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> Licensing Inquiries: licensing@indiemusicgroup.com

the Indie Select family:

Pantheon Select:
@WeArePantheon
@Dubstep
@TrapMusic
@Type91

Azureon Select:
@Azureon
@HouseMusic
@DeepSounds
@IvoryOasis
@FirstEdition

Hegemon Select:
@Hegemon
@Wonderlust
@Chill
@XXX
@Your_Secret
@Lavish

Submit Music: https://aia.ag/Submit-Music

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> Feature Our Music: E@ArtistIntelligence.Agency
> Licensing Inquiries: licensing@artistintelligence.agency

The Family:
@Hegemon
@WeArePantheon
@ThisIsEchelon
@EDM
@Hip-hop
@Future
@Chill
@DeepSounds
@XXX
@FirstEdition
@IvoryOasis
@Lavish
@Type91
@Dubstep
@TrapMusic
@HouseMusic
@eyesonyourecords

The Catalog:
@AIAPresents

Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

Brian Hollister aka McDubbin started out DJ’ing in 2012 at a local weekly bass music event in Asheville, NC. With a style focused primarily on the heavier side of electronic music, he quickly joined up with the Shenanigan Society and the Asheville Drum and Bass Collective to bring his particular taste of music to the masses. Throughout the years, he has helped facilitate mysterious gatherings known as Lurches thrown by the Shenanigan Society. He also has helped and continues to help with Asheville Full Moon Gatherings and both Solstice and Equinox Festivals thrown by the T.O.U.C.H Samadhi family. 
As an aspiring sound engineer, he also can be found behind the scenes helping with production and stage management. Always the mad scientist, McDubbin also creates pyrotechnic effects and other devious toys to bring out for everyone to enjoy. 
Not sticking to any one style of music, you never really know what you are in store for but can be sure that it will fit the vibe of any show. 
Current Affiliations: Shenanigan Society, T.O.U.C.H Samadhi, Asheville Drum and Bass Collective 

McDubbin has shared the stage with artists along the likes of Drumsound & Bassline Smith, Kenny Ken, DJ SS, BladeRunner, DJ Dara, Mr. Pink and Daksinamurti just to name a few.

Get ready for a party.

Ho99o9 (horror) - An unauthorized biography
The first spores of Ho99o9 were identified by the CDC’s infectious disease unit
in the outsourced offices of purgatory that are peppered all throughout New
Jersey in places like Linden, Elizabeth and Newark.
There was only legend until cultures were collected. Once told as a cautionary
tale of two neighborhood kids, their story mutated into a reflection on the
horrors of the society that produced them. What happened between those
early days in the neighborhood and the present day is often debated.
theOGM (Jean) & Yeti Bones (Eaddy) are certainly a product of their early
environment. There weren’t any fields or even much grass for a kid to play on.
Gardens were made of concrete and a reality sustained only by dreams of
places where the train tracks went.
Eaddy’s Pops brought Motown and the militancy of the armed forces into
Eaddy’s sometimes rigid and uncompromising basic training for life. Pops was
hard because hard makes leaders in the human chain of command. And Jean
was always there in the street level offices of Chris Christie’s “small
government” purgatory in the defunded, decommissioned and deconstructed
district of Linden New Jersey. Jean knew when Trump’s future fuc boi and
every other neo-con said “small government” what they really meant was
“Fuck you nigg…”
Style was lacking but what Jean’s Pops was packing into his ear speakers stayed
embedded in Jean’s mind - The sounds of Haitian Kompa sung by Sweet Micky
(Michael Martely). The bizarre behavior and non-conformist styles of a Haitian
icon caught Jean’s eyes and ears back then and once again now with Micky
recently rising to become president of Haiti. Thieves and liars giving way to an
influential artist elected to rebuild a crumbling nation? Noted.
Jean and Eaddy kept lampin in overlapping circles of connected streets,
bordering cities and shuffled between under funded public schools. The sounds
on Hot 97 filled blank tapes with Bone Thugs, Busta, Onyx, Lil Jon and Missy
Elliott. Mental hard-drive uploads with flow served to drive them to finally
jump on that train to see what else was out there and what they found
changed them irrevocably.
Eaddy began branching out, bringing hardcore like Bad Brains back home with
him. The pair didn’t know it at the time but the resulting amalgamation they
brought back was the Deathkult. They were armed only with a pawn shop
sampler and the power to influence.
Born to lose in Jersey, reborn in NYC and subsequently reimagined 999.
Rewired to spread a promise for the next emancipation from time. The gospel,
the vibration, hardcore punk, rage and rhyme - theOGM and Yeti Bones emerge
transformed into weapons of mass expression and the spectacle known today
only as Ho99o9 (horror).
Then just like that, Ho99o9 vanished from the east coast, allegedly recruited
into a beat laboratory in Los Angeles. They baptized in blood and emerged
wrapped in a sound that had not yet been heard.
A congregation gathered in a scene of like-minded mutants and L.A. quickly
became the HQ of Ho99o9. More minions manifest with Horror spores started
spreading all throughout North America and the European Union - a pandemic
of fools gettin' woke as the fringe becomes the majority and we recall the
prophecy of Sweet Micky.
And Today - a new nation rises to smash the guise of the god-head. A deity-less
religion of our collective humanity, neither divine, nor wicked, led only by the
march of the Deathkult and delivered by its soldiers - theOGM and Yeti Bones in
their United States of Horror*.

When iXNéE takes over, the dancefloor ignites. With a lifelong passion for music and dance, she’s been transforming dancefloors nationwide since 2007, delivering electrifying sets that defy convention and spark a dynamic dialogue between movement and sound.

Her passion for breakbeats infuses every filthy drop, sultry bassline, and infectious melody. More than just playing music, she feeds off the crowd’s energy, amplifying it with each beat. Her seamless flow pulls you into a groove that’s irresistibly sexy and danceable, creating a space for pure dancefloor magic.

Whether weaving mesmerizing melodies or unleashing bass-driven beats, iXNéE leaves an unforgettable groove in the hearts of all who join her. With effortless flow and contagious energy, she creates a deep connection between sound and motion that keeps the crowd moving long after the last beat fades.



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