Check my new releases here : https://dimikaye.bandcamp.com
                                    https://open.spotify.com/artist/4FwnYi9Xjwnu3lbKJ85JRF?si=W9kP8lptRQ-c_piOrSUDZA

"The sound of the future comes from the past." #synthwave #retrowave #outrun #HiTechAOR

Dimi Kaye is a Synthwave/Retrowave/Shredwave producer from Greece.

A metalhead at heart, he fell in love with synthwave back in 2013 when he heard the Hotline Miami soundtrack. Immediately he started getting involved with the online synthwave communities, following the music of Lazerhawk, Mitch Murder and Carpenter Brut, and discovering new and upcoming artists. He decided to create his first synthwave track after an open call for a compilation.

In 2015 he released his first album, Dream Sequencer where he experimented with dreamwave sounds and melodic guitar solos. He has been consistent, releasing music every year since then.

His sound fuses synth and guitar sounds that create a purely 80s nostalgic feeling. His melodic guitar solos add even more to the whole experience and are becoming his signature. The goal of his music is to bring back memories of a time long gone but not forgotten.

He has appeared in lots of retrowave compilations, he has produced and donated music to raise funds for charity and he has worked with artists like Volkor X, PYLOT, Stilz, Turbo Knight, Yoru, Straplocked, The Encounter, Absinth3, Moonraccoon, Vulta, HUBRID, Timestalker, Vosto and many more.

https://creepypizza.bandcamp.com/
https://open.spotify.com/artist/4Fw095hMUmjDikyQQDicw9
www.waygrimace.com

www.facebook.com/creepypizza

Hey, i like the Blip-blops, and 80's style synth, and bunch of other music styles.

REVISIT is now out on all platforms!

Stream it here
Spotify: https://spoti.fi/2UWFpA7
Apple Music: https://apple.co/37FrWli

Get your digital copy here
Bandcamp: https://yorusynthwave.bandcamp.com/album/revisit

Enquiries: yorusynthwave@gmail.com

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Cone of Silence is an excuse for Sam Mims (the owner of Syntaur) to play with the synthesizers he collects.  Recording is done in Syntaur's studio in New Braunfels, Texas.

Anders Enger Jensen is following