The 8-Bit Guy made, as you probably already know, a new game - Attack of the Petscii Robots. It's available for the Commodore PET, VIC-20, C64, Apple IIgs and Atari/Commander X16.

Noelle did all the official music for this game, as I had little time to devote to this project except for the design and label stuff as usual. However,  in January this year, I sat down and made some songs that I thought could fit the game. Using only hardware and no soft synths or samples, I did a series of tunes inspired by the titles of the maps in the game.

Initially I planned these to be loopable and short as most in game music tends to be, but I quickly found myself making more or less full songs with a more normal structure. So this alternate soundtrack is more of a synth inspired album that some of you may find ok to play in the background while playing the game.

Attack of the Petscii Robots - The Alternate Soundtrack

Attack of the Petscii Robots - Level 2: Headquarters

Attack of the Petscii Robots - Level 3: The Village

Attack of the Petscii Robots - Level 5: Downtown

Attack of the Petscii Robots - Level 7: More Islands

Inhuman Strength

Born as Jolle by faRk and adopted by Hansee. Now a promising free jelly named Jelly. Did we raise it right?


Check out faRk's universe: https://linktr.ee/faRksprett / https://soundcloud.com/fark

Jelly

Hansee & Fark - Jelly

Stone Forest

Margin Call

BBB. 79. Creep Creep Creeping Up. 19.12.25.

Track 87 (!) from scenesat volume 4!

web player: https://sound.of.scenes.at/vol/4
bandcamp: http://music.scenesat.com/album/the-sound-of-scenesat-volume-4

Name yer price

Vitamin D

7 kb chiptune done with AmigaKlang modular synth for our Amiga 500
intro "Colombia"
https://www.pouet.net/prod.php?which=85242
No samples harmed.

https://www.pouet.net/prod.php?which=85351

Amiga 64k intro

AmigaKlang - Colombia

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Attack of the Petscii Robots - Level 2: Headquarters

Anders Enger Jensen