New track meant for a planned demo. Featuring drum programming from legend and good friend Jimmy "Firefox" Fredriksson.

Infinity

XM remake. Just like with the recent Mooserun remake, this track needed the same intensity but with some semblance of fidelity =)

The original samples were pretty messy, with drums sampled from The Commitments, the guitar I _think_ was from a Blur track, so they had to be redone. I kept the lead trombone in, everything else is remade.

Favorite moment: Creating a not-terrible funk guitar in Harmor. Also, every time I have and excuse to break out the Hammond organ, I'm damn well gonna take it!

Originally released in 1996 (on my 19:th birthday, nonetheless)
https://ftp.scene.org/pub/music/artists/tito/plum/klr.zip

Ken's Living Room

Soundtrack for our 4k-intro from Deadline demoparty Berlin 2023.
https://www.pouet.net/prod.php?which=95222

Sointu - Delusions of mediocrity

This is a compilation of the Attack of the Petscii Robots and Planet X3 soundtracks converted to MIDIfiles for The 8-Bit Guy's Commander X16 versions of the games. Original tracks have been converted to be compatible with General MIDI (GM) and made using the Roland SC-55 as a benchmark. There are even six new songs for Petscii Robots last levels (10-15) which hasn't been made into full songs like the original soundtrack (yet! ;)).

Attack of the Petscii Robots & Planet X3 MIDIfile Versions

Petscii Robots - Level 11 - River Death (SC-55)

Petscii Robots - Level 10 - Death Tower (SC-55)

Petscii Robots - Level 8 - Robot Hotel (SC-55)

Petscii Robots - Level 5 - Downtown (SC-55)

J.T.A.Y.

A smooth blend of jazz and soul with warm piano chords, mellow saxophone lines, and a relaxed groove — perfect for late-night listening

Key: F#
BPM: 120


Jazz (AzzurroLive Edit)

Base

Yes, it's Metal.
Keyboard solo by Dario Albiez
Sample taken from "The Andromeda Strain"

Too Many Datas Come Too Fast Inside

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Petscii Robots - Level 11 - River Death (SC-55)

Anders Enger Jensen