Frédéric Chopin - Nocturnes - BINAURAL 3D SOUND - MUSIC THERAPY

Frédéric Chopin - Nocturne in E major, Op. 62 No. 2 - à Mademoiselle R de Könneritz (BINAURAL 3D SOUND - MUSIC THERAPY)

Deezer

J.S. Bach: Magnificat & Christmas Cantata

Magnificat in E-Flat Major, BWV 243a: II. Aria "Et exsultavit"

when I was a child I remember how I could sense the coming rain by the smell of the asphalt and the wet air. Maybe you remember it too !?.... now as grown ups are our senses still good enough to feel the "scent of rain"....?

Scent Of Rain

Sonata.m4a at Inside the Storm

Vinson Cole as Don Carlos and William Stone as Rodrigue sing the Friendship duet from Verdi’s “Don Carlos” at Seattle Opera in 1993. The orchestra of Seattle Opera was conducted by Thomas Fulton. Photo by Greg Eastman.


Friendship Duet from DON CARLOS, with Vinson Cole and William Stone

Bach: Concerts avec plusieurs instruments II

Suite in C Major, BWV 1066: I. Ouverture

J.C.F.  Bach  -  Allegretto F major

The “Waldstein Sonata” is one of Beethoven's most famous sonatas, and is an excellent example of one of his more Romantic sonatas. Its first movement is a sonata in somewhat standard sonata form; however, Beethoven modulates to the mediant when moving from theme I to theme II, which is not a typical key relation in a classical sonata. The development involves repeated instances of various themes from the exposition set over myriad modulations throughout various obscure keys.
	The second movement is an extremely slow introduction to the third movement. Its slow speed is not calm, but rather tense. The tension increases slowly throughout the piece, reaching a strong climax and then leading the listener to a suspenseful transition into the third movement. Most of the material of the piece is built on a simple dotted rhythm with a rising interval.
	The final movement of the Waldstein sonata is a long journey from a large variety of emotions, from dark and blisteringly fast, to soft and quiet. This is perhaps the most romantic of the movements of the sonata, with many blurred harmonies due to long pedal markings, dramatic moments, and extreme emotions. It achieves a sort of transcendental feeling found in compositions of the Romantic periods with its long pedal markings, shimmering textures, and its slow harmonic rhythm. These characteristics foreshadow elements of Beethoven's later sonatas where he capitalized on slow harmonic rhythm and muddied textures that seem to lose any melodic content.

This is from my senior recital on December 2, 2012.

Allegro Con Brio, Sonata No.21 in C major Op.53 "Waldstein" - Ludwig van Beethoven

1685 – Bach, Händel, Scarlatti - 75 for 75

J. S. Bach: Partita No. 2 in C minor, BWV 826, Capriccio

Bach: Little Books

Praeludium, BWV 815a (Attributed to Johann Sebastian Bach)

I'm a pianist, music teacher, and fledgling composer who is now trying to use my gift for the Lord. You'll find recordings of me playing various pieces throughout my past educational process as well as recordings of performances of my works

Allegro Con Brio, Sonata No.21 in C major Op.53 "Waldstein" - Ludwig van Beethoven

EptonicTermplor