Over the past six weeks, we’ve been thrilled to see an influx of exciting new promotions at Sequences! To enhance our offering, we’re embarking on a journey of musical separation for our two monthly editions. This first podcast will immerse you in a captivating rhythmic and melodic sequencer experience, exploration of Berlin school music and expansive soundscapes.

Download Bios: https://www.sequencesmagazine.com/podcasts/

Playlist No 266
02.17 Brendan Pollard ‘Regulo’ (album Strands)  https://brendanpollard.bandcamp.com/album/strands
10.12 Brendan Pollard ‘Vessel Redux’ ***
12.50 Remy ‘Mirage’ (album Exhibition Of Dreams-25th Anniversary) *** https://remystroomer.bandcamp.com/album/exhibition-of-dreams-25th-anniversary
25.11 Ringhausen ‘Mellotron & Elektron’ (album Mellotron & Elektron) https://ringhausen.bandcamp.com/album/mellotron-elektron
30.12 Krakenkraft ‘Cosmic Resonance’ (album Suspicious Signals) https://cyclicaldreams.bandcamp.com
37.29 Krakencraft ‘The Magnificent Ambersonics’
41.08 Ian Boddy & Harald Grosskopf ‘Diodengesang’ (album Doppelgänger) https://dinrecords.bandcamp.com
48.33 William Spivey ‘The Way Out Pt1’  (album Dissolve) https://williamspiveyaf.bandcamp.com/album/dissolve
52.33 William Spivey ‘Illusion Of Occupancy’
58.33 Stan Dart ‘Lake Garda One (Deep, Blue & Green)’ (album Murinsel Volume 7) https://standartmusicbox.bandcamp.com
01.03.14 Stan Dart ‘Lisboa Three (Water)’
01.08.25 Stan Dart ‘London Three (Afternoon Sky)’
01.14.35 Zalys ‘Cities Chrome’ (album Voyager) https://zalys.bandcamp.com/album/void-voyager
01.17.49 Zalys ‘Void Voyage Part2’
01.20.38 Wojciech Kania ‘Mystique 2012 Part 2’ (album Mystique 2012) https://wkania95.bandcamp.com/album/mystique-2012
01.31.23 Anna Sjalv Tredje ‘Mossen/Ankomster Utanför Tiden’ (album Tussilago Fanfara) ***
01.41.11 Cells Interlinked ’Tree Of Life’ (album Within) https://sincronadelviento.bandcamp.com/album/within-0045
01.47.13 Cells Interlinked  ‘Nightfall’
01.53.58 Matthias Lehmann ‘Schwärme’ (album Winter Saga) https://matthiaslehmann.bandcamp.com/album/winter-saga-album
02.00.39 Matthias Lehmann ’Uprise’
02.08.39 Colin Rayment ‘As Light Tiptoes In The Darkness’ (album Penumbra) https://syngate.bandcamp.com 
02.16.22 Andy Pickford ‘Tokamak Sushi’ (album Tokamak Sushi) *** https://andypickford1.bandcamp.com/album/tokamak-sushi
02.28.04 Pat Pik ’Scream’ (album Under Wave)
02.36.45 Pat Pik ‘Take A Deep Breathe’ (album Take A Deep Breathe) https://patpik.bandcamp.com
02.44.09 Martijn Comes ‘Grace As Promarker’ (album Frixtis) *** https://frixtis.bandcamp.com/album/frixtis
02.51.41 s475e ‘Very Old Machine’ (EP Sn°2’) https://s475e.bandcamp.com/album/sn-2
02.54.41 Roger Clark Miller ‘Post-Godzilla Intererrogation Dinner’ (album Curiosity For Solo Electric Guitar Ensemble) https://cuneiformrecords.bandcamp.com/album/curiosity-for-solo-electric-guitar-ensemble
Edit ***

Sequences Podcast No 266

Based on the flight of the Starship Avalon from the 2016 movie "Passengers", the opening track of the Legacy of Thought release "Interstellar Engines", is a slow yet complex, atmospheric cinematic ambient piece that captures the serenity and vastness of deep space. Inspired by the 90-year voyage of the fictional starship with its 5000 sleeping passengers and crew, the track evokes the quiet passage of time, the hum of the cosmos, and the fragility of destiny before the unforeseen strikes in the form of a devasting meteorite impact, from which the ship gradually recovers.


Avalon - inspired by the movie Passengers

May Snow

Where the Wind Forgets

The Path of Sea and Sky

A Distant Lighthouse

A Walk Along the Foam

Participation mystique refers to the innate human connection to symbolic and imaginative experiences. This symbolic realm exists before or alongside our ability to think analytically or rationally. The idea is strongly linked to projection, as these symbolic or mythic elements naturally extend themselves into the world around us—into people, places, and things, just like how we unconsciously assign color to what we see.

Participation mystique is not just a psychological concept, but an aesthetic principle – a lens through which we perceive art as more than just something we observe; it becomes something inhabited.

In artistic terms, participation mystique can be thought of as a dissolving boundary between the self and the image. In this perspective, any manifestation of art can be perceived not just as an external object, but as an extension of the viewer’s unconscious. Colors, shapes, and atmosphere resonate with inner archetypes – mythical, primordial, emotional – before the mind can name them. This is why abstract compositions can seem hauntingly familiar, or why certain symbols – like a spiral, a doorway, or a shady forest – draw out something ancient, deep, and unconscious from us.

Produced and mixed by Dionis Afonichev (Dionisaf)
Mastered by Dionis Afonichev
Cover picture and design by Dionis Afonichev

Participation Mystique

Participation Mystique (Philippe Deschamps Remix)

Tunes For The Trip To Alpha Centauri

Temperature Rising

Alone In The Void

Jazztobak I

We present “Reverie” by Piano Melancolía, a warm and inviting piano piece, gently paced with a touch of wistful melancholy. Its soft, muted tone adds intimacy and depth, creating a comforting yet reflective atmosphere.

Behind Piano Melancolía is German pianist and composer Carl Jürgen Emert, who has been creating poetic and emotionally resonant works since 2013, blending classical and jazz elements with a distinctive touch of serenity. Welcome to the ad21 family!

Reverie

Listen

Strong melodic space ambient. Ideal for travelling, wherever you go.

Finding Youth

Hi, I’m Tim. Under the name Epigenetics I create electronic ambient music, or as I like to call it: Space Music. 

My style & sound have elements of Downtempo, Psybient and Electronica where I combine strong melodies and driving rhythms with the goal of creating soundtracks for cosmic journeys.

I have been making 'analog' music with my piano and guitar, since I was young, before making the change to electronic music. I think you might hear the influence of that.
These days I use a MIDI keyboard and VST's to record the tracks one by one in Ableton Live. And then do the mastering in Adobe Audition.

If you like what you hear, please leave a like & comment as I love to hear what you think.
You can also support my releases on Bandcamp, and follow me here for more music in the future.

p.s. No A.I. was used for any part of the music production process. 100% human made music. Weird that this seems like an important thing to add these days. Happy listening!