Track taken from the upcoming album 'Objects & Apparitions'...

- All tracks written / played by Gideon Wolf except *track 10 (In the Wake) Cello part played by Tom Spencer

- Mastering by Ian Hawgood

- Design by Daniel Crossley

Objects & Apparitions

Gideon Wolf - With Eyes Closed

from 'The Horror Cosmic' [CD|LP|DIGITAL]
Denovali Records · den380
available on all formats at https://denovali.com/thelovecraftsextet

After the release of the first three albums "In Memoriam", "Nights Of Lust" and "Miserere" Jason Köhnen (Mansur / The Kilimanjaro Darkjazz Ensemble / The Mount Fuji Doomjazz Corporation) has created The Lovecraft Sextet’s first soundtrack to a yet to be created movie. The Horror Cosmic is a Lovecraftian cosmic horror short story which dives into the existential dread of the infinite nothingness. The album was composed as a soundtrack to accompany the illustrated short story and is an expanded step in the multidisciplinary aspect of the Lovecraft Sextet project. Therefore this release should be listened to as a soundtrack with compositions working to accentuate a specific mood to the specific chapters of the story. The Horror Cosmic will also be release as a very limited custom Hardcover illustrated short story book with a special vinyl color LP.

The Horror Cosmic

Deliverance

The Lovecraft Sextet - Deliverance

This is the second collaboration work by Takahiro Kido and Yuki Murata, music composers who also are active as members of Anoice, RiLF, and Films, together with Kenji Azuma, an ambient music artist who plays a range of unusual instruments and the trio’s first EP.

It's been only three months since the previous collaboration single 'Ice Mermaid' with the basis of the song’s sounds created from materials which are related to ice and water. This time, they will release the four songs-included EP 'Memories of the Stone' featuring the sounds of a stone and limestone cave. Just like their previous work, this song is also based on an illustration painted by MATSURICA who also takes charge of the artwork for some of the releases from Anoice, Yuki Murata, and Films, and it is under the theme of the exploration into a cave. A wolf finds a cave in the forest and gingerly goes into it, and steps forward to the deep as if being invited by the sounds of water dropped on the puddle and bats singing. And then, he leaves his body to energetic dance of the ancient animals drawn on the wall...

Like the previous collaboration 'Ice Mermaid', each artist took charge of playing various instruments, but the most notable point in this EP 'Memories of the Stone' is that they mined Sanukitoids, a variety of high-Mg granitoid found in limited area of Japan and recorded its sound in the forest. You should be able to feel the memories of the long and epic history via the beautiful and clear sound of the stone which has existed since ancient times.

Step into an adventure with the main character wolf, Rem, while looking at the illustration.

Spotify, Apple Music, iTunes, etc:
https://linkco.re/Z9Z4y5a6
BandCamp:
https://riccolabel.bandcamp.com/album/memories-of-the-stone

Memories of the Stone

BandCamp

lure (Anoice / Takahiro Kido, Yuki Murata, Kenji Azuma 'Memories of the Stone')

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DOWNLOAD DIGITAL ALBUM: slowerpace.bandcamp.com/album/barbershop-simulator
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Cover art by slowerpace 音楽
www.instagram.com/slowerpacemusic

Credits to Producer: DANCING FANTASY

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So Wild

12 sequences generated from serial note clusters and treated with filters and fx.

Semi Serial Sequences

Sequence 11

Pre-save

From 'reflections' for large ensemble.

In his conceptual work Philipp Rumsch transfers the sound aesthetic and compositional principles of Minimal, Pop and Electronic Music into an acoustic and orchestral format. The closing piece 'epilogue' embodies a soloistic reflection for piano solo on the opening piece 'prologue' in which the compositional abstraction is realized by the simultaneous resound of layers played both in reverse but also in original motion.

reflections - epilogue

'Peaks' it's our first compilation, with fifteen pieces going from ambient to techno. Including some new and familiar faces on Faint, like Mykja, Araceae, Powlos, Data Domain or SVLBRD.

Mastered by Emanuele Pertoldi.
Faint008 // FaintCD008
Faint / 2018

Blomkraft & SVLBRD - Manaslu

Dimitar Dodovski / Predeli (Snippets)

~ LAAPS 003 ~ [SEQ.01 - LP03]

artists : Offthesky & The Humble Bee
album : We Were the Hum of Dreams
duration : 44.28 mn
 date : April 27th, 2020

edition :
-  vinyl : limited to 250 copies / colored vinyl / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : April 06th, 2020 / official release : April 27th, 2020

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Craig Tattersall - Piano, guitar, harmonium, bass, textures, tape loop
Jason Corder - Vibes, violin, percussion, effects, arrangement
Rin Howell - Voice, lyrics
Cody Yantis - Sax

Made from Fall 2019-Winter 2020. England-Denver.

Mastered by Jason Corder
Artwork by Federica Jeanne De Luca
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://www.facebook.com/laaps.records
https://noise.offthesky.com/
https://www.leavings.co.uk/

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℗ & © 2 0 2 0 - L A A P S - L A A P S 0 0 3

Offthesky & The Humble Bee - Fallen Fruit To Navigate By

We are excited to announce Bell Orchestre's first full-length album in over a decade: House Music — an immersive ecosystem created by the acclaimed Montreal-based outfit, which include Arcade Fire’s Sarah Neufeld and Richard Reed Parry — out March 19.

Stream & pre-order the album on LP · CD · DL: https://idol.lnk.to/HouseMusic

House Music unfolds as one long piece, a recorded-then-sculpted improvisation that vastly expands their work, coalescing classical and electronic instrumentation in the creation of genre-defying musical worlds.

After having shared the short film IX: Nature That’s It That’s All. — which layered archival visuals of blissed-out crowds at a carnival over one of the later, dreamier sections of House Music — Bell Orchestre presents a video for the one-track album’s most anthemic and explosive segment, V: Movement, directed by band-member Kaveh Nabatian.

In the album’s liner notes, the group recalls countless moments when, in kinetic moments of improvisation, “a nuanced piece of music would emerge organically, completely formed, without any plan or discussion or rational thought” — and then be lost because it wasn’t recorded. In conceiving a new album, they decided to celebrate the spontaneous and accidental, to centrally situate the act of collaborative, democratic creation in their finished work. With the legacies of improvisation-exploring greats like Talk Talk, The Orb, Bitches Brew-era Miles Davis and the late Ennio Morricone in mind, on House Music, Bell Orchestre captures the impulsive, connective, mysterious poetics of musical invention happening in real-time.

House Music

V: Movement

Stream & order LP · CD

Bell Orchestre - V: Movement

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone