(Amiga) Captain - Space debris

A Day In The Life

Cream Soda

Butterflies

The ambience at the start and end was recorded in my very own garden, at night. The clangs and bangs were done by smashing various stuff against an anvil I have in my garage.

Noodling Around

Remake, or remix if you will, of my Technics KN-2000 original from 1994-95. Back then it was made with only five limited polyphonic parts: drums, bass and three melody parts (6, 1 and 3x4 notes!) using the composer, plus some effects added in the sequencer at the end. I may upload some of these songs from this era later on.

Here's a premixed video capture of the song back in 2009: https://youtu.be/NFVN5ZJPGfY

Retro Grooves Vol. 1

Robots R Us (remix)

Robots R Us Remix

Preview of the remake of the Highscore tune for the Commodore 64 videogame "Hawkeye" for the upcoming album "Tel Me More".

Composed in 1986 at age 14 and published by Thalamus in 1987. The game was developed by my friends the Boys Without Brains (BWB).

This was always one of my personal favorites and I felt it was the most accomplished short tune I composed for a C64 game.

I got reminded to remake this tune a lot in the many years passing since. When my friend and producer of many years, Joe Bonar, reminded me of it recently, I decided to drop working on all the other songs for a while and work on this one non-stop.

Enjoy the preview! :-)

Please leave a comment, LIKE (if you do) and share! (subscribe perhaps?) I do enjoy feedback and comments GREATLY. Keep in mind it's a preview, but constructive feedback is absolutely welcome at all times. :-)

<3 (bro-hugs)
(Play it LOUD!)

//Jeroen Tel

Jeroen Tel - Hawkeye Highscore (Preview)

Composed, produced and performed by: Jeroen Tel
Album artwork by: Jeroen Tel
(C) 2018 Jeroen Tel
All rights reserved.

A Maniacs of Noise release.

Background info about the music:

100% truthful to the feeling and inspiration I had when composing it.
Music is bigger than life and skips generations, political boundaries, religious needs and transgender trends... XD

DAW used: Renoise!

Quid Bro Quo

Jeroen Tel - Quid Bro Quo

Lyrics: Gina Evjen, Kristine Frøberg
Music: Anders Enger Jensen, Kristine Frøberg

Video: https://youtu.be/PgPQCYvReGg
Buy on BandCamp: https://eoxstudios.bandcamp.com/track/you-on-the-dance-floor-2

Verse 1
Amazing Jenny reads another glossy magazine,
Stuck in the world of smokey eyes.
The perfect rouge, the smashing nails; 
they are the Beauty Queens.
Oh, Jenny wants that life so bad!

Bridge
To amazing Jenny, measuring your life with fiction fakes!
Leave your fantasies behind and find your real life in new ways!

Chorus
You look amazing when you do that thing with your bad day hair! 
Amazing, amazing! You don’t seem to care!
That kind of amazing thing when you close your eyes and believe in your hips on the dance floor
Why ask for more?
You! You, on the dance floor!

Verse 2
Amazing Jenny likes and comments on her daily feed.
Another selfie from her phone.
The hunt for likes and perfect poses on the sunny greed.
Oh, Jenny wants that life so bad!

Bridge
To amazing Jenny, measuring your life with fiction fakes!
Leave your fantasies behind and find your real life in new ways!

Chorus
You look amazing when you do that thing with your bad day hair! 
Amazing, amazing! You don’t seem to care!
That kind of amazing thing when you close your eyes and believe in your hips on the dance floor
Why ask for more?
You! You, on the dance floor!

Counterpoint
Bad hair.
Bad day.
Don’t care.
Don’t dare.
Amazing ways.
Amazing days.
Oh, Jenny bad hair days!
Oh, Jenny better days!

Chorus (2x)
You look amazing when you do that thing with your bad day hair! 
Amazing, amazing! You don’t seem to care!
That kind of amazing thing when you close your eyes and believe in your hips on the dance floor
Why ask for more?
You! You, on the dance floor!

You, on the dance floor

You On The Dance Floor

Single from the upcoming sound track to a new retro point and click game, The Last Goddess:  https://www.thelastgoddess.net

Both versions available for purchase at Bandcamp:  https://eoxstudios.bandcamp.com/album/tamaras-theme-the-last-goddess-ost

Youtube:https://youtu.be/vOWyFHGwhVo

The Last Goddess OST

Tamara's Theme (Radio Edit)

Tamara's Theme

Music can make you daydream, and has the power to fill your thoughts and heart with harmonies and rhythms that make you want to dance and feel alive.

Made for the Sound of Scenesat Volume 5 compilation.
https://sound.of.scenes.at/vol/5

Sound of Scenesat Volume 5

Dane - Disgrace (Lea Dreamers Remix)

Single from the upcoming sound track to a new retro point and click game, The Last Goddess: www.thelastgoddess.net

Both versions available for purchase at Bandcamp: https://eoxstudios.bandcamp.com/album/colins-theme

Youtube:https://youtu.be/XzyerSnqib8

Colin's Theme

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.