Business Affairs / General Management 
Jayson Bishop for Ar3k Artist
jb(at)ar3k.com

DJ, Producer, Remixer and more importantly Music Lover and aficionado - presenting: Tate Strauss

Whilst Tate Strauss takes his music seriously, he takes his love of house music to another level. With this comes a profound respect for the dance floor and its inhabitants, whom he regards as his people, taking them on a sonic voyage hit record after hit record.  Having commenced his first residency back in 1998, this love has become his passion further solidifying his stature in the Australian dance music scene with many regular gigs at nightclubs, events and festivals nationwide.

Behind the decks Tate Strauss is a master on the decks, his weapon of choice. Delivering moments of “Hands in the Air Full Throttle Big Room House” goodness, his ability to appease the perfectionist purveyors whilst scintillating the masses in one fell swoop, is guaranteed to get any and every dance floor pumping. This musically and methodically oriented approach is to set structure and programming, combined with his deft skills and his huge arsenal of personal bootlegs and remixes pushes the crowd to the limit and sets him aside from the rank and file of mediocrity.

With his origins in the underground music scene, way before dance became the phenomenon it is now, Tate’s knowledge of obscure releases from way back just adds another element to his vast music knowledge and experience behind the decks. Added to this experience are stints at Richmond Recording studios, Get Down and Thump Records, working for Chevron nightclub as in-house sound and lighting tech, running the largest underage parties at Metro nightclub along with being one of the driving forces behind the underground dance party and rave scene. This led to 5 night a week DJ gigs where his craft was further honed and perfected. 

He has recently DJ’ed with other like-minded music aficionados, names such as Sidney Samson, Ian Carey, Static Revenger, Tommy Trash, Hook N Sling, Danzel Park, Sgt Slick, John Course, Tonite Only, Stafford Brothers, Mind Electric, Bass Kleph, Vandalism and TV Rock to namedrop but a few. 2010/2011 saw Tate pack out clubs in Shanghai and Hong Kong for corporate clients such as Bulgari.

His production skills have enabled a cohesive collaboration with Mobin Master (who himself has had amazing international chart and touring success), enabling the public to tap into the trendsetting and original Safari Music sound (original "Floor Fillers" and "Pumping Hands in the Air Remixes"). In addition to doing production for Safari, Tate uses his business skills in handling all the PR and management of the artists on the Safari Music roster.

Tate’s monthly “Made in Melbourne” iTunes podcast has over 3000 subscribers, to go with a progressive amount of social media reach and engagement amongst his fans with over 13,000 Facebook fans, over 150k listens on Soundcloud. 

Recent releases include top 10 ARIA Club Charts hits.

Mobin Master & Royaal - Wherever (Tate Strauss Remix)
Dirty Rotten Disco - Jack to the Sound (Mobin Master and Tate Strauss Remix)
Dirty Rotten Disco - Dreams (Mobin Master and Tate Strauss Remix)
Alice DJ - Better Off Alone (Mobin Master and Tate Strauss Remix)
Bombs Away - Supersoaker (Mobin Master and Tate Strauss Remix)
Blackdogs and Mobin Master - Free (Tate Strauss Remix)
Mobin Master, Willie Morales, Tate Strauss and Tony Puccio - Get Funked
Mobin Master - In My House (Tate Strauss Remix)
Jus Jack feat Blackdogs - Cant Wait (Mobin Master and Tate Strauss Remix)
Nari and Milani and Christian Marchini - Take Me to The Stars
(Mobin Master and Tate Strauss Remix)
Lowkiss - Monster (Tate Strauss Remix)
Da Hool - Meet Her At The Love Parade (Mobin Master and Tate Strauss Remix)
Mobin Master - Get Lucky (Tate Strauss Remix)


Music Without Limitations.

https://youtube.com/nocopyrightsounds

Management:
Jason Aron
jason@anitpop.com

With international support growing from renowned DJs and producers including Tiesto, Hardwell and Nicky Romero, as well as two successful Spinnin’ Records singles under their belts ("I Like It Loud" & "Michael Jackson"), New York’s emerging electronic three-piece Cash Cash has signed with legendary dance music imprint, Big Beat Records, home to a diverse electronic roster which includes Skrillex, Icona Pop, Chuckie, Martin Solveig, Flux Pavilion, Rudimental and Walden.

