Once a bustling city is now reduced to rubble and decay, overrun by the undead. 
A lone survivor, dressed in an old palm shirt, cautiously makes his way through the deserted streets, constantly on the lookout for the next zombie cop that may be lurking around the corner. 
His only hope for survival is to make it to the fallback point, where a lost patrol may still be waiting for him. But with each passing minute, the chances of reaching safety grow increasingly slim.
Suddenly, the survivor hears the unmistakable rumble of a powerful engine. As he turns the corner, he sees it: a gleaming pink GTO, its paint job somehow unscathed in the midst of the destruction. The driver, a woman with a fierce look in her eye, motions for him to hop in.
With no other options, the survivor jumps in the passenger seat and they tear through the city, dodging zombies left and right. The woman behind the wheel is a skilled driver, and she navigates the streets with ease.
Just when it seems like all hope is lost, they burst through the barricades of the fallback point, sending zombies flying in every direction. The other survivors cheer as the pink GTO comes to a screeching halt.
From that moment on, the pink GTO becomes a symbol of hope for the survivors. Whenever they see it speeding through the ruins, they know that there's a chance for them yet.

The lost patrol

Fallback Point

Soundtrack for "Nelostie" a showcase demo for a windows command line graphics engine. The demo Placed #1 at Assembly Winter 2025 one scene competition.

View on youtube: https://www.youtube.com/watch?v=-I1aDvHyddA
The engine is available at https://github.com/Byproduct/CMDG/

Nelostie OST

I found an old sketch I made several years ago, and thought this needed some further polishing. A very happy chord progression with a four on the floor stomping beat, that grew into a solid song. As usual I have some nice accoustic strumming guitars and a searing guitar solo from Håvard, but this time can proudly present some real brass from Bullseye Horns. Børge-Are did a quick arrangement of the original synth brass section and went to work with Mats and Kristoffer.

The Way You Make Me Feel (No Leads and Brass)

Neon Pulse - Synthwave Downtempo Beat

🌌 “LOST IN THE SOUND” – The New EDM Album 🌌

Close your eyes and let the rhythm take control.
Lost in the Sound is a journey through energy, emotion, and euphoria — a mix of powerful drops, melodic builds, and unforgettable moments that keep the dancefloor alive long after the night ends.

From Skyline.wav to Infinity.wav, every track pulses with feeling — a soundtrack for the dreamers, ravers, and night souls who find themselves in the music.

🎶 Get lost. Feel alive. Live through the sound.

#LostInTheSound #EDM #ClubbingVibes #ProgressiveHouse #BigRoomHouse #FestivalEnergy #DanceMusic #ElectronicMusic #MainstageAnthem #RaveCulture #HandsInTheAir #Nightlife #Euphoria #DJSet #PartyAnthem #IbizaVibes #BeatportReleases #FestivalVibes #ClubEnergy #DancefloorReady #FeelTheMusic

All I Need

MMC February 2017. Ethereal ambient. Sequenced in REAPER with Omnisphere and Sytrus. And a heartbeat. The word "kaiho" is Finnish and translates to "hopeless longing".

MMC February

Kaiho

New track using Sidizer,Quadra SID and Nexus SID expansion for all the 64 sounds in this track, only the crash symbol is not sid all other sounds are... bit of fun for the Summer, Enjoy....

After hours SID

VIDEO: https://www.youtube.com/watch?v=rHMBx0w3P4Q

Finished one of the old tracks from the archives. Little hybrid EDM-synthwave thing.

Retro Grooves Vol. 2

Parallax Nova

This song is my entry to the latest Sound of SceneSat Vol. 4: http://music.scenesat.com/album/the-sound-of-scenesat-volume-4

It will also be featured on Retro Grooves Vol. 3 later this year. ;)

Retro Grooves Vol. 3

Dancing Hearts

Check out the full album (Lord of Synth) here
https://isidorbobinec.bandcamp.com/album/lord-of-synth

Bandcamp
https://isidorbobinec.bandcamp.com/

Facebook
https://www.facebook.com/Synthwave80s/

Spotify
https://open.spotify.com/artist/3L4QXzIJxQBJvyaPo5CL3m

iTunes
https://itunes.apple.com/us/album/lord-of-synth/1378547660?app=itunes&ign-mpt=uo%3D4

Tidal
https://tidal.com/browse/album/82687610

Artwork by Adam Rakic: 
https://www.facebook.com/adam.rakic

Lord of Synth

Neon Owl

Isidor - Neon Owl

MMC October 2018. More Bejeweled style ambient atmospheres. 

Sequenced in FL Studio, using Omnisphere, Toxik Biohazard, Sawer, Harmless and Sytrus.

MMC October

The Cincinnati Happy

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Parallax Nova

Anders Enger Jensen