Techno

London based selector Aideen Ryan is joining Simon for one hour of disco and house beats

https://www.instagram.com/_aideenryan

Aideen Ryan @ The Lot Radio 04-07-2024

Conor Schmtz Invites Radio Slave (Rekids) + Tripper

Groove On EP

My Groovy Animoog

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Orion - Kernel Ghost - H-Productions [HPX161]

Hybrid Productions Sound Architecture proudly presents: [HPX161] Kernel Ghost, written and produced by Orion. The captain of the Finish label Absence of Facts is back on Hybrid with a phantom 3 track release.

1. Stroke Mechanism
2. Guru Meditation
3. See It

Out in all portals 4th of August, 2025.

with peace from / Cari Lekebusch & Orion

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GTG Premiere | Orion - Stroke Mechanism [HPX161]

Laurent Garnier Live @Robert Johnson 13.07.25

HOUSE OF REKIDS MIX SHOW 24 | Confidential Recipe

Release date: 05/08/2025

"The Feeling That Brought Me Here" is Ackermann's second album. Effortlessly drifting between techno and house, the album eschews his usual EP minimalism in favor of a bold, hookline focused album. Gritty chord stabs, chunky pianos and jacked up grooves dominate the palate, whilst Ackermann's signature sample manipulation fuses deconstructed vocal chops that are used more like instruments or percussion elements instead of being the centrepiece of a song with razor-sharp drum edits and intricate sound design.

While his debut album "Stadium Techno" saw Ackermann's teenage incarnation smugly manning the controls of his 2020s studio (where he is currently known for immaculate mastering and A-List mixdowns) this sophomore collection offers a polished weaponry spanning 3 years of focussed collaboration integrating this adolescent dynamist with the guiding hand of an elder reaching their production zenith.
"The Feeling That Brought Me Here" channels the intrinsic urge of embodied music creation - fiercely somatic, unrestrained, physical, immediate and kinetic. Rogue sketches and intuitive vibe snapshots resist genre constraints to favor a dancefloor defined by polished 'f##k-you' tectonics and sleekly engineered attitude.

From the unapologetic feel-good opener "Good Times" via tougher chord slappers like "Click" or "Alter", a casual techno banger exclusively made with jungle sounds ("Now you know" with Vinicius Honorio), the deep techno bliss of "Noha", the cathartic "Let Go" or the disco infused outro "Gratitude" its all unmistakenly trademark Ackermann productions and all the various styles are firmly held together by his emotion over function approach to music production.

BCCO Premiere: Ackermann - Jack That Way [SAFESP035]

Out now: https://orcd.co/rspx80

Japanese Techno pioneer Ken Ishii returns to Radio Slave’s Rekids Special Projects with the ‘Autopilot’ EP, arriving 22nd August 2025. It follows his first appearance on the label in 2023, where he collaborated with Dutch duo Kamara on the ‘Powerplay’ single.

‘Autopilot’ kicks oﬀ with an unsuspecting, rolling groove while playful synths sneak up and bounce oﬀ its rhythm. The trip continues with ‘Sunset Flight’, lush chords washing over deep, subby low-end, rising high before delving back into the background while delicious percs play between its pounding kick drums. Closer ‘Grid Bounce’ then returns to mischief, machine-like sequences tumbling over an unrelenting beat, excellently building pressure for maximum dancefloor wonk.

“With this EP, I wanted to combine the funky and happy side of my music with driving techno elements. The EP and track titles were inspired when I was on a long-haul flight. So happy to release these three tracks in one EP.”
– Ken Ishii

DJ and producer Ken Ishii is one of the founding artists behind the Japanese Techno scene, he debuted on R&S Records in 1993 and quickly rose to global acclaim, releasing on labels like Harthouse, Exceptional, and now Rekids’ RSPX oﬀshoot, while collaborating with artists like Jeﬀ Mills, who remixed Ishii’s 2019 ‘MOBÏUS STRIP’ album on U/M/A/A.

He is also the founder of the 70 Drums label, co-brewer of KIKK IPA, worked on theme songs for the 1998 Winter Olympics and the Japanese government for the 2005 World Expo, and continues to innovate through projects ranging from video game and anime soundtracks to collaborations with Jazz artists.

Buy/Stream

Ken Ishii - AutoPilot

Circular Motion

DJ VANDEL at Casa Ninguno Showcase (El Rio Hostel)

07.08.25 - DJ VANDEL (AKA MDE SUB HOUSE) - RIO HOSTEL

Harvey Mckay - Hook Up - Hardgroove

Tracklist:
Jorge Caiado “Cycles” (Mike Huckaby Remix)
Mike Huckaby “Disco Time”
Reel Houze “Feel The Warmth” (Unreal Dub)
LB aka Labat “Something”
Satoshie Tomiie “BKLN“
Killer Loop “Someone” (Stacey Pullen’s Tribal Mix)
Kat Williams “Over You”
Nature Boy “Unaffected (Reprise)”
STL “Body Musique”
Nature Boy “The Things You Do To Me“
FP Oner “The Relm Of Possibility”
KemetikJust “Here For It” (Justin's Househeads Original)
Just One “Love 2 Love”
Losoul “Mandu”
Rick Wilhite “Can You Feel Me”
Kenny Larkin “Wake Me”
Glen Underground “Magic” (Gherkin Syndrome Mix)
Club Ice “Manhasset” (Larry Heard Mix)
Mike Huckaby “Sunset With The Jazz Republic”

