Nils Frahm & Anne Müller live at Radialsystem on 14 December, 2013. In the frame of "The Intention", a multimedia production conceived by the innovative London based performance collective Neon Dance.

Special thanks to Carlo Grippa and Terence Goodchild for the amazing sound.
Recorded at Radialsystem, Berlin.
Published with permission of the artists.

If you like what you hear, support the artists!
www.neondance.org
www.nilsfrahm.de

Visit UM:LAUT on Facebook and spread the word:
www.facebook.com/umlautberlin
www.umlautlive.de

Nils Frahm & Anne Müller - The Intention @ UM:LAUT - Live Snippet 2

￼
The first full track stream from Nils Frahm's new album 'FELT' which will be released worldwide via Erased Tapes on October 10, 2011.



￼
ORDER it on CD/LP/DL here: http://erasedtapes.com/store/index/ERATP033
and receive 2 exclusive outtakes and a limited edition postcard.

LIKE and FOLLOW Nils Frahm here: http://facebook.com/nilsfrahm



￼
★★★★ – MOJO | ★★★★ – CLASH | ★★★★★ – MUSO | 9/10 – Drowned In Sound
★★★★ - ROLLING STONE (Germany) | ★★★★★ – WESTZEIT


￼
CONTEXT: Berlin-based pianist Nils Frahm is already a firebrand in the modern classical world, collaborating with contemporaries such as Peter Broderick, Ólafur Arnalds and Anne Müller. His unconventional approach to an age-old instrument, played contemplatively and intimately, has won him many fans around the world.

As announced by Drowned In Sound, he finally returns on October 10th 2011 with the successor to his highly acclaimed solo piano works Wintermusik and The Bells. Released on Erased Tapes Records and entitled FELT, the album will coincide with a European tour in November 2011 – a truly memorable and magical live experience.


CONTENT: Having recorded his last album live in a large, reverberant church, Nils Frahm now invites you to put on your headphones and dive into a world of microscopic and delicate sounds – so intimate that you could be sitting beside him.

Recorded late at night in the reflective solitude and silence of his studio in Berlin, Frahm uncovers a new sound and source of inspiration within these peaceful moments:

'Originally I wanted to do my neighbours a favour by damping the sound of my piano. If I want to play piano during the quiet of the night, the only respectful way is by layering thick felt in front of the strings and using very gentle fingers. It was then that I discovered that my piano sounds beautiful with the damper.’

Captivated by this sonic exposition, he placed the microphones so deep inside the piano that they were almost touching the strings. This brought a host of external sounds to the recordings which most producers would try their hardest to hide:

‘I hear myself breathing and panting, the scraping sound of the piano's action and the creaking of my wooden floorboards – all equally as loud as the music. The music becomes a contingency, a chance, an accident within all this rustling. My heart opens and I wonder what exactly it is that makes me feel so happy.’

FELT creates its own personal microcosm, offering a refuge of tender and honest beauty.

A video for the pre-release single UNTER can be watched here:
http://vimeo.com/13833500


￼

Press reactions to his last album THE BELLS:

'The Bells is a record of astonishing beauty' (8/10) – Drowned In Sound  

'Nils Frahm is poised to become something of a sensation' – The Economist's Intelligent Life  

 ‘Emotionally charged piano music which always errs toward the melodic side of melancholy' **** – Mojo  

 ‘If there’s any justice The Bells, along with his recently released Wintermusik set, will expose Frahm to a wider audience, a demographic with a seemingly insatiable appetite for more prime neo-classicism’ – BBC Music  


TRACK LISTING:       1. KEEP 2. LESS 3. FAMILIAR 4. UNTER 5. OLD THOUGHT 6. SNIPPET 7. KIND 8. PAUSE 9. MORE

OFFICIAL WEBSITES:          

WWW.DURTONSTUDIO.COM
WWW.FACEBOOK.COM/NILSFRAHM
WWW.ERASEDTAPES.COM 


Felt

Nils Frahm - Snippet

cantsleep.1 Rest Here

One Swallow

Hidden Orchestra live at Radialsystem on 13 June, 2015 in the frame of Denovali Festival Berlin.

Special thanks to Carlo Grippa for the amazing sound and to Joe Acheson for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artist!
www.hiddenorchestra.com

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Hidden Orchestra @ UM:LAUT - Seven Hunters (Live Reorchestration)

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

LNT: http://po.st/olafurLNT  
iTunes: http://geni.us/LNTolafurarnalds
Bandcamp: http://po.st/olafurBC 

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the new Late Night Tales.

“When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.” - Ólafur Arnalds, March 2016

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Late Night Tales: Olafur Arnal

Ólafur Arnalds - RGB (Late Night Tales: Ólafur Arnalds)

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

James Maloney studied music at Oxford University and after graduating in 2011, found his own voice in minimalist composition and songwriting, which led him to the sounds and style present on Gaslight. The album is a vibrant piece of work that is built around an old piano, accompanied by a trumpet, vibraphone, glockenspiel, and subtle electronics. This is a music defined by spacious atmospheres, vibrant tones, and comforting chords, a bold soundworld crafted by Maloney on his debut record that make it a triumphant and original foray into minimalist territories. Maloney adeptly weaves a broad range of styles and influences into his compositions: gentle nods to cinematic orchestrations meet hints of post-rock sonorities, with infusions of mellow jazz and modern classical germs.

Gaslight is released on CD and digital on July 7. Pre-order: http://hcdi.gs/2s5lU8E

Gaslight

Blink

Pre-Order

TRACK PREMIERE : James Maloney - Blink

"I think I am the same as an artist and as a person. Music is my way of communication and I see the art, the music as a whole thing, with no borders, divisions, or even genres." - https://soundcloud.com/haniarani

Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik, and released an album with her Polish group tęskno last year. She has performed at some of the most prestigious venues in Europe - from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London (where she made her debut at the Gondwana 10thanniversary festival last October) and at festivals such as Open'er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

'Esja' is her debut solo album and for Rani it is her first, real, personal statement as an artist. "No hiding behind the "collaborations" or "projects" anymore. For the very first time, finally - just me, as I am".

Recorded at Rani's apartment in Warsaw (the piano room has a beautiful reverb and the space has become part art studio and part sound laboratory for Rani) and at her friend Bergur Þórisson'sstudio in Reykjavik, Esja is a series of beautiful melodic vignettes. Sensual, sensitive, rhythmic, atmospheric, free but harmonious, beguiling and hypnotic, collectively they project a sense of unlimited space and time.

Esja

Hawaii Oslo

Hania Rani - Hawaii Oslo (Piano Day 2019)

Olafur Arnalds and Nils Frahm - Live in Berlin - 2011

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone