Beneath the Silk Sky

New World

Facing the kekish sea (remastered)

“Doomsday” hits like the final warning before the world falls apart. With thunderous drums, eerie atmospheres, and an urgent, dystopian energy, DDiltz paints a sonic picture of chaos, collapse, and confrontation. This is the soundtrack to a crumbling empire — bold, relentless, and darkly beautiful.

Perfect for intense workouts, cinematic sync placements, or anyone moving through the fire and refusing to fold.

🎧 Produced by DDiltz
🌐 www.ddiltzproductions.com

Doomsday (Dark Cinematic Score)

Transitum Temporis -Ost

"Curse of the Spanish Gold" is cinematic soundtrack crafted for epic storytelling. Blending dramatic orchestration, thunderous percussion, haunting flamenco guitar, and immersive sound design, this piece follows the chilling tale of a pirate crew cursed by stolen Spanish treasure. 

The track opens with atmospheric narration from a weathered crewman and builds into a sweeping, tension-filled score - perfect for film trailers, historical adventure scenes, or dark fantasy games.

✔️ Genres: Epic Orchestral, Adventure, Pirate, Cinematic
🎧 Features: Voiceover, Sound FX (thunder, waves, creaking wood), Male Chants, Flamenco Guitar
🎥 Ideal for: Movie trailers, short films, historical series, fantasy RPGs, animated storyboards

Curse of the Spanish Gold

The King's daughter

Daijana, who grew up well protected in the kingdom of Yracona, is now 17 years old and has a lot on her plate. She has an affair with the son of the king of the enemy kingdom of Dorsand. Her father doesn't like this at all, as the king of the enemy kingdom was once his greatest adversary. However, the two youngsters are not impressed by their fathers' banter. And it comes as it must; their love brings the two kingdoms together. Without any war, hatred or discord...


King's Daughter

"Hybrid Cinematic Action" is an adrenaline-fueled collection of high-impact trailer tracks crafted for modern action. Combining aggressive orchestral elements with cutting-edge electronic textures, this album delivers explosive energy, tactical intensity, and cinematic grandeur. Expect punchy strings, bold brass, thunderous taiko and industrial percussion, driving synths, and atmospheric choirs — all designed to elevate fight scenes, chase sequences, stealth missions, and action-packed gameplay. Ideal for action video games, trailers, combat cutscenes, and dynamic media that demands power, precision, and motion.

2-. Urban persecution

6-. Mysterious Pathway

5-. Isolated Emotion

7-. Silent Walk

10-. Hitting Underground

3-. Deep Pattern

8-. Towards Reaction

Kekish invasion

Dark contact

Vidéo originale dévoilant les influences et références filmiques qui ont pu inspirer le réalisateur d'un film disponible sur CANAL+  www.canalplus.com/cinema/
Disponible sur Canal +
Musique originale 
Format Déjà vu
Toy Story (Déjà Vu Canal+)

Toy Story (Déjà Vu Canal+)

Vidéo originale dévoilant les influences et références filmiques qui ont pu inspirer le réalisateur d'un film disponible sur CANAL+  www.canalplus.com/cinema/
Disponible sur Canal +
Musique originale 
Format Déjà vu
Robin Hood (Déjà Vu Canal+)

Robin Hood (Déjà Vu Canal+)

🎧Ear Candy, Served Fresh
This channel is all about bite-sized sonic inspiration. Think of it as an evolving audio library—short, genre-spanning snippets to spark ideas, and set the mood. 
Stay tuned & inspired. 🚀

https://www.youtube.com/@gg2ezboom/
https://www.twitch.tv/gg2ezboom

almost daily new kekish epical or hip-hop songs!


Impressum:

gg2ezboom - David Haupt
c/o Online-Impressum.de #28391
Europaring 90
53757 Sankt Augustin

hauptdavid97@hotmail.com
boom@gg2ez.org

Zuständige Regulierungs- und Aufsichtsbehörde:
Sächsische Landesmedienanstalt
Sitz: Deutschland

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Devan Diltz, also known as DDiltz Productions, is a multifaceted music producer, composer, audio engineer, and songwriter. With 15 years of classical training, DDiltz combines his vast musical knowledge and skill to create captivating compositions. Inspired by icons like Hans Zimmer and John Williams, DDiltz embarked on a journey to become a renowned film composer.

During the COVID-19 lockdown, DDiltz seized the opportunity to teach himself music production and audio engineering. Since then, he has collaborated with 100+ artists worldwide, providing personalized production services. DDiltz's ability to understand artists' visions and translate them into captivating compositions has earned him a devoted following.

With over 500k Spotify streams and 100k Apple Music plays, DDiltz's genre-defying sound captivates audiences. His music blends elements of pop, electronic, and hip-hop, creating a sonic experience that resonates deeply.

Looking to the future, DDiltz aspires to work with major artists and make his mark as a film composer for major films and TV networks. With a relentless passion for music, DDiltz is an emerging talent poised to redefine the boundaries of musical expression.

Crafting immersive soundscapes that blend electronic rhythms with global influences, I create music that moves both the mind and the soul. Inspired by the pulse of different cultures, my compositions fuse deep atmospheres, cinematic melodies, and vibrant beats - taking listeners on a journey beyond borders.

From hypnotic synth waves to organic world instruments, every track tells a story, evoking emotions and inspiring creativity. Whether you're looking for an uplifting groove, a chill escape, or a soundtrack for your next adventure, you’ll find something here that resonates.

Hit play, explore, and let the music take you somewhere new.

🎧 Follow for fresh sounds and sonic journeys.

#composer #arranger and #filmcomposer from London, UK.

New tracks tagged #trailermusic