I can imagine now film ending here, hearing this and seeing the ending credits. Making it the most saddest thing. ;-;

Vocals

http://www.sonokinetic.net/products/classical/minimal

With Minimal, Sonokinetic BV delivers the fourth installment in our current range of orchestral instruments. We have listened to our users, and built an entirely new system from the ground up, defining what we think is a revolutionary novel direction in orchestral pattern-based sampling. 

Minimal would suggest a particular music style, and many of the patterns available in this instrument are very well suited for that style. However, we’d like to stress that this is indeed a very flexible instrument, capable of enhancing a broad range of musical arrangements and compositions in a wide variety of styles. Where Minimal differs from libraries like Tutti and Vivace is in its section-based approach. All phrases are recorded per orchestral section and can be used separately or together and in any combination, allowing for a great deal of variations at your fingertips.

The first thing that would strike you is the non-apologetic interface style without any gloss.  Apart from this being a respectful nod to our Dutch art heritage on the outside, it also very much references the “form follows function” approach that Dutch design is famous for. There are no superfluous elements and we’ve arranged everything in an intuitive way. You have every control in one screen within an uncrowded workspace. You might not suspect it from just looking at it, but there are a lot of complex functionalities at your disposal from this one screen. Discover more about those in the detailed descriptions right here in the user manual and on the tutorial videos available on our website: www.sonokinetic.net.

Recordings for Minimal took place in Zlin, Czech Republic, in the same hall and with the same team responsible for recording Tutti and Vivace. The performances have been edited with the same meticulous attention to detail and quality.

Many innovative functions grace this instrument, mostly under the hood, as we believe that technology is at its best when you don’t notice it. One of the functions that might need a bit more introduction is the harmonic shift function. This element of Minimal can lead to great sounding results and also serve as a very rewarding inspirational tool.  So please read and digest the part of this manual dedicated to that function. 

More visibly, and in lieu of popular request, we have found a way to greatly improve the score view. Despite the pixel restrictions of the Kontakt window we’ve managed to squeeze in a clear and accurate score view, although you can still order a digital full-scale copy of the score, if you so desire.

We, at Sonokinetic BV, are very proud to introduce Minimal to you, and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.

We wish you the best inspiration and creativity. 

With warm regards, The Sonokinetic Minimal Production Team

Minimal demo "Glimmer of Hope" by Ivan Torrent

Time To Come

Music for string orchestra.

From my score for the feature documentary film "Why We Ride."


Why We Ride (Original Motion Picture Soundtrack)

The Seed

Here is the very first track I did for Really Slow Motion first album.
Hope you like it.
Enjoy!

Fran Soto - Zion's Glory

Buy it here: https://itunes.apple.com/us/album/binary/id1223874661
Also on Spotify, Apple Music, Amazon, Google

Featuring live cello, performed by Ryan Knott.

For licensing inquiries, please contact alex@montagemx.com

Buy it on iTunes

Anatum

Official demo for Sonokinetics Capriccio.

by Valentin Boomes (c) 2015

Kaleidoscope

REPOST THIS MASTERPIECE

Various Themes by JOHN WILLIAMS
www.outlierstudios.co

This track is an experiment in the Star Wars universe and its composer, John Williams. The goal for this piece was to play with a new kind of Star Wars sound and research different ways of merging genres and styles. In place of traditional orchestral elements like strings, I used synthesizers designed to sound like strings. But I also wanted to ground it in a world where the "star wars" was a real thing, so using a singular real violin - which may represent how these wars have affected real individuals - was important to me.

There's also a bit of an indie music feel in the way the chords play on the piano. Plus, adding in white noise risers to separate each section is a callback to electronic music - it gives us energy to keep pursuing that "end goal" in this world.

This original composition has no official connection with Disney, LucasFilm Ltd., or composer John Williams. It has been published for research and demonstration purposes.

Music Department
Elvis Bates - Score Technical Consultant & Sample Development
Daniel Ciurlizza - Synthesizer Programmer & Sample Development
Corin Neff - Synthesizer Programmer
Paul Paramo - Sample Development

Special Thanks to
DANIEL CIURLIZZA
Score Mixed at Outlier Studios
Director Jared Pelletier
VFX Team Brandon Clements & Andrew Farris

Star Wars The Force Awakens Soundtrack

Star Wars - The Rise of Skywalker

You can hear this on Spotify too ! ^_^ 

https://open.spotify.com/album/1h67ANWVB51UbUrKi3iM0R

Hear more like this!

Noclu - Pulse Thief

A minimal piece with piano and some synths and a cool guitar because I like cool guitars!

Obsessional

Written, produced and mixed by Cesc Vilà.

This track is included in our new album SIGMA.
NOW available on digital stores!
iTunes: goo.gl/VV42B7
Bandcamp (lossless): goo.gl/pcUSUY

Sigma

This track was primarily composed with samples from 8Dio Blendstrument Motion Textures. A virtual music software instrument (VST/AU/AAX) by www.8dio.com

Follow us on Facebook: www.facebook.com/8dio.productions
Follow us on Twitter: twitter.com/8dio 
Follow us on YouTube: www.youtube.com/user/8dioproductions
Follow us on Instagram: instagram.com/8dio_curators_of_sound/
Follow us on Snapchat: cr8dio

8Dio Blendstrument Motion Textures: "Coalesce" by Mike Hastings

Demo I did for the new Strezov-Sampling's choir library "Freyja"

Enjoy.

Artwork by : Othon Nikolaidis
You can watch his work here: http://director-16.deviantart.com/gallery/

Sigma

Epic Soul Factory

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