You can imagine the beat as a waves right here

Pobudzająca jak Jean Michel Jarre 😍😍💯💥💫

Ambient IDM

<a href="http://bit.ly/balladeN">Ninjashop</a> / <a href="http://smarturl.it/balladeitunes">iTunes</a> / <a href="http://smarturl.it/balladeamazon">Amazon</a>

Taken from <a href="http://ninjatune.net/artist/jono-mccleery">Jono McCleery's </a>single <a href="http://ninjatune.net/release/jono-mccleery/ballade">'Ballade'</a>, released 26 August 2013 on Ninja Tune.

Produced by: Royce Wood Junior
Artwork by: Jack Hardwicke

http://jonomccleery.com
http://ninjatune.net

Ballade

Buy on iTunes

Jono McCleery - 'Ballade' (Djrum Remix)

Stoked to finally present Hope.

My representation of those beautiful processes where new things emerge and thrive after periods of decay.

Hope

Stream/Buy

Beatport: https://www.beatport.com/label/crossfade-sounds/27419
Spotify: https://spoti.fi/3KrHNqm

Check out our new Free Download compilation on Bandcamp:
https://crossfadesounds.bandcamp.com/album/deeper-underground-1-free-download
___

The latest release on Madloch's Crossfade Sounds imprint welcomes Microlot to the label.
Hailing from Australia, Luke Warren aka Microlot crafts thoughtful music for deep souls and dreamers. Evocative textures, organic grooves and a heavy dub influence are just some of the traits that are synonymous with the Sydney resident. His highly stylized sound has found favour with the underground's premiere tastemakers and led to releases via Seven Villas, Seppuku Records & Sound Avenue.
___

Follow Crossfade Sounds
Bandcamp: https://crossfadesounds.bandcamp.com
Facebook: https://www.facebook.com/crossfadesounds
Instagram: https://www.instagram.com/crossfadesounds
Soundcloud:  https://soundcloud.com/crossfadesoundslabel
Beatport: https://www.beatport.com/label/crossfade-sounds/27419
Twitter: https://www.twitter.com/madloch
Spotify: http://bitly.com/soundavenue_spotify
Odysee: https://bit.ly/soundavenue_odysee
Bitcoin: https://bit.ly/soundavenue_bitcoin
Merch: http://bit.ly/soundavenue_t-shirts

___

Send your demo to: demo(at)soundavenue.be
(Only Private Soundcloud links)

Somatics

Buy on Beatport

Microlot - Undefined [Crossfade Sounds]

Chimera EP out now.

Buy here:
iTunes: http://bit.ly/1nzRDop
Amazon: amzn.to/1qaX81b
Juno: bit.ly/1qmOxaw

http://occupanther.de
(c) & (p) Occupanther 2014

Down

Pre-order A Simple Beautiful Truth EP at:
iTunes - http://po.st/ASBTiTunes
Domino - http://po.st/ASBTDM

Buy Present Tense at:
Domino - http://po.st/PresentTenseDM
iTunes - http://po.st/PresentTense

Wild Beasts - A Simple Beautiful Truth (Djrum remix)

Order: http://atomnation.bandcamp.com/album/moon-observations

David Douglas - Moon Observations

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

Pre-order the CD/2LP/DL: http://www.erasedtapes.com/store/index/ERATP062
Pre-order the DL via iTunes and receive the album version of 'Thrown' instantly: http://snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING: 

1. Lit  2. Held  3. Looped  4. Swayed  5. Thrown  6. Dragged  7. Bent  8. Burnt 

LIVE DATES:	

17.08. HAMBURG (DE) - Dockville Festival			
26.09. BRUSSELS (BE) – Bozar Electronic Arts Festival
27.09. DEN HAAG (NL) – Todays Art Festival

OFFICIAL WEBSITES:  	facebook.com/kiasmos · erasedtapes.com

Kiasmos

Burnt

Buy 2xLP/CD/DL

Kiasmos - Burnt

Helix / Två Fontäner, like his previous release, Snow Sketch / Visions, is a 17+ minute slow burning exploration of ambience and rhythm.  Taking cues from the likes of Floating Points, Four Tet and Beacon, the tracks melt Tartaglione's specific brand of atmosphere with a well rounded beat.

