Human Behind Pluto - Talisman
Stripped electro-acid in an electronic shaman's setting. The talisman protecting from the dark, lighting that creative spark, the setting is created, all fear annihilated.

ZC-ELEC008  - The Electro Guilde
With the eight release (ZC-ELEC008) of our Electro Acid Series Zodiak Commune Record delivers four talented electro-acid producers who are taking you on a diversity of adventurous musical journeys.

The Electro Guilde

Talisman

ZC-ELEC008 - Human Behind Pluto - Talisman -  The Electro Guilde - Zodiak Commune Records

analog tape recording from some oriental casette i found in my room

Untitled

Opkod - Live Suparty (2003)

Νάρκη Σεισμός

Techno Tape 3

This is a track of a compilation of bands and musicians who played live at Protos Orofos from November 2019 to February 2020, including those who performed live at the event co-organized with Antigono, Suburban Crew and Ibex Konspira at Suburbia on May 2022.

Sounds Upon The Ground

mAEn is an Italian anthropo-alchemic duo formed by Maurizio Chiantone and Enrico Pofi, Neapolitans. This strange transmutability of the two is the result of a continuous research on languages and the incredible world of sounds that surrounds them. Acoustic sparks and sound microclimates with and through which structures and new ways of creation are experimented regarding the relationship between man, media and technology. For a long time, their own kermesse rest on constant attention to the infinite possibility of combination and manipulation of the codes, which are the distinctive and transversal elements that compose them or the dynamic and creative potential connected to the production or implementation of an event.

mAEn processes in any available space, using supports acoustic and digital, building their own performances on a minimal research concept.
In this direction, ethnic materials and sound objects, self-made, commonly used, metals, woods, glass, plastics, that can be urged, are used in an open and experimental way.
Use instead of the new technologies offered by digital tools tablet, phones, keyboards, pads, sequencer, contributes to the creation of a connected set in a key aesthetic and formal.
The material mood integrates with the virtual one.

Fifth Element is the result of contact with the space available, using both acoustic and digital supports, aiming at a minimal research concept. In this direction, ethnic, self-built, commonly used metals, wood, glass, plastics, stressable materials and sound objects are used in an open and experimental way. The electronic and technological supports, offered by digital tools tablets, phones, keyboards, pads, sequencers, contribute to the realisation of a connected whole in an aesthetic and formal reading key. The material mood is integrated with the virtual one.

Zephyr

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 


Νάρκη Σεισμός

EY