Trip-Hop,Electronic,

Winter Garden

Don't Go Where I Can't Find You

My third harmonic mix featuring some of my favourite modern classical and ambient artists.

Tracklist
01. Floex - Time To Go (0:00)
02. Peter Broderick - Not At Home (Piano Version) (2:42)
03. Black Elk - Aphotic Widow (5:34)		
04. Emphemetry - After Catalunya (10:08)       
05. Lowercase Noises - Song For No One (14:52)
06. Parachutes - Paper Birds (19.09)		
07. Piano Interrupted - Two Or Three Things (25:48)    
08. Pill-oh - February Tale (29:10)        
09. Bersarin Quartett - Oktober (32:28)
10. Poppy Ackroyd - Seven (38:32)

www.stevegibbs.bandcamp.com
www.facebook.com/stevegibbsmusic

Steve Gibbs - Ambient Mix #3

Track taken from the Codes In The Clouds remix album 'Paper Canyon Recycled'
ORDER IT HERE*: http://erasedtapes.com/store/index/ERATP024


CODES IN THE CLOUDS vs. RIVAL CONSOLES – EU TOUR 2011

After they blew the roof off at this year's Erased Tapes special at Haldern Pop Festival, label mates Codes In The Clouds and Rival Consoles will challenge each other to a post rock vs. electronic duel.

To celebrate this exciting announcement here you find a good teaser of what to expect:
http://soundcloud.com/erasedtapes/codes-in-the-clouds-vs-rival-consoles

Hope to see you on the road...


Erased Tapes, Burning Eagle, Motor.de, Byte FM, Tonspion, Opak and WhiteTapes present
CODES IN THE CLOUDS vs. RIVAL CONSOLES

24.09. Portsmouth (UK) - Edge Of The Wedge*
25.09. London (UK) - Vibe Bar*
26.09. Brighton (UK) - The Hope*
10.10. Nijmegen (NL) - Merleyn
11.10. Gent (BE) - Charlatan Club
12.10. Hamburg (DE) - Prinzenbar
13.10. Copenhagen (DK) - PH Caféen
14.10. Berlin (DE) - Comet
16.10. Warsaw (PL) - Progresja Club
17.10. Lodz (PL) - Luka Club
18.10. Poznan (PL) - Fabrika Club
19.10. Nürnberg (DE) - MUZ
21.10. Innsbruck (AT) - PMK
22.10. Offenbach (DE) - Hafen 2

* UK warm-up shows without Rival Consoles

http://facebook.com/codesintheclouds
http://facebook.com/rivalconsoles
http://erasedtapes.com/kidvelo

*Every remix sold will help Friends of the Earth’s vital campaigning work for a safe climate and a healthy planet.

Paper Canyon Recycled

Codes In The Clouds – You Are Not What You Think You Are (Rival Consoles RMX)

Eric Cerdan - Lost Memories

Electronic lush track, ambient bass, lush ambient

Hydrogen Line

https://www.facebook.com/highlucia/
https://twitter.com/highlucia

Chromatics - Yes (High Lucia Edit)
Crystallise 
Leave There 
Cord 
Dull 
Beacon

Dull_Garden

DJ Cam - Swim

"Starchild" is my entry to Piano Day 2017.
Artwork by Hara Katsiki (http://www.harakatsiki.com)
http://www.pianoday.org
#PianoDay

Written, arranged and produced by Daniel Soffner 

Mash Waves Music is a music project by Daniel Soffner based in Melbourne, Australia.

Blog:   http://mashwavesmusic.soffner.com
Bandcamp:  https://mashwavesmusic.bandcamp.com
Twitter:  https://twitter.com/danielsoffner
Facebook:  https://www.facebook.com/MashWavesMusic

Starchild

Bandcamp

Deflekt

Shawn Lee's Ping Pong Orchestra - Great Russell Street

Raycord
album: L'Hiver Blanc
https://raycord.bandcamp.com

Body

Brace Kabanjak - Abra Kabra
Artist: Brace & Kabanjak | Song: Abra Kabra | Album: Abra Kabra EP
Label: Switchstance Recordings | www.switchstancerecordings.de
Bandcamp: http://switchstancerecordings.bandcamp.com/
Facebook: https://www.facebook.com/Kabanjak

Brace Kabanjak - Abra Kabra

From my album Drum Therapy

Stream / Buy: tor.ffm.to/drumtherapy

Stream / Buy

Tor - Heikki

https://stateazure.bandcamp.com/album/edge-of-forever

State Azure - Departure (Edge of Forever album on Bandcamp free!)

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Where We Were

Greg Haines - The Whole

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Codes In The Clouds – You Are Not What You Think You Are (Rival Consoles RMX)

Erased Tapes

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