Taken from his debut album 'Gravity' re-issued by Erased Tapes on June 10.

Order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP084
iTunes: http://snip.ftpromo.net/gravity
Spotify: http://snip.ftpromo.net/onlyinthedark
Bandcamp: http://snip.ftpromo.net/gravitybc
or any other good record store worldwide

In celebration of their latest signing, Erased Tapes are set to re-issue Ben Lukas Boysen’s compelling debut album ‘Gravity’, alongside new album ‘Spells’ on 10th June 2016.

‘Gravity’ was the first album Ben recorded under his own name, merging programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation.

From ‘Only In The Dark’ to the two movements of ‘Nocturne’, it’s a serious, solemn listen. And yet, with pieces like ‘To The Hills’ and ‘Eos’, ‘Gravity’ is an exploration of heights, cliffs and vertigoes. With piano lines and choir-like drones, this record suits its title in all its meanings, as the magnetic force takes us deeper towards the core. Marking a new beginning, this debut reveals a touching, and more melodic side to Ben’s body of work, which he previously only hinted at as HECQ.

Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered the album. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”.

His intricate, humanised programming – enhanced by drummer Achim
Färber, additional synthesisers played by Nils, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Gravity’ as well as its successor ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums.

As HECQ Ben has released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and
Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Gravity strips away the cloaked mysteries of electronic music production to expose the tender side of this musician’s mind." — Headphone Commute

TRACKLIST:

01. Only In The Dark
02. Nocturne 1
03. To The Hills
04. You'll Miss Us One Day
05. Gravity
06. Eos
07. Nocturne 2
08. The Behenian Gospel

Gravity

Only In The Dark

Buy LP/CD/DL

Ben Lukas Boysen - Only In The Dark

earthly brevity
precarious reality
mitigated conviction

Liquid Dub • Future Garage•  Deep House • Progressive House • Melodic House • Promotional Label • chill • rap • hiphop • rnb •  alternative •

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

George Potagas has been working as a production sound mixer and sound designer in Greece and abroad since 1996.

geopotag@gmail.com