Noisia comprise Dutch producers Thijs, Nik and Martijn. Largely regarded as one of the most distinctive, powerful acts to emerge in bass music, their production techniques are referenced and praised across the entire electronic music scene. Their extensive body of work also includes the game Devil May Cry and the Foreign Beggars collaboration I Am Legion.

Good people. Good times. 

🌶️ Pepper - Flowdan, Lil Baby, Skrillex
Out Friday: flowdan.lnk.to/pepper

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AFTERLIFE OUT NOW 

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Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

DJ LOBO 
DESDE NYC PARA EL MUNDO


Para contrataciones 
Whatsapp 1 (917) 960-8600
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#djlobo #djloboapp #dj #latino #latino 
#music #musica #bachata #salsa #merengue 
 #reggaeton #dembow #tipico #elmatatan
#elhomeboy #heavyhitters

Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

BIO

Like most other DJs, DJ Lex started small.  Private gigs (disc jockey shorthand for an event that's not open to the public) like weddings and baby showers marked the career of the young novice.  For DJs who've taken a different route, it's easy to write off a sweet 16 or bridal shower.  The experience gained at these events however, is essential to any DJs trade.  Dealing with desperate song requests, drunken uncles and carrying heavy equipment in and out of vehicles translates into the club world, particularly pushy club patrons and bossy owners or promoters.  And so, after 4 years of small scale events, a battle-tested Lex ventured into the club world.

In 2006, DJ Lex joined a group of DJs and soundmen under the LosTraficante.com umbrella.  As a member of an entourage, Lex observed his fellow LTP DJs work in clubs; it was this group of experiences that strengthened his desire to become a working club DJ.  A year later, Kenny Cole made arrangements to have Lex perform at a club for the first time. Lex' club debut was parlayed into a weekly club residency, no small feat in New York City clubs.  2008 brought Lex a larger, more popular venue to control: Maracas.  The Queens hotspot combines the hottest live bands with DJs like Lex and Eli.  Bigger clubs mean bigger promotion; Lex' name started to be branded in patrons' and promoters' minds alike, and he found himself being booked more and more.

Club DJing is a combination of things: talking, mixing and song selection.  The latter can prove a challenge in an era where digital formats are easily traded, and so-called exclusives hold their unshared glamour for the briefest of moments.  Classics are classics, and songs of the moment are a must.  But in an effort to keep one's sets exclusives, many DJs make personal edits of songs to play out.  Some edits are laughable, others pointless; a truly effective edit must sound good, be well produced and fit in to a set, not only for the DJ but also for the dancer.  DJ Lex' beginner edits used a program with the perjorative moniker "Virtual DJ".  Using the oft-maligned platform, he made simple reggaeton blends (placing one instrumental track together with an acapella track to make what some call a "mash-up") that worked surprisingly well.  Not limiting himself to nightclubs, Lex distributed his edits and blends on various internet forums, and as time passed his recognition grew.

Like any successful person, DJ Lex' can trace his arrival on the edit scene to a single event; his edit of Omega's "Chambonea" had many a DJ inquiring about it's origin and producer.  With the heavily requested merengue track finely edited, it found it's way into most latin DJs record boxes.  There were more edits to come: these simple and efficient edits garnered Lex a meeting with club edit heavyweight DJ Lil'JayRemix.  Skipping the dry details, DJ Lex now forms part of a powerful team on LatinRemixKings.com, the #1 website for latin edits.  

So what do you do when you're new on the scene, but heralded?  What does popularity and name recognition lead to?  Will DJ Lex start strong and finish even stronger?  Find out for yourself.

From private events to festivals, corporate and fit life‍
alike, radio and of course nightlife. Dj FX ‍‍has been the median from which
music finds its way out and creating the atmosphere that is
The Life of the Party!

#NeverNotDJing
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Management: 
Paulette Varelas - paulette@mlennial.com
Mike Lisanti - ml@mlennial.com

Bookings:
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