Epictronic is a young but very strong independent company which focuses on production, distribution and marketing of recorded music. The label offers to its artists a worldwide distribution service (physical and digital) through direct deals with Plastic Head Distribution and Plastic Head Media. Furthermore Epictronic owns an important division, operating closely with Warner Chappell Music Holland B.V. and specializing in music publishing, copyright management, collecting and Sync deals which includes a B to B marketing department and a very effective label service. Since the beginning, after 2 years of “silent” work, Epictronic has now concentrated mainly on creating the conditions to develop and deliver an effective service, through the investment of a relevant amount of money, in order to build its forceful structure and to gather an immense quantity of contacts.
During the last 2 years, the label management inked deals in several different countries through subsidiaries, and established alliances with 3rd party companies in key markets like Japan, Scandinavia and USA.
The label’s catalogue will be launched with 5 albums and 1 Ep from various artists and music genres, all allocated in a precise sound-range and label concept, which could be described as an in between Electronic Rock, Indie rock and New Wave.
With a marked vision and massive impact on the music market Epictronic is undoubtedly one of the fastest growing enterprises in the industry.

A little about me: my name is Stephanie Spivey, but as an artist I go by PoisonSpivey. I'm 29 years old and live in Washington state, in the Seattle/Tacoma area. I was born in to a family of musicians and was raised around my family's band. I have spent time here and there taking piano lessons, drum lessons, and also spent a little time playing the guitar. I'm a writer as well, and occasionally write lyrics for the songs I produce; however, I don't sing well so most of my music is instrumental only. I produce mainly for myself, but I also have produced beats for my brother, who is an aspiring rapper with a local following. My main focus right now is to get into the music industry so I can not only continue to learn about what I love and improve my skills, but also share my creations. I make music that tells a story and takes the mind on a journey which flows from song to song.  My personal goal is to continue producing and writing songs for myself and other artists.

When Aradia walks down the street in Manhattan, she starts to hear music. 

For this Brooklyn native and entirely self-produced alt-pop electronica musician, it’s one of the best ways for her to glean inspiration. Aradia has been playing music since she was a child, and her roots in the classical music world yield intricate, layered work in the present-day.  

Citing the iconic German supergroup Kraftwerk as a formative inspiration in her musical journey, Aradia has a clear vision for the kind of music she wants to make and exactly how she wants to make it. Music from Aradia is hers through and through — turn on one of her tracks and it’s her vocals, her instrumentals, and her production come to life. 

If the music of Empire of the Sun and Def Leppard were to intertwine with Robyn and Marina and the Diamonds, it might be getting close to the sonic worlds Aradia builds from scratch every day — but, even so, Aradia is something all her own. When inspiration strikes, whether it be in the middle of the night or on those New York streets, a song can often arrive as more than a melody or beat. She can build both parts of a new track simultaneously, allowing a song to enter her canon already fully-formed. 

Her recent track, “Gamma,” offered the perfect entry point for new listeners. Recalling the energetic, cosmic hyperpop of Charli XCX, “Gamma” takes off from the jump, a joyful, energetic celebration of life encapsulated in a three minute journey. 

Aradia loves being onstage, considering the communal experience of live music something close to sacred. “I love playing shows, not because I love being on stage, but because when I see people’s energy go up while hearing my music, it makes me so happy that I almost feel like I can’t go on,” she explains. With years of performance experience under her belt, it’s easy to envision Aradia on festival lineups and in venues worldwide. 

Rather than focus on commercial response, Aradia is laser-focused on the details of a song feeling right. And, beyond that, she’s meticulous and passionate not just in production but in her social focuses, too. She’s eager to contribute to creating a more equitable world, and hopes to encourage more women to take up production, too. She loves being at the board, but wants more people like her in the room. 

The great thing about listening to an Aradia song, though, is with her imaginative touch, unique perspective, and expert skill set, that kind of world doesn’t feel quite so far away.

I am  a songwriter and I love to collaborate.  Even though many of the songs have my voice, I like using other singers. . Rappers as well.  I like EDM, POP, R&B, ACOUSTIC, and more. My goals are to continue licensing music and placing with other artists.

SPOTIFY 
https://open.spotify.com/artist/5qjA8dLUcV7o855lyZiERt?si=PELQEoVKQVmeuTAdfQY_qQ&dl_branch=1


Follow me on 
Twitter : @CJaYdofficial
Instagram : @CJaYdofficial

Productor / DJ retirado de música electrónica (Trance, Progressive, House) desde 2003.

Tranceworld, Lituus Management, Bizzantino, Future Sounding Records, Interfase Electrónica, son proyectos de los que he formado parte como periodista, fotógrafo, realizador audiovisual, consultor y diseñador.

Singer/songwriter/producer works with different genres,  Likes to talk about current issues facing world wide society. From the refugee crisis, to social inequality. 

The Maisons are an American rock band formed in 2013, on Long Island, New York. Since their formation, they have gained fans from all over the world, spanning decades of influences into their musical sequence. One thing is clear, they are definitely 90's kids with Alternative Rock 
being at the forefront of everything they do. 

Singer-Songwriter, Matt and drummer Tyler met outside a local bar in their hometown where he asked Tyler outside, "Do you play any instruments? Tyler replied "Yes, the Drums" Matt breathed a sigh of relief. The day had finally come, he had been searching for years to meet him. 

2014 gave way to many band name discussions and lineup changes between lead guitarists and bass players. The band originally called blackcat and then shivers. 

In 2015, their single Trust me gained attention from SXSW and they were asked to play for McDonald's on the main stage. Later that year they added Jon, and recorded the follow-up songs Harlow, You are Mine, Start believing, and Falling as demos. 

From 2016 to 2018 the band played several shows all around the NY Tri-State area venturing to NJ to gain attention from the several music scenes that are in the garden state circling back to NYC where alternative and indie rock live. 

In November of 2018, a major setback happened. Their dear friend and lead guitarist Jon passed away. Matt and Tyler took a hiatus from music for a few months. 

One day Matt met their present lead guitarist Daniel through a mutual friend and musician Chelsea. 

In 2019, they recorded their follow-up single "Only You' with Warner Chappell producer Eren Cannata and Dream Theater Sound Engineer James Messlin. 

It's been incredible to come this far said Matt in an interview with his label co-founder Tori. 
"I am so grateful that I can continue to do what I love, even if I'm not making money doing this. One day it will pay the bills, and I'm preparing for that day." 

Twenty-Twenty has been a year for writing, staying safe, and healthy. 

Flash forward to 2025. Everyone in the band has kids! So we took some time away from the band. 
Matt's new project WILD DIVINE . 
Danny's new project Gursday

Epictronic is following