Broderick released his first score ‘Music for Falling From Trees’ on Erased Tapes in 2009. Created for a contemporary dance by London-based choreographer Adrienne Hart (Neon Productions), the 30-minute piece in seven sections received much acclaim, both for its emotive and fitting accompaniment to Hart’s choreography and for its ability to work as a self–contained release.

‘Beautiful, minimal and bewitching’ – Mojo | 'The work of a master composer' – Drowned In Sound

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. Adrienne was looking for a score of piano and strings, so he left the guitar and his voice aside and focused entirely on those two timbres. ‘I decided to take this literally and make a rule not to use any other instrument. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails.’

Falling From Trees toured this year’s UK summer festivals Glastonbury and Edinburgh Fringe.

‘This show is an outstanding example of all the strands coming together in an exciting and satisfying whole – great music from Peter Broderick, intriguing and visceral video projections tied together aptly with Adrienne Hart’s choreography’ **** – The Skinny

In early 2010 Peter Broderick was approached by the collaborative media artist duo Kit Monkman and Tom Wexler aka KMA, who asked him to create a score for Congregation, KMA’s most ambitious work to date. The world’s first ever ballet designed, choreographed and composed entirely for pedestrian performers, Congregation has been commissioned by Scan and the British Council. Due to premiere simultaneously at Rockbund Art Museum, Shanghai as part of World Expo and Bournemouth for the Inside Out Festival, further performances will follow at Tate Britain London this autumn.

To coincide with both KMA’s and Peter Broderick’s string of live performances, Erased Tapes will release a highly limited double 10” gatefold vinyl edition on October 18. Featuring both Music for Falling From Trees and Music for Congregation under the collective title Music for Contemporary Dance, this release will further demonstrate that this young artist at the cusp of his career has already emerged as a composer in his own right.

'Painfully young and unnervingly talented' – The Economist’s Intelligent Life

‘A songwriter of beguiling depth' – The Sunday Times

‘A precociously talented, classically trained multi-instrumentalist’ – The Independent

Music For Congregation

Peter Broderick – Part 2: Understanding

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Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

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