Blood & Glitter

Reset the Preset (feat. Andy Laplegua)

Tales from the North

Land of Heroes

The Holographic Principle

The Cosmic Algorithm

Tear Down Your Walls

Live at the AFAS Live

The Skeleton Key (Live at the AFAS Live)

Frankenstein's Wife

Lyrics:
There's so much I should have done
The weight of the world
Holding me down
Cause you can only get so numb
Before you forget what it's like to feel
It's true used to be scared livin' in a shell 
Never got you anywhere
Nothing's meant this much to me
Found a new side of me

This is a call to all the potentials
Is this the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

All that I’ve got is a pocket full of dreams 
But I can't sleep
Time ticking clock 
Reminds me of the time that I don't got
Before you know it you'll be on your way out
As easy as the wind blows

This is a call to all the potentials
And this is the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

This is a call to all the potentials
Is this the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

Circus Freak Sideshow

The Potentials

about being someone who naturally splits crowds — not to provoke, but to be real

Born to Divide

This song, "Mal’ta Boy," is a powerful meditation on ancient human ancestry, genetic memory, and the invisible threads connecting modern people to our prehistoric forebears. It draws heavily on the real-life discovery of a 24,000-year-old boy whose remains were unearthed near Lake Baikal in Siberia, frozen in permafrost for millennia. His genome, sequenced in 2013, revealed groundbreaking insights into human migration: the boy belonged to a population known as Ancient North Eurasians, genetically intermediate between modern Europeans and Native Americans, but distant from East Asians—suggesting early waves of people crossed the Bering land bridge from Siberia to populate the Americas, while others spread westward into Europe. The lyrics frame this as a "ghost in the genome," a silenced voice thawed by science, emphasizing how DNA preserves stories of migration, survival, and shared heritage that echo through time.
At its core, the track celebrates the resilience of human lineage amid ice-age isolation and loss. The verses rap about "dig[ging] through the code, deep under the ice" and "tribes spl[itting] north, and the fire went west," evoking the boy's burial in a cultural context of mammoth ivory artifacts and symbolic art from the Mal’ta–Buret' culture. The chorus laments his "frozen" silence but affirms that "half of me remembers, half of me forgot," underscoring the boy's DNA's role in proving that up to half of Native American ancestry traces back to such Siberian populations, linking disparate continents in a "single spark." Psychedelic breakdowns and the bridge delve into "whispers of lineage" and "mutation’s hymn," portraying evolution as a chaotic yet connective force—much like the swirling organ and guitar duel that mimics "cosmic archaeology."
Ultimately, it's an anthem of unity: "We all remember—we’re all the same," reminding us that the past isn't erased but encoded in our blood, waiting to be decoded. The fading outro seals this with a spoken invocation of "ancestral whispers through the helix chain," turning scientific revelation into a soulful, almost mystical call to honor our collective origins.

The Cosmic Algorithm

Epica

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