田植えの季節

modular sketchbook 7-8-21

Puerto de El Musel, Gijón, Spain.
25/10/2014

Amarres en el Puerto de El Musel (Contact microphones)

long version:
https://youtu.be/fZQV4xn39SI

you can download:
https://epia-tloe.bandcamp.com/album/a-report-of-intergalactic-investigation-sep-2019

A Report Of Intergalactic Investigation Sep 2019

20190922Ens1 v5

Download

20190922Ens1 v5 take3 (semi-short edit)

This is the world premiere of the new work for double-bell horn, developed during the Virtual Brass Academy with Christine Chapman and Ensemble MusikFabrik, July 2020. This performance took place on July 30th, 2020 - in Cologne.
I am indebted to Ensemble MusikFabrik and the fantastic work they did with us in introducing us to the worlds of double-bell instruments, and to the ever-expanding repertoire of new music for these instruments they are bringing to the world.

The work explores a sense of dual forces that act and react upon each other, and how the relative mediator (the performer) indeed interacts with the score, the instrument and it's two bells, and finally how the theatre of the piece - both through actions and the position of the instrument - is transmitted to the audience. In the four sections of the piece that each explore a different facet of the manipulation of the horn - first through the use of a contra-bassoon reed to produce aggressive yet fulfilling multiphonics; then in the second and third exploring the two bells and their range of possibilities. The final section condenses the instrument down to only it's single-bell form and the mute and interacts briefly with it to express a settling within the performance. Gasping, grunting, growling and grandeur are all some of the ideas explored in this short miniature.

Image: LIGO/Caltech/MIT/Sonoma State (https://www.vox.com/science-and-health/2017/6/1/15721268/gravitational-waves-ligo-future)

Understated Matter - for solo double-bell horn [premiere]

blue jester

ナチュラルにNEUして

00012

Cloud Generator (sax edit)

Differential  (Stanton Drew mix)

More on this 479th weekly Disquiet Junto project – Truck Radio Rain (The Assignment: Locate three sound sources and make something with them) – at:

https://disquiet.com/0479/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0479-truck-radio-rain/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by janwillemsen, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mNaAmA

https://creativecommons.org/licenses/by-nc-sa/2.0/

E. Piano Radio Codes (disquiet0479)

Epia is an experimental electronic project managed by Takashi Kuranaga based at Aichi ( or Kumamoto ) prefecture, in Japan.
Electronic/ Minimal/ Experimental/ Avant-garde/  Lo-Fi/ Noise/ Trance/ Techno/ Jungle/ IDM/ Chiptune/ Synthwave/ Dub Techno/ Chillout/ Ambient/ Meditative/ Background (BGM)/
16step Sequencer/ Dub/
Infimal/ Stochastic/ Focal/ Soft/ Poly Something