Entrevista:
La primera vez que oí hablar de Deenamic fue en 2019, cuando un cliente me pidió su primer disco recién publicado en el sello madrileño Freebeat. No recuerdo quién fue, pero sí que estaba flipado con ese disco. Ahora que lo reescucho, si me dicen que es de un productor de Detroit, me lo creo perfectamente. No volví a saber de Deenamic hasta hace unos meses, cuando vino a la tienda con Aiken, quien me lo presentó. Compraron unos discos y charlamos. Más adelante Breixo Martínez de Canela En Surco compartió cabina con él en El Molino en Barcelona y me comentó que el set de Deenamic fue brutal y que me hubiese encantado. Al cabo de poco salió su EP en el sello Mate que también es guapísimo y se ve de nuevo la clara influencia por el house de Detroit mas jazzy. Finalmente su reciente EP en Syncrophone que se adentra en territorios más technoides me hizo pensar en pedirle un mix para esta serie.

-Cuéntanos un poco sobre ti.
Mi nombre real es David Pradera, conocido artísticamente como Deenamic soy Dj y productor nacido y residente en Madrid. Mi relación con la música empezó hace años, escuchando cintas grabadas de Hip Hop y CDs que traía mi tío durante sus años como profesor en Estados Unidos. Creo que sin darme cuenta, a través de los samples que usaban esas producciones estaba en contacto con géneros como el Jazz o el Soul sin realmente ser consciente de ello y supongo que de ahí viene mi orientación y gusto musical hacia esos estilos que son el fundamento de toda la música contemporánea que escucho hoy en día. Más adelante en un viaje familiar al Reino Unido descubrí un CD llamado The Other Day (1997) de Jeff Mills que me abrió la mente hacia otros sonidos como el Techno y el House. Desde los años 2000 he estado vinculado a la escena underground madrileña, experimentando con distintos estilos hasta encontrar mi propio camino sonoro.

-Cuándo te interesaste por la música electrónica y cuál fue tu interés al principio?
Mi interés por la electrónica comenzó de forma más consciente tras ese descubrimiento en el Reino Unido. Ese disco fue un punto de inflexión, porque me hizo ver la electrónica no solo como música de club, sino como un lenguaje creativo lleno de matices. Al principio me atraían especialmente el Techno y el House que llegaban en esa época a Madrid, que me parecían universos nuevos y muy ricos en cuanto a ritmo y sonido. Con el tiempo y aunque ya los había descubierto viviendo en Londres, me acerqué al Drum&Bass y al BrokenBeat, estilos que ampliaron mi visión y terminaron influyendo mucho en mi forma de entender la producción.

-Cuándo empezaste a pinchar y a producir?
Comencé a involucrarme en la escena underground de Madrid aproximadamente entre 2003/2004, pinchando en pequeños espacios y explorando diferentes estilos. La producción llegó un poco más tarde cuando empecé a sentir la necesidad de expresar mi propio sonido (creo que empecé con una copia que me pasaron de Propellerhead Rebirth y Reason). En 2012 publiqué mi primer disco en vinilo bajo otro alias (ARP-1) en Goodlooking Records, sello de Drum&Bass del mítico LTJ Bukem. Años después, ya como Deenamic, enfoqué mi producción hacia un Deep House ...

Entrevista completa en:
https://djbrucelee.blogspot.com/2025/08/rhythm-control-barcelona-mixes-011.html 

 @deenamic

RHYTHM CONTROL BARCELONA MIXES 011: DEENAMIC

Archaic Revival - Minimal Detroit Set

Listen back to this 1-hour excerpt from Nilüfer, recorded live from our Pikes Ibiza poolside radio show. Catch us live every Saturday from 6–8 PM!

OpenLab Live From Pikes 14/06/25 [with Nilüfer]

After a series of spectacular shows around the world, the legendary CORE stage has made its way back to Tomorrowland’s enchanting forests in De Schorre. Surrounded by nature and deeper sounds, the CORE stage completes your rediscovery of the forgotten harmony of all living things. Enjoy the live recordings. 


FKA.M4A at Tomorrowland Belgium 2025 | CORE STAGE

Michelle emerged from the Uruguayan underground back in 2018. Since then, she's explored the sort of sounds that have made her homeland such a creative hotbed: stripped-back techno, electro and early tech house all collide in her tracks on the likes of My Own Jupiter, CABARET Recordings and, most recently, Element Of Impact. Though designed purely for dancing, they're rich with intriguing textural contrasts between steely metal surfaces, wonky acid lines and sultry synths.

Michelle only plays live, so this week’s mix is a raw, unfiltered one-hour transmission pulled straight from her machines. It’s a rugged ride that grinds through industrial tech, shadowy broken beats and deeper techno. The energy is relentless and the tension is palpable, as if intergalactic warfare lurks just out of sight. The pounding rhythms, strobe-lit grit and sweat-soaked intensity make this a masterclass in pressure and release that's alive, dangerous and keeps you right on the edge.

Dekmantel Mix 495 - Michelle (live)

Digital Music Distribution & Rights Management since 2001

Contact: http://epm-music.com/contact

My Groovy Animoog

EPM Music

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