Ultimae label founder Vincent Villuis aka AES Dana returns to one of his favourite emotional fields with (a) Period. and explores these times of forlornness and oblivion in a Cinematic Ambient 10 chapter story. 

As a creative observer, the French artist instantiates our endeavour to establish stillness, he steers the tale with a wide palette of sensitive chords, melting distant rumbles into bittersweet melodies and diaphanous pads thus leading the listener to a state of introspection and intimate isolationism. 

AES Dana's 9th album "(a) period. " stands as an elegy for unimaginable loss, and, as the composer says, "any resemblance with your personal experience is no coincidence".

All tracks written & produced by Vincent Villuis
Mastering by Vincent Villuis | Ultimae Studios
Artwork design : Arnaud Galoppe & Vincent Villuis
Photo credits : Ivan Tsaregorodtsev

inre0105 - (C) & (P) 2021 Ultimae

(a) period.

Period 01_Foreword

Download

AES DANA | Period 01_Foreword

track 7 taken  from my album " inner landscapes "

BineMusic (Germany) | BINE 032CD | CD | 2014
Martin Nonstatic
INNER LANDSCAPES

track 1 behind the window / 0:00

track 2 The Window- ic friendship edit / 0:39

track 3 Far Away / 1:30

track 4 Soul Beauty / 2:37

track 5 Cloud Shapes / 3:35

track 6 Inner Landscapes / 4:27

track 7 Albedo Effect / 5:18

track 8 Outer Landscapes / 6:16

track 9 Gilli Nangu / 7:04

track 10 Liquid Air / 7:49

track 11 Now and Then / 8:34

track 12 Her Dream diary / 9:26

track 13 Soul Beauty -outro / 10:31

It was early 2013 when inner landscapes finally got
audible. Martin van Rossum aka Martin Nonstatic
moved to Cologne while Jens from Essen sent a
pleasant release offer. Several EPs, remix and
packaging projects got finished and the favorite
synthesizer was back on duty again, leading to the
first track „Inner Landscapes“ which in turn also
provided the album's title.
Martin took 14 months scrutinizing his workflow
involving both software and hardware to invent fresh
track concepts for his album. Constantly inspired by
the Rhenish environment with all of its movements
and encounters the album concentrated on those
„inner landscapes“. Playful and liberated he
combined field recordings with soundscapes, voices
and nature sounds into deep sequence paths.
Wave noises and Indonesian voices trickle onto the
album’s opening track „Behind The Window“ and the
dub oriented „Gilli Nangu“ while a fine dusty
crackle meets deep dub chords and sonic ideas
salvaged from earlier live sessions and synthesizer
recordings throughout the album, supported by
electro-ambient and minimal beat structures and
alternating rhythmic patterns, clearly showcasing
Martin’s extensive experience of both analyzing and
producing ambient and dub techno sounds.
Embedded between its otherworldly opening and a
dreamy outro are 11 aural landscapes forming a 74
minute tour-de-force, and after its long production
phase the emotional waveforms and clear ideas of
Martin Nonstatic’s „Inner Landscapes“ have finally
found their place and are ready to be heard on the
outside.
Written & Produced by Martin Nonstatic
www.domrauschen.com/nonstatic
Fieldrecordings by Martin Nonstatic
except track 12 by Kathrin
Track 2 dedicated to Markus / Soundwiese
thx for amazing support and 20 years of friendship
www.domrauschen.com/soundwiese
Track 12 dedicated to Kathrin
On The Web:
www.binemusic.de
www.domrauschen.com/nonstatic
Release Date:
CD / Digital / 2014/09/22
Cat.No. / Barcode:
BINE 032CD / 8 8031967571 3
Worldwide Distribution:
Kompakt Distribution / A-Musik
Mastering:
Bo Kondren at Calyx Mastering
Artwork:
ORDNER
Edition_1:
500

" Albedo Effect"   track 7 -- Bine032--  Inner Landscapes

Tunes For The Trip To Alpha Centauri

Forever In All Directions

Spirit Project - Altered States (Original Mix).

Altered States (Original Mix)

With Horizon, South African composer Jason van Wyk returns to his Inherent material in a new light. Three tracks, Inner, Shine, and Cascades, are transformed through an ambient lens, trading rhythmic momentum for expansiveness and contemplation. The result is a companion piece that spotlights the latent tranquility and emotional resonance of the originals, reframing familiar melodies as immersive sonic landscapes. Horizon confirms van Wyk’s evolving artistry and his uncanny ability to deconstruct and reassemble his work into something renewed, introspective, and deeply felt.

Inner (Horizon)

Chaos In My Brain

ghost in the forest (wip)

Upside Down

This track is given away for free but any support will be greatly appreciated.

Music by Alex bober & Smyga 
Field recordings by Smyga 
Artwork by Helen Z.

Endure

The Apana Ep launches a series of three releases by Martin Nonstatic including of full length album and a mellower atmospheric Ep. 
As we elect to search for the meaning of this chosen word. Martin, the composer, being a fervent Yogi practitioner, we gather it has a relation to his personal experience and dig a little wider... Apana, Apāna, Āpaṇa, Āpāna, so many spellings and definitions in so many languages ; we retain the watering shed, the vital expiration and the banquet of hypnotic and downtempo delights we entice you to join. Let yourself be lulled by the distinguished Nonstatic rhythm and loop patterns and stand exploring new electronic aural geographies, deep and spacious.

Written and composed by Martin Van Rossum
Mastering by Vincent Villuis @ Ultimae Studios
Artwork by Arnaud Galoppe and Vincent Villuis

P&C 2020 Ultimae
inre099

Apana EP

Apana Part 1

Vinyl EP / Digital

MARTIN NONSTATIC | Apana Part 1

Hi, I’m Tim. Under the name Epigenetics I create electronic ambient music, or as I like to call it: Space Music. 

My style & sound have elements of Downtempo, Psybient and Electronica where I combine strong melodies and driving rhythms with the goal of creating soundtracks for journeys outwards or inwards.

I have been making 'analog' music with my piano and guitar, since I was young, before making the change to electronic music. I think you might hear the influence of that.
These days I use a MIDI keyboard and VST's to record the tracks one by one in Ableton Live. And then do the mastering in Adobe Audition.

If you like what you hear, please leave a like & comment as I love to hear what you think.
You can also support my releases on Bandcamp, and follow me here for more music in the future.

p.s. No A.I. was used for any part of the music production process. 100% human made music. Weird that this seems like an important thing to add these days. Have a good trip.