Like the shape of it's namesake, Helix twists clanging melodic lines around a mess of white noise and a persistent backbeat.  The track eventually evolves to calm with a sidestick, allowing Två Fontäner's energetic intro and droning background to follow.

Helix / Två Fontäner is the first of a number of releases this year for Planète - who looks to solidify his status as one of Australia's most intriguing producers over the coming months.

Free Download

Planète - Helix

🔥🔥🔥
[PIRANHA SIBERIA DUB] proudly presents its 74th release. Through the cold streets of Moscow’s twilight, flickering lights glide — neon traces connecting past and future. Chain Selector (@chainselector) makes his debut on [PIRANHA SIBERIA DUB] with a cinematic narrative told in six parts and three reflections: Moving Lights EP.

At the heart of the story lie six original tracks:

“White” opens the journey — like the first snow beneath a streetlamp, dissolving into shimmering echoes.
“Form” follows — a sound structure built like the architecture of a dream: restrained, precise, hypnotic.
“Winter” turns the air brittle like glass — a snowstorm dancing in sync with the bassline.
“Stoner” is a smoky, slowed-down hallucination, drenched in underwater reverb.
“Pulse” marks the EP’s inner heartbeat — the trembling nerve of a city felt beneath the skin.
And finally, “Story” — a narrative with no words, like a lost diary etched onto magnetic tape with low frequencies.

But stories, as we know, love to be retold:

 Ekstendia (@ekstendia) unravels “Story” from the other side of the spectrum — draped in dense atmospheres and warm shadows.
 re:fraction (@sound-driven-society) reshapes “Winter” into a digital blizzard — sharper, crystalized, nearly abstract.
 And — like that last cigarette at sunrise — Oldschool_Dubtechno .Producer (@enercube & @x_fr) delivers his NEDIPA Version of “Stoner”: thick, slow, and soaked in the flavor of six fragrant hops and emotional echoes that linger (a subtle nod to the namesake beer style, as rich as the remix itself).

Moving Lights EP is more than just a mini-album. It’s light in motion, traveling through darkness. Reflections from Moscow to Siberia. From yesterday into tomorrow. Chain Selector offers a deep inner transit through dub techno terrain. Your ticket is active. Just close your eyes and let the lights lead you forward.

Yours in sound and spirit,
The [PIRANHA SIBERIA DUB] Crew.



:::
Chain Selector - Moving Lights EP
1. Chain Selector - White
2. Chain Selector - Form
3. Chain Selector - Winter
4. Chain Selector - Stoner
5. Chain Selector - Pulse
6. Chain Selector - Story
7. Chain Selector - Story (Ekstendia Remix)
8. Chain Selector - Winter (re:fraction Reshape)
9. Chain Selector - Stoner (Oldschool_Dubtechno .Producer NEDIPA Version)
:::
Label: [PIRANHA SIBERIA DUB] – [PSD074]
Format: Digital
Country: Russia
Release date: 04.07.2025
Genre: Electronic
Style: Dub Techno, Deep Techno, Dark Progressive


🎬🎬🎬🎬🎬🎬
Bandcamp: https://piranhasiberiadub.bandcamp.com/album/moving-lights-ep
Beatport: https://www.beatport.com/release/moving-lights/5142014

Chain Selector - Moving Lights EP [PSD074]

🎹Get your copy🎹

Chain Selector - Story (Ekstendia Remix)

My remix of '00:26' by Ólafur Arnalds & Nils Frahm is now available on 
https://erasedtapes.bandcamp.com/album/erased-tapes-collection-viii
Taken from the album 'Trance Frendz' · www.arnaldsfrahm.com

Ryan Davis on Facebook: www.facebook.com/ryandavissound/
Ryan Davis on Instagram: www.instagram.com/ryandavismusic/
Booking under booking@ryandavis.de

