Imagine you are walking in the woods towards a small village and you hear a flute player accompanied late by musical friends and you get to be there.

All sounds are created with Ragnarok synth by Full BucketMusic for the OSC195 challenge

Johnkhf_OSC195 Happy

My entry on OSC#195.

One instance of Ragnarök synth.

FX: kHs Haas, kHs Filter, kHs 3-Band EQ, kHs Dual Delay, epicPlateMKII, ModernExciter, SonEQFree, bx_Masterdesk Classic, Raum

PeterBPL - En Último Lugar

Entry for One Synth Challenge 195 - Full Bucket Ragnarök2

Concocted in Reaper, using 35 instances of Full Bucket's Ragnrök2.
9 instruments, 7 effects, and 18 percs ( layering involved this time. ) No 3rd party sounds present. 
Lightly massaged, here and there, by TDR Nova at track level. Also present: HOFA System Gain & Hy-Delay 4.
Drums snipped by KClip Zero, subsequent light revitalising by Flux Bittersweet
Reverberated by U-he Protoverb and Valhalla Supermassive, aided by TDR Nova, HOFA System Pan & Delay, JS Mixer & A1 Stereo Control
Light manipulations at master level by TDR Nova, Flux Bittersweet, A1 Stereo Control & Limiter No6

Bouquet de Fleurs

"Ooriv the weird professor was close to despair and wanted to give up so many times... He just couldn't do it and yet another village lay in ruins. He had followed the notes exactly. But every time he tried to create a Phoenix, it turned into a fire-breathing monster that knew neither friend nor foe. This time it hit Harold's flock of sheep... Only a few animals survived the attack. Fortunately, the creature turned back to ash in a few minutes. Was the merchant in KreVaRon ripping him off when he sold him the old manuscript from Ragnarök? He made his way to his old mentor Norat. He looked at the notes, but couldn't find any serious errors. Of course, as always, he found fault here and there. He was never completely satisfied with Ooriv's work, but that was always incentive enough to continue. Ooriv took notes and went back to his laboratory to try again. This time it had to succeed..."

Made with FL Studio and Fullbucket Ragnarök Mark 2 for KVR OSC 195

All Sounds made with Ragnarök Mark 2

Used Plugins: Ozone EQ 11, Firecomp2, Mix Space, TDR Nova, Panagement 2, Raum, Transpire, OTT, LoudMax, DD Filter, Deelay, Plateau 2, kHs Filter, Valhalla Supermassive, Lushtraq, Airwindows Galactic Reverb, Replika, Protoverb, DD Monodelay

The untold Story

Viroo - The untold story

for OSC 195, made entirely with Full Bucket's Ragnarok 2, plus a handful of delays and a reverb.
Tuned in 22edo.


Leonard Bowman - 22 steps back

This is my entry for the KVR One Synth Challenge #195 Feb 2025.
All sounds are made with the "Ragnarök 2" AU plugin by Full Bucket Music in Logic Pro.

Körangar (OSC#195 May 2025)

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

Entry for the KVR One Synth Challenge 196 using only Primer 2 synth

Alto del León (OSC 196)

My Submission for August 2025 OSC. 7 Tracks, powered by FLStudio and Quilcomm's Trout. Maximus for loudness.

Based on various incarnations of the Trautonium - a Synth Design originating in the 1930's. I chose Trout because I've wanted to try my hand as something very old and very strange with the plugin. And oh my - it's strange.

Cover is AI generated this time - Colors and some things fixed/added afterwards. My blender skills aren't THAT good. 

Early synths defined some of the sounds and vibes that powered Science Fiction, so I went with something that evoked a dangerous and strange job in space. Enjoy!



Starsickle - Nebulous Journey

Made for KVR One-Synth-Challenge 199
https://sites.google.com/site/kvrosc/2025/osc-199-ripplerx

bzz - Mare Spei

Composed for KVR One Synth Challenge 122 using only sounds from freeware VST Surge (amazing synth).

All sounds made from scratch.

DAW: Reaper 5.97

24 x Surge

ReaComp
ReaEQ
epicVerb
TDR Kotelnikov
Unlimited

Photo: a-muse

eraze the borders - Synful [OSC 122]

Producer, Beatmaker (occasional MC & singer) from Berlin. Working with samples as well as synthesized sounds. Over 15 years of experience. Blending different genres, always with a hiphop flavour.

Regularly participating at Sample Science Berlin and KVR One Synth Challenge.