The 8-Bit Guy made, as you probably already know, a new game - Attack of the Petscii Robots. It's available for the Commodore PET, VIC-20, C64, Apple IIgs and Atari/Commander X16.

Noelle did all the official music for this game, as I had little time to devote to this project except for the design and label stuff as usual. However,  in January this year, I sat down and made some songs that I thought could fit the game. Using only hardware and no soft synths or samples, I did a series of tunes inspired by the titles of the maps in the game.

Initially I planned these to be loopable and short as most in game music tends to be, but I quickly found myself making more or less full songs with a more normal structure. So this alternate soundtrack is more of a synth inspired album that some of you may find ok to play in the background while playing the game.

Attack of the Petscii Robots - The Alternate Soundtrack

Attack of the Petscii Robots - Level 1: Research Lab

Attack of the Petscii Robots - Level 2: Headquarters

Attack of the Petscii Robots - Level 3: The Village

Attack of the Petscii Robots - Level 7: More Islands

My entry for Gubbdata 2021 Other Music Compo. Tune uses 2 SIDchips so we have 6 channels in use. 
Download release: https://csdb.dk/release/?id=205464

True Believer (2SID)

Atari ST YM2149 (3 channels PSG) composition
Presented at SillyVenture 2021 Atari ST YM music competition.
Placed 2nd.
Original SNDH file download: https://demozoo.org/music/303139/

What have you done?

Born as Jolle by faRk and adopted by Hansee. Now a promising free jelly named Jelly. Did we raise it right?


Check out faRk's universe: https://linktr.ee/faRksprett / https://soundcloud.com/fark

Jelly

Hansee & Fark - Jelly

New Jazz Era (Instrumental)

Buy on Bandcamp

eu.Reca - New Jazz Era (Instrumental)

With “Reel to Real”, producer JTEA @wh1998 celebrates his official debut release on the international label Flawless Delivery @flawless-delivery The track blends warm lo-fi textures, nostalgic tape aesthetics and gentle jazz harmonies into a sound that feels both timeless and deeply personal.

Known for crafting “eclectic frequencies for intense vibrations,” JTEA channels soulful atmospheres, subtle melodies and analog warmth into a quiet yet emotionally rich beat. “Reel to Real” captures the late-night intimacy of vinyl crackle, soft chords and a relaxed hip-hop groove — a sonic moment that invites reflection, calm and a sense of closeness.

As JTEA’s first release with Flawless Delivery, this track marks an important milestone and sets the tone for his future sound. It aligns seamlessly with contemporary jazzhop, chillhop and lo-fi landscapes, 
“Reel to Real” is not only an introduction — it’s a statement: the beginning of a journey defined by warmth, soul and intentional sound design.

Stream/Buy:
lnk.dmsmusic.co/jteaflawlessdelivery_reeltoreal

@jteaa__  
https://soundcloud.com/wh1998

#lofi #hip hop, #jazzhop, #chillhop, #study beats, #jazz vibe, #californiarealestate #chillbeats #ｓｉｎｇｌｅ #debut #instrumentals #madrid🇪🇸 #cologne

Reel to Real

Stream/Buy

JTEA - Reel to Real

Track 87 (!) from scenesat volume 4!

web player: https://sound.of.scenes.at/vol/4
bandcamp: http://music.scenesat.com/album/the-sound-of-scenesat-volume-4

Name yer price

Vitamin D

Virgill / Maniacs of Noise
#1st place at Revision 2020 tracked music competition.
Music for the upcoming Amiga game Reshoot Proxima 3

Reshoot Proxima 3

Amiga: Reshoot Proxima 3

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Attack of the Petscii Robots - Level 7: More Islands

Anders Enger Jensen