you would live like the King and Queen!

Verse 3: (modulation)
Time to wake up and be free again my child.
Time to shake those pretty dreams away.
I just wanna get a little wild.
So I’m asking nicely, would you stay?

Bridge:
Come on I gotta lot to give.
Come on I gotta lot to say.
Come with me if you would live like the King and Queen!

Spoken:
Time, to shake those dreams away.
Those pretty dreams away.
Time to get a little wild,
that’s why I’m asking you to stay.

YORU 夜 & TurboKnight - King & Queen Remix (feat. Espen Kraft)

YORU 夜 & Turbo Knight - King & Queen Remix (feat. Espen Kraft)

My DAW has been off for almost 2 years due to a life transition.This is the first track done on my new studio setup.

Past Tense

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.