The group, which consists of best friends and brothers, Jean Paul Makhlouf, Alex Makhlouf and Samuel Frisch first made their way into the hearts of core dance music enthusiasts with their vibrant remixes for the likes of Nicky Romero ("Symphonica"), Capital Cities ("Safe And Sound"), Vicetone (“Heartbeat” ft. Collin McLoughlin) and Krewella ("Alive"); as well as Bruno Mars (“Treasure”), Calvin Harris (“Let’s Go” ft. Ne-Yo) and Lady Gaga (“Marry The Night”), several which have reigned on the Hype Machine charts.

But the trio truly impresses with their originally produced material, including Krewella’s next single, "Live For the Night," coming just before their first official Big Beat release, "Take Me Home" ft. Bebe Rexha, dropping on July 16th along with a remix package to all digital retailers.  The track recently premiered during the trio’s guest mix on Nicky Romero's ‘Protocol Radio’ Sirius/XM Radio show and officially debuted on BPM, hailed as the “best new track… heard in a long time” by host, Austin Kramer.

The group’s fusion of captivating pop vocals and signature banging electro-house beats have already captivated dance music insiders and tastemakers like Elektro Magazine, Complex’s Do Androids Dance and Dancing Astronaut, who named Cash Cash one of their “five breakthrough artists for summer 2013.” Expect to hear more praise for this crowd-pleasing act from EDM and pop music fans and writers alike.

Join our community: https://drop.cobrand.com/d/SpinninRecords/Official

You might know us through some of your favourite tracks in dance music.

Follow @MOODCHILD
Bookings: ed@arcade-talent.com
Brazil: eddie@wildsheepagency.com
Promos: https://tstack.app/sirushood/send

Biography:

Sirus Hood Biography 

Sirus Hood is a French artist. Age 10, his love for House Music was at the time fed by his older friends, giving him mixtapes recorded in a legendary club in Algiers. Few years later, he moved to Paris, and started his DJ career age 18 when he purchased his first vinyl turntables.
He quickly became a regular DJ at every Parisian club.
The journey continues, as he started to become a self-taught producer, preparing his new project under the name that we know today: Sirus Hood.

After refusing to do social media when the project started, he insisted on building his audience purely through the music and word of mouth first. Once these foundations were built he opened his socials with an instantly huge response from the public. A testament to his following. 
His music is influenced widely from the 80-90s’ Chicago House movement from warehouse & loft parties to the whole Balearic sounds of Ibiza.

Sirus Hood first releases on CUFF including “Welcome To The Hood” EP in 2014 and Dirtybird including “Third Eye” EP in 2016 kickstarted his name. 
Sirus Hood also released on labels like Rawthentic, Cajual, Sola, Wow!, Under No Illusion.

In 2020, his release “Rip Tide” EP on Jamie Jones’ legendary label Hot Creations marked a major step forward to his career. 

Few weeks later, Sirus Hood launched ‘Mood Edits’ on Bandcamp with Manda Moor, a concept of limited series of edited tracks available during a month and then deleted to be replaced by new volumes. He had this idea after realizing that in a world where a lot of DJs or listeners are digging rare cuts, the biggest problem of music nowadays is that it is too available. ‘Mood Edits’ is repeatedly supported by the heavy weights of the scene like The Martinez Brothers and Loco Dice.

DJ residencies in Sankeys Ibiza, Eden Ibiza, Ministry Of Sound in London, Social Club then Showcase in Paris gave him a platform and opened doors to wider audiences all around the globe. From Europe to South America, from Australia to South Africa, Russia to North America, passing by the Middle East, his travel patterns underline his ability to work with different crowds and cultures while illustrating his cosmopolitan, universal side. To him - music is one language and unit.

When Sirus Hood isn’t on the road, he spends most of his time in his ‘laboratory’ like a scientist to his music. He satiates his hunger of knowledge through research of new sounds, with his impressive studio gear collection. He challenges himself on every new track with different recipes. In the end, his goal is to produce tracks that sound different from each other.

Today, his work is regularly supported by big names in house music like Jamie Jones, Nina Kraviz, Marco Carola, Paul Johnson, Claude VonStroke… He frequently appears in the charts.

cote.estela is following