Terje Tylden approached me about doing something with an idea/sketch he had earlier. I took his catchy "warehouse jam" and started laying down some foundations that I figured would suit the song, and it ended up being this upbeat pop tune you now can hear.

Written and composed by: Terje Tylden
Vocals and guitars: Terje Tylden
All keyboards, bass and drums: Anders Enger Jensen
Arranged, mixed and mastered by: Anders Enger Jensen
Video filmed and edited by: Anders Enger Jensen

Lyrics:
Come closer day is getting dark and I know what to do
tonight it’s me and you
Write the story yourself

Composer make a change we need it more than anyone
it’s major now the headache’s gone
We need a shift nothing else

I will grab you and hold you tight
you feel good and I feel right

Can’t slow down, Can’t slow down oooo/ oh no
Can’t slow down, I can’t slow down
 
Sun’s rising, shining in my face and on the bedroom wall
Let’s do nothing at all and get some breakfast in bed

Life is strange but beautiful
loving you is so natural

I just can’t slow down

Can’t slow down, Can’t slow down oooo/ oh no
Can’t slow down, I can’t slow down
(We lose control, we lose ourselves
I’m here with you, I’m with no-one else)

Life is strange but beautiful
loving you is so natural

Can’t slow down

Can't Slow Down

Can't Slow Down [Instrumental]

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.