Multimedia artist and electroacoustic composer, Stéphanie creates her own worlds. She builds interactive sound interfaces. Her musical production embraces compositions with varied and specific universes through their poetry and social commitment. From concerts to exhibitions, from indoor/outdoor installations-interventions to performances, she decompartmentalizes practices through choices of representation that combine poetry, history and physical presence. Her approach attempts to answer an essential question, the place of the human in a mechanical world.

Jacopo Baboni Schilingi (Milan 1971) lives in Paris where he composes music for soloists, ensembles, orchestras, for installations and movies, taking part in the most important international festivals. Deeply involved in interdisciplinary projects, he works with video-artists, sculptors, filmmakers, architects and poets. After having worked at IRCAM and Tempo Reale, he created the group of research PRISMA within which he has formalized the Hyper–systemic music. He is played in all Europe, USA, China and Latin America, in institutions where he is also invited to teach composition.

Ephemerides is a duo consisting of a vocalist and a laptop which explore the vast world of improvisation.  The mix between the most natural and body focussed  instrument (the voice) and a sophisticated tool born from more than 2 thousand centuries is a drastic contrast which creates new sonic and musical possibilities.  Together, Anaël Honings (vocals) and Raphaël Vens (electronic) creates a unique form of music and soundscapes in an immersive sonic environment.  

TAT_2018 international festival. musics, performances & social actions @ Molenbeek, Bruxelles 26-27-28-29 September 2018

Booking: free@culte.be
Laryssa Kim is a multifaceted Italo-Congolese artist (singer, composer, producer and DJ) who weaves ritual-like dreamscapes where musique concrète melds with smooth electronica, electro-soul, and ambient textures. Her tender vocals float over otherworldly, polymorphous compositions that abandon typical song structures.
Born in Rome, she refined her craft within Amsterdam’s contemporary dance and physical theatre circles before making Brussels her creative home in 2013. There, she earned a Master’s degree in Acousmatic Composition at the Royal Conservatory of Mons and, in 2015, unveiled her eponymous live electronics project.
On stage, her voice drifts like incense smoke one moment, then blooms with soulful warmth and intensity the next. Hypnotic soundscapes unfurl slowly: field recordings whisper from afar, while seductive, bare-bones trip-hop textures and aching beats pulse beneath echoing vocal loops, morphing into shape-shifting electroacoustic arrangements.
In this oneiric realm, Laryssa Kim leads listeners into an immersive sonic odyssey—a trance that awakens every sense.Described by Pitchfork as “her most accomplished work yet, a mesmerizing odyssey guided by sharp intention,” her debut album Contezza, released in February 2024 via the Belgian label City Tracks, received outstanding attention from both the public and the press (Le Soir, Focus Le Vif, L’Echo, Rockerilla, Electronic Sound, Libération, Dazed, DJ Mag Italia, Friction Magazine, Bruzz Select, Larsen, RFI, The Fader, Gorilla vs. Bear, Bandcamp Essential, BBC, and more).Laryssa Kim’s work exudes an undeniable dreamlike strength, a sonic surrealism that blurs the boundaries between dream and reality. Her music, both organic and immaterial, frequently accompanies collaborative works with socio-political and historical resonance, such as Mobutu’s Game, a documentary mini-series aired on VRT (January 2025). Her compositions have also been featured alongside James Baldwin’s texts in the play Fire Will Become Ashes (KVS) and have blended with performances like Spirit Capital – The Seat of Memory by Roland Gunst (Moussem, Viernulvier, Kaaithater, DeSingel, detheatermaker), Malinconico, The Bastard by Rashif El Kaoui, and Pelvic Bath by Helena Dietrich. Additionally, her musical interludes have punctuated the philosophical salons of In Naam van de Waarheid (Theatre Malpertuis and Victoria Deluxe).

Live Computer Music
Electroacoustic Composition
Sound Installations
Improvisation

Morphogenèse [empreintes DIGITALes]. http://www.electrocd.com/en/cat/imed_14129/

Born in Athens, Panos Amelidis is a composer, sound artist and researcher. His work seeks to blend storytelling with various sonic environments in order to represent cultural and political memory, as well as every day life urban experience.

www.charmainelee.com
www.charmainelee.bandcamp.com

Ephemerides is following