Commencing the 10th anniversary celebrations with a free compilation entitled Erased Tapes Collection VIII, Erased Tapes also welcomes the iconic Penguin Cafe to the roster amongst tracks from new signing Daniel Brandt (of Brandt Brauer Frick) and Peter Broderick’s duo project Allred & Broderick. It also includes recent compositions by Rival Consoles, A Winged Victory For The Sullen, Ben Lukas Boysen, Douglas Dare and Immix Ensemble & Vessel, as well as a previously unreleased soundcloud.com/ryan-davis remix of Erased Tapes stalwarts Ólafur Arnalds & Nils Frahm which was recently favoured by Aphex Twin and an exclusive edit of Woodkid & Nils Frahm’s score for JR’s Ellis, with spoken words by Robert De Niro.

The Story before: 

When i heard the Album Trance Frendz of Olafur Arnalds & Nils Frahm for the first time, i directly felt a connection to the song they both started together at 00:26. The fine textures of the synths and the subtle evolution in this one-taker brought up the idea of having a version i can play in the late nights on the dance floor but which also would work perfectly for listening in your comfort zone. 

The drums and way of how the remix should flow came naturally and as i had the song standing i layered the original stems here and there to have the track playing in some kind of canon. As i was very happy with my personal version i sent it out to https://soundcloud.com/olafur-arnalds, https://soundcloud.com/erasedtapes & the rest of the participants of this project. Gladly Olafur picked up my remix and forwarded the song to the label which lead to having this unofficial version approved to share with you out there. I hope you like it and thanks to Erased Tapes and all involved for the support :)

More

Ólafur Arnalds & Nils Frahm - 00:26 (Ryan Davis Rethink)

New mini album LNLNN out now on @atomnation
Stream / purchase: atomnationrec.lnk.to/LNLNN

Gidge - Hope

"Where the World Ends" LP: https://indianwells.bandcamp.com/album/where-the-world-ends

Play/download:  https://fofmusic.lnk.to/WhereTheWorldEnds

Where The World Ends

play / download

It's Where The World Ends

Taken from the Broken Glass Arch EP
Released 10.11.17 http://smarturl.it/brokenglassarch

RS1715

Djrum - Showreel Pt2

Ryan Lee West aka Rival Consoles has announced his fourth full length album 'Persona' will be released on 13th April via Erased Tapes.

The title 'Persona' was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful image struck Ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between; between states, people, light and dark, the inner persona and the outer persona. 

"My music is generally is generally inward looking. I like finding something about the self within music, that doesn't have to be specific but maybe asks something or reveals something. This record is a continuation on the self through electronic sounds. Like Legowelt once said ‘a synthesiser is like a translator for unknown emotions’, which I think sums up what I am trying to do. I think all these emotions we have make up our persona. So in a way by finding new ones you alter or expand your persona. And that is what I want my music to try to do. I deliberately aimed to be more sonically diverse with this record. I wanted to experiment more. I wanted to create new sounds and new emotions.”

Recorded at his studio in south-east London, ‘Persona’ benefits from Ryan’s exploration of a dynamic production process that combines analogue-heavy synthesisers, acoustic and electric instruments with a shoegaze-level obsession with effect pedals. A greater depth of emotion and confidence can be heard across the album. From the deconstructed movements on ‘Unfolding’ that starts the album with a snap of delayed snares, the apocalyptic drones of the title track and thundering drums in ‘Phantom Grip’ to more  restrained ambient feels of ‘Dreamer’s Wake’, ‘Rest’ and ‘Untravel’. The latter transverses six beatless minutes of undulating melodies representing “a limbo space, a feeling of ennui, of not really ever being known to others and others not ever really being known to you”.

'Be Kind' reveals a musical connection with fellow Erased Tapes artist Nils Frahm, with its minimal approach and improvisational nature. On the more complex sounding ‘I Think So’ Ryan aims to replicate a colour collage with sound. Like a musical kaleidoscope, a flashing and convoluted mass. Written after he saw Slowdive perform live last year, ‘Hidden’ builds from whispers to landscapes of controlled noise. In an interview with XLR8R magazine, Ryan explains: “once you start trying to make a sound loud, then you turn your back on thousands and thousands of sonic possibilities. One of the best things to do is to start a track with a really quiet, weak sound.” Taking this idea to its ultimate conclusion, ‘Fragment’ closes the album as an innocent sounding ambient piece, almost nursery rhyme like, yielding time for reflection on how the persona has changed.

'Persona' follows the success of a series of releases — the ‘Odyssey’ and ‘Sonne’ EPs, long player ‘Howl’, and 2016’s mini album ‘Night Melody’ — that saw Ryan mature into what Pitchfork has called a “forward-thinking electronic musician with his own ideas about sound”. Atypical of instrumental-electronic music, Ryan has achieved a signature sound that’s unmistakably identifiable as Rival Consoles. Going beyond typical electronic music production, Ryan defines it as “songwriting with an electronic palette of sounds”.

The increasingly dynamic live audio-visual show, born from bespoke performances at the Tate and for Boiler Room at the V&A Museum featuring self-programmed visuals in Max/MSP, has propelled him to play around the world. Ryan launches ‘Persona’ at London’s XOYO on 12th April with further dates to be announced.

Persona

Unfolding

Buy 2LP/CD/DL

Rival Consoles - Unfolding

Djrum - Showreel Pt 1

Ryan Lee West aka Rival Consoles announces details of his highly anticipated new album 'Articulation', out on July 31. Pr-order is on LP & DL: https://idol.lnk.to/articulation

Lead track and album centrepiece 'Articulation' links the record back to the analogue fluidity and colour of 2016’s 'Night Melody'. The division of varying time signatures, intertwined with a complex structure of notes, creates an expression of a moving structure and conjures a dreamy, motorik energy. Ryan Lee West explains, "The title track is about articulation and playfulness with shape and time. Its structure is very machine-like, but I was really interested in how melody and sense of story could develop out of this, and it became an exploration of mathematical structures — patterns and shapes having a conversation. I love that something on paper can appear rigid and calculated, but then take on new meaning based on the context that surrounds it, or how it changes over time."

'Articulation', which follows 2018’s 'Persona', was conceived with a very visual way of thinking, unusual for the London musician and producer. During the writing process Ryan drew structures, shapes and patterns by hand to try and find new ways of thinking about music, giving himself a way to problem-solve away from the computer. The album title references a piece by the avant-garde contemporary composer Györgi Ligeti, though not for its music, but for the non-traditional graphic score that accompanied it.

“I find electronic music is often battling to say something with integrity because technology and production can easily get in the way. I think the goal of a lot of electronic composers is to find a balance between the vision of the idea and the power of possibilities on the computer. With a pen and paper sketch you can compose and rethink ideas without technology getting in the way, so for me it acts as a very helpful tool to refresh the process.” — Ryan Lee West

Since the release of 'Persona', Ryan Lee West has taken his captivating live A/V set to all corners of the world. Last seen live on stage with 17 players of the London Contemporary Orchestra for a sold-out orchestral performance at Southbank Centre’s Queen Elizabeth Hall in January 2020.

Meanwhile Ryan has kept busy. After contributing an exclusive track 'Them Is Us' to Adult Swim’s coveted Singles series, he recently shared the beautifully textured solo piano piece 'Winter’s Lament' on this year’s Piano Day. He has also been in high demand as a composer, scoring Charlie Brooker’s much talked about Black Mirror episode Striking Vipers, composing original music for Secret Cinema presents Stranger Things as well as renowned choreographer Alexander’s Whitley’s groundbreaking new work Overflow which was set to premiere at London’s Sadler’s Wells Theatre this spring.

Articulation

Stream & order LP · DL

Rival Consoles - Articulation

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Kiasmos - Burnt

Erased Tapes

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