Harmony 3 is an NYC-based trio of dynamic musicians bringing a contemporary perspective to the classic ensemble of oboe, clarinet, and bassoon.

http://cantan.bandcamp.com/
https://vimeo.com/canjuruni
https://www.behance.net/cantan

Composer, pianist, songwriter, actress from Turkey based in Barcelona.

Markus J. Buehler is the McAfee Professor of Engineering at MIT, and a composer of experimental, classical and electronic music, with an interest in sonification. Using an approach termed "materiomusic", his artistic work explores the creation of new forms of musical expression - such as those derived from biological materials and living systems - as a means to better understand the underlying science and mathematics. One of his goals is to use musical and sound design as a novel and abstract way to model, optimize and create new forms of matter from the bottom up, and to assess cross-system design relationships. He is also interested in research to explore relationships between classical music, mathematics, and the physical and biological sciences, an in the mapping of models of consciousness across systems. In recent work he has developed a new framework to compose music based on proteins – the basic molecules of all life, as well as other physical phenomena such as fracturing, to explore similarities and differences across species, scales and between philosophical and physical models. 

Contact: mbuehler@MIT.EDU

Tamara McLeod was born in Denver, Colorado, to a Ukrainian mother and an American father in 1999. She spent years of her childhood in Crimea wandering through the ancient greek ruins of Chersonese and swimming in the Black Sea. Tamara began composing in her late teens, and is also a pianist/singer. Her music is dedicated to illuminating the experience of the human condition and exploring the multi-faceted world of emotion.
 
    Tamara’s body of work includes a wide array of music, ranging from vocal, orchestral, smaller ensembles, to solo piano works and beyond that. She has a particular fondness for electroacoustic music. Tamara has written an aleatoric piece for trumpet, voice, electronics, and tape, “Granules”; a passionate and fruitful exploration with trumpeter/composer/performer Sam Friedman. Above all, Tamara has a special place in her heart for writing for the voice. 
Her art song "Dirge for a Joker” placed third in the SFCM 9th Biennial art song competition, and her choral piece "De Profundis” placed second in the SFCM 14th Biennial a cappella choral competition. 
 
    McLeod has been commissioned by a diverse range of entities, including the Ensemble for These Times (“Spent”, for piano trio), the Church of St. Ignatius Loyola (“For God Alone…” for accompanied SATB choir), and opera singer Susanne Mentzer (“She Could…(For Mary)”, for mezzo and piano quintet). 
 
    With a tremendous interest in exploring the works of and connecting with other composers, Tamara has attended many music festivals and programs such as the Arts Letters and Numbers Creative Music Intensive (Averill Park NY, USA), the Zodiac Music Festival (Nice, France), the Bowdoin International Music Festival (Brunswick ME, USA), the Fresh Inc Festival (Virtual), and the European American Music Alliance Program (Paris, France). 
 
    Tamara holds a Master of Music in composition from the Manhattan School of Music where she studied with Reiko Fueting, Susan Botti, and David Adamcyk. She began her journey in music composition at the San Francisco Conservatory of Music, where she studied with her mentor, David Garner, and received her Bachelor of Music in composition. She has also studied with wonderful composers/pedagogues including Michael Harrison, Aleksandra Vrebalov, and Derek Bermel. 
 
    Tamara McLeod believes in engaging with art holistically. She loves poetry, visual art, film, architecture, dance: all of which enriches her sense of humanity. These engagements bring about an ever-changing perspective in her, of creation and expression as a human being.

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