90min Chiptune Tape VII

Evermore

Space. The dark, cold, and empty void between the stars. Despite all the space explorations, we still know nothing about it. What are quasars? How can we travel to another galaxy? Why the universe is expanding? Are there any other civilizations or we are alone in the space? We don't have the answers yet. But there will be a day when humanity explores the unknown sector of space!

Astronaut Ape is a guy in the orange spacesuit. He does ambient and chill-out gigs for the last 5 years and got fans on every continent of planet Earth. Once he became an expert in proper mood flow at chill space of any size. Try what he has to offer on his 5th album!

Warm cosmic melodies topped up with radio transmissions, computer noises, and slow pulsating rhythm. They teleport us right into the spaceship. Robots doing routine tasks, crew members are on their stations, all systems ready to hyperspace jump. One lonely spaceman looks into the window... Deep bass patterns, relaxing echoes, and sci-fi sounds lift your emotions to a higher level. This music is inspirational and relaxing at the same time. Wonder what's next?

Experience the great music journey in space and time! Welcome to the "Unknown Sector".

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Originally released at Microcosmos Records
microcosmosrecords.com
shop.microcosmosrecords.com

Unknown Sector

Buy album

Starship Eden

Buy/Stream

Amiga

Video Games

Keygen

This is a compilation of the Attack of the Petscii Robots and Planet X3 soundtracks converted to MIDIfiles for The 8-Bit Guy's Commander X16 versions of the games. Original tracks have been converted to be compatible with General MIDI (GM) and made using the Roland SC-55 as a benchmark. There are even six new songs for Petscii Robots last levels (10-15) which hasn't been made into full songs like the original soundtrack (yet! ;)).

Attack of the Petscii Robots & Planet X3 MIDIfile Versions

Petscii Robots - Level 9 - Forest Moon (SC-55)

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Petscii Robots - Level 9 - Forest Moon (SC-55)

Anders Enger Jensen