All recorded on the tape, the memories of the first steps, the days at the beach and the most beautiful journeys of our life. Accompanied by a musical journey with the classic background noise of the old VHS and slight distortions that mix everything. Just insert the video cassette into the video recorder and relive them as if it were happening right now.

credits
releases September 12, 2022

Arrangements, mixing & mastering by Johnny Ola.

Cover art by G.B.

Spotify: open.spotify.com/artist/6DdIYvCbpQpUbNProuaJMJ?si=5siivGPdSvK3u_vNzTOxEw

Facebook: www.facebook.com/johnnyola87/

Youtube: www.youtube.com/channel/UCmf-X3r9-C3ALfIyuR3iLdQ/featured?view_as=subscriber

Instagram: @johnny_ola87

Skyline Runner (Slow Version)

1st place at Nordlicht 2023 executable music competition.
Music for an imaginary cracktro. Made with 4klang.

4klang: Chippie

IKEA 1987

This is a compilation of the Attack of the Petscii Robots and Planet X3 soundtracks converted to MIDIfiles for The 8-Bit Guy's Commander X16 versions of the games. Original tracks have been converted to be compatible with General MIDI (GM) and made using the Roland SC-55 as a benchmark. There are even six new songs for Petscii Robots last levels (10-15) which hasn't been made into full songs like the original soundtrack (yet! ;)).

Attack of the Petscii Robots & Planet X3 MIDIfile Versions

Petscii Robots - Level 11 - River Death (SC-55)

Petscii Robots - Level 10 - Death Tower (SC-55)

Petscii Robots - Level 6 - PI University (SC-55)

Petscii Robots - Level 5 - Downtown (SC-55)

Frozen Cathedrals (Pt. 3)

Det tredje och sista kapitlet i trilogin tar musiken till en plats bortom hetta, bortom industriellt dån – rakt in i en isande tystnad där varje ton ekar som i en glaciärkatedral.

Här smälter black metal-riffens skoningslösa energi samman med jazzens fria improvisation, men tempot saktar in. Istället för bastuns febriga kaos och fabrikernas rytmiska hammarslag hör vi nu kalla borduner, sakrala klanger och disharmoniska kluster som spricker som is under foten.

Rhodes-pianot låter som frusna vattenfall, trummorna som avlägsna laviner, och gitarrerna skriker genom stormen som kyrkklockor i snödimma. Musiken rör sig mellan kontrollerad stillhet och plötsliga utbrott – som om katedralerna själva andas.

Det är en avslutande mässa, en musikalisk gravkammare som både hedrar kaoset från de tidigare albumen och sluter cirkeln med en ton av ödesmättad frid.


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Black Jazz Metal in Sauna 72 – A Nordic Trilogy

Pt. 1 – Aurora Nocturne
Det första kapitlet. Här föds kaoset i bastuns hetta – mötet mellan jazzens improvisation, black metal-riffens kyla och den rituella transens rytmer. En nattlig svit där mörker och norrsken delar scen.

Pt. 2 – Monoliths of Dissonance
En resa in i industrilandskapets hjärta. Kalla fabriker, uranblänkande torn och maskinrytmer bygger monument av oljud. Strukturerna är hårdare, rytmerna mer brutala – som att spela jazz på kollapsande fabriksväggar.

Pt. 3 – Frozen Cathedrals
Slutkapitlet. Allt fryser till is. Katakomber av klang, sakrala dissonanser och polyrytmisk kyla bildar en sista mässa för en värld på väg att stelna i frost och skugga.

The Frozen Jazz Conspiracy

SLT Collective - Two Steps Forward

Download here: http://remix.kwed.org/?search_id=5739

Composed by Jeroen Tel. Transcribed to SID-format by DRAX.

More info here: http://www.remix64.com/track/mordi/powerhouse/

Powerhouse

Enigma

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Petscii Robots - Level 5 - Downtown (SC-55)

Anders Enger